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Funky Snakefoot
''Funky Snakefoot'' is the second album by American jazz drummer Alphonse Mouzon recorded in 1973 and released on the Blue Note label. # "I've Given You My Love" (''Mark Langford'') – 4:43 # "You Don't Know How Much I Love You" (''Elvena Mouzon'') – 4:40 # "I Gotta Have You" – 2:46 # "My Life Is So Blue" (''Mark Langford'') – 4:37 # "Funky Snakefoot" – 3:45 # "My Little Rosebud" (''Elvena Mouzon'') – 2:02 # "A Permanent Love" (''Elvena Mouzon'') – 4:20 # "The Beggar" (''Mary Highsmith'') – 4:35 # "Oh Yes I Do" (''Mark Langford'') – 4:35 # "Tara, Tara" (''Mary Highsmith'') – 3:35 # "Where I'm Drumming From" – 1:20 # "Ism" ('' Larry Coryell'') – 3:08 :*Recorded at Electric Lady Studios in New York City on December 10, 11 & 12, 1973 Personnel *Alphonse Mouzon – drums, vocals, synthesizer, tack piano *Randy Brecker – trumpet (tracks 1, 5, 7, 9 & 12) *Barry Rogers – trombone (tracks 1, 5, 7, 9 & 12) *Andy Gadsden – tenor saxophon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Mouzon
Alphonse Lee Mouzon (November 21, 1948 – December 25, 2016) was an American jazz fusion drummer and the owner of Tenacious Records, a label that primarily released Mouzon's recordings. He was a composer, arranger, producer, and actor. He gained popularity in the late 1960s and early 1970s. Biography Early life Mouzon, of African, French, and Blackfoot descent, was born on November 21, 1948, in Charleston, South Carolina. He received his first musical training at Bonds-Wilson High School, and moved to New York City upon graduation. He studied drama and music at the City College of New York, as well as medicine at Manhattan Medical School. He continued receiving drum lessons from Bobby Thomas, the drummer for jazz pianist Billy Taylor. He played percussion in the 1968 Broadway show '' Promises, Promises'', and he then worked with pianist McCoy Tyner. He spent a year as a member of the jazz fusion band, Weather Report. After that Mouzon signed as a solo artist to the Bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Note Records Albums
Blue is one of the three primary colours in the RYB colour model (traditional colour theory), as well as in the RGB (additive) colour model. It lies between violet and cyan on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical effect known as Rayleigh scattering. An optical effect called Tyndall effect explains blue eyes. Distant objects appear more blue because of another optical effect called aerial perspective. Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of all pigments. In the eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Berrios
Steve Berrios (February 24, 1945 – July 25, 2013) was an American jazz drummer and percussionist born in New York City. Biography Starting out on trumpet while in public school, he was influenced by his father, a professional drummer, and his neighbors in Upper Manhattan: Tito Puente, Willie Bobo and Mongo Santamaria. At 16, he began winning talent and trumpet contests, including the famed Apollo Theatre competitions, in which he placed first no less than five times. Switching his focus to drums and percussion, he started touring and recording with Mongo Santamaria at age 19. He learned to play batá sacred drums from Julito Collazo. He played conga, djembe, cowbells, marimba, timpani and glockenspiel in Dizzy Gillespie’s band on a good-will tour of Cuba in the 1980s. In 1981, he became a founding member of the milestone Latin jazz group “Jerry González & the Fort Apache Band”. Berrios recorded more than a dozen albums as a member of the Fort Apache Band, including “T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongo Drum
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary King (bass Player)
Gary W King (September 4, 1947 – July 23, 2003) was an American jazz bassist. He was born in Middletown, New York. King appeared on many albums released by CTI Records, especially those by Bob James, and later on James' own album label Tappan Zee Records. He also played bass on a number of albums by Gato Barbieri, Roberta Flack, Grover Washington Jr., and on The Jacksons' album ''Destiny'', notably the track "Blame It on the Boogie". Discography With Gene McDaniels * Headless Heroes of the Apocolypse (Atlantic, 1971) With George Benson * Bodytalk (CTI, 1973) * Pacific Fire (CTI, 1983) With George Benson & Joe Farrell * Benson & Farrell (CTI, 1976) With Lenny Williams * Pray for the Lion (Warner Bros, 1974) * Big City (Nemperor, 1977) With Alphonse Mouzon * Funky Snakefoot (Blue Note, 1974) With Idris Muhammad * Power of Soul (Kudu Records, 1974) With Esther Phillips * Performance (Kudu Records, 1974) * For All We Know (Kudu Records, 1976) With Luiz Bon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Steel Guitar
The pedal steel guitar is a Console steel guitar, console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than any previous steel guitar design. Like all steel guitars, it can play unlimited glissando, glissandi (sliding notes) and deep vibrato, vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Music of Hawaii, Hawaiian music. Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the Steel bar, bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added. From its first use in Hawaii in the 19th century, the steel guitar sound became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leon Pendarvis
Leroy Leon Pendarvis (born 1945) is an American session musician. He plays keyboards and is a background vocalist. He is also an occasional guitarist. The artists he has worked with over the years include Bonnie Raitt on her ''Streetlights'' album which was released in 1974, Van McCoy on his '' Disco Baby'' album which was released in 1975, Barbra Streisand on her ''Songbird'' album which was released in 1978, Eric Clapton on his ''August'' album which was released in 1986, Don Johnson on his '' Let It Roll'' album which was released in 1989, Avril Lavigne on her '' Keep Holding On'' album which was released on 2007, and many more. He was at one time a member of the group Passion. He is also the musical director and conductor for NBC's ''Saturday Night Live'' (SNL) Band. Since 1986 he has been a member of The Blues Brothers band. He was the husband of singer and chorist Janice Pendarvis (born Janice Gadsden), who sang for Roberta Flack, Sting, Philip Glass, David Bowie, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
