Funerary Monument Of Lusius Storax
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Funerary Monument Of Lusius Storax
The Funerary Monument of Lusius Storax is a temple tomb of the early Roman Imperial period, preserved in the Museo Archeologico Nazionale d'Abruzzo in Chieti. The monument consists of two reliefs, a frieze and a pediment, which are dated between AD 30 and 50 on epigraphic and stylistic grounds (like the type of armour worn by the gladiators). The tomb's occupant, Gaius Lusius Storax, was a freedman who became a ''sevir Augustalis'' of Teate (modern Chieti) following the administrative reforms of Augustus. Frieze The frieze depicts a gladiatorial game, which the rich Lucius must have organised on the occasion of his election. The gladiators are depicted in various poses (saluting, preparing, fighting, victorious, and defeated), as if part of a single scene, although in reality the various stages would actually happen sequentially. The goal of the donor must have been to document the sumptuousness of the games, whose cost was proportional to the number of combatants involved. The ...
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Monumento Funerario Di C
Monumento may refer to: * ''Monumento'' (album), a 2008 album by Dakrya * Monumento, a district in Caloocan, Philippines where the Bonifacio Monument is located ** Monumento LRT Station See also ''Monumento'' means monument in Portuguese, Spanish, and Filipino. For relevant articles in Wikipedia see: * Monuments of Portugal * Monument (Spain) {{disambiguation ...
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Quadrumvirs
Quadrumvirs ( it, quadrumviri) may refer to: In ancient Rome, ''quadrumvir'' was an elective post assigned to four citizens having police and jurisdiction power, elected by the Senate. The term is cognate with ''triumvir'' and ''duumvir'', respectively describing a post of three and two people, which gave rise to the better-known extant terms triumvirate and diumvirate. At the beginning of Italian Fascism, they were a group of four leaders that led Benito Mussolini's March on Rome in October 1922. They were all involved in the Fascist party under Mussolini and had been involved in politics and/or war leading up to the Fascist dictatorship. They were: *Michele Bianchi, a revolutionary syndicalist leader *Emilio De Bono, a leading Italian General who had fought in World War I *Cesare Maria De Vecchi, a member of the Italian Chamber of Deputies, as well as a colonial administrator *Italo Balbo, a Blackshirt leader and leader of the Ferrara Fascist organisation See also *Grand Counci ...
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1st-century Roman Sculptures
The 1st century was the century spanning AD 1 ( I) through AD 100 ( C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or historical period. The 1st century also saw the appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and instability, which was finally brought to an end by Vespasian, ninth Roman emperor, a ...
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Mario Torelli
Mario Torelli (May 12, 1937 – September 15, 2020) was an Italian scholar of Italic archaeology and the culture of the Etruscans. He taught at the University of Perugia. Torelli was born in Rome, Italy. He was trained by the art historian Ranuccio Bianchi Bandinelli as well as by Massimo Pallottino. Torelli completed his laurea degree at the University of Rome "La Sapienza" in November 1960, writing a thesis on the site of Falerii Veteres. He held many posts during his professional life, beginning as an assistant at the center for ancient art history in Rome (1960–1962), followed by a stint as archaeological inspector of the Villa Giulia Museum in Rome (1964–1969). He was appointed a professor of Greek and Roman art history at the University of Cagliari in 1969, and served in that position until 1973. He was also instrumental in the excavations of the sanctuary at the site of Gravisca. Torelli joined the faculty of the University of Perugia in 1975; he was appoin ...
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Obelisk Of Theodosius
The Obelisk of Theodosius ( tr, Dikilitaş) is the Ancient Egyptian obelisk of Pharaoh Thutmose III re-erected in the Hippodrome of Constantinople (known today as ''At Meydanı'' or ''Sultanahmet Meydanı'', in the modern city of Istanbul, Turkey) by the Roman emperor Theodosius I in the 4th century AD. History The obelisk was first erected during the 18th dynasty by Pharaoh Thutmose III (1479–1425 BC) to the south of the seventh pylon of the great temple of Karnak. The Roman emperor Constantius II (337–361 AD) had it and another obelisk transported along the river Nile to Alexandria to commemorate his ''ventennalia'' or 20 years on the throne in 357. The other obelisk was erected on the '' spina'' of the Circus Maximus in Rome in the autumn of that year, and is now known as the Lateran Obelisk. The obelisk that would become the obelisk of Theodosius remained in Alexandria until 390; when Theodosius I (379–395 AD) had it transported to Constantinople and p ...
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Arch Of Constantine
The Arch of Constantine ( it, Arco di Costantino) is a triumphal arch in Rome dedicated to the emperor Constantine the Great. The arch was commissioned by the Roman Senate to commemorate Constantine's victory over Maxentius at the Battle of Milvian Bridge in AD 312. Situated between the Colosseum and the Palatine Hill, the arch spans the ''Via Triumphalis'', the route taken by victorious military leaders when they entered the city in a triumphal procession. Dedicated in 315, it is the largest Roman triumphal arch, with overall dimensions of high, wide and deep. It has three bays, the central one being high and wide and the laterals by each. The arch is constructed of brick-faced concrete covered in marble. The three bay design with detached columns was first used for the Arch of Septimius Severus in the Roman Forum (which stands at the end of the triumph route) and repeated in several other arches now lost. Though dedicated to Constantine, much of the sculptural decoratio ...
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Ranuccio Bianchi Bandinelli
Ranuccio Bianchi Bandinelli (19 February 1900 – 17 January 1975) was an Italian archaeologist and art historian. Biography Bianchi Bandinelli was born in Siena to Mario Bianchi Bandinelli (1859–1930) and Margherita Ottilie "Lily" von Korn (Bianchi Bandinelli, 1878–1905), who were descended from ancient aristocracy in Siena. His early research focused on the Etruscan centers close to his family lands, Clusium (1925) and Suana (1929). Disgusted with Italian fascism, despite being the man who showed Hitler around Rome under Mussolini, he converted to communism after World War II and became a Marxist. He founded a magazine, ''Società'', together with Cesare Luporini and Romano Bilenchi in 1945. As an anti-fascist, he was appointed to a number of important art-historical positions immediately after the war. For example, he was director of the new government's fine arts and antiquities ministry (Antichità e Belle Arti, 1945–48). His memoir of fascism in Italy was published ...
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Summa Honoraria
The summa honoraria (or summa legitima) was a sum that civic magistrates and priests paid upon entering their office in the cities of the Roman Empire. In some places, like the Caesarian colony at Urso, duoviri and aediles were required to contribute 2000 sesterces towards the cost of the public games. Inscriptions from other cities record sums that typically range from 3000 to 35,000 sesterces. At Calama in Roman Numidia, a newly elected pontifex is recorded as having paid 600,000 sesterces as their initiation fee. The ''summa honoraria'' was largely a phenomenon of the Latin West. In the Greek East, the function was played by the liturgy Liturgy is the customary public ritual of worship performed by a religious group. ''Liturgy'' can also be used to refer specifically to public worship by Christians. As a religious phenomenon, liturgy represents a communal response to and partic ..., by which some cost was imposed on the wealthy whether holding an office or not. Ancient ...
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Lanista
''Lanista'' is a genus of African bush-crickets (Orthoptera: Tettigoniidae) in the subfamily Conocephalinae. Species * ''Lanista affinis'' Bolívar, 1906 * ''Lanista annulicornis'' (Walker, 1869) * ''Lanista crassicollis'' Bolívar, 1906 * ''Lanista varelai ''Lanista'' is a genus of African bush-crickets ( Orthoptera: Tettigoniidae) in the subfamily Conocephalinae. Species * ''Lanista affinis'' Bolívar, 1906 * ''Lanista annulicornis'' (Walker, 1869) * ''Lanista crassicollis ''Lanista'' is a ...'' Bolívar, 1906 References Tettigoniidae Orthoptera genera {{Tettigoniidae-stub ...
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Augur
An augur was a priest and official in the classical Roman world. His main role was the practice of augury, the interpretation of the will of the gods by studying the flight of birds. Determinations were based upon whether they were flying in groups or alone, what noises they made as they flew, the direction of flight, what kind of birds they were, etc. This practice was known as "''taking the auspices''". The augural ceremony and function of the augur was central to any major undertaking in Roman society – public or private – including matters of war, commerce, and religion. Augurs sought the divine will regarding any proposed course of action which might affect Rome's ''pax'', ''fortuna'', and ''salus'' (peace, good fortune, and well-being). Etymology Although ancient authors believed that the term "augur" contained the words ''avis'' and ''gerō'' – Latin for "directing the birds" – historical-linguistic evidence points instead to the root ''auge ...
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Lictor
A lictor (possibly from la, ligare, "to bind") was a Roman civil servant who was an attendant and bodyguard to a magistrate who held ''imperium''. Lictors are documented since the Roman Kingdom, and may have originated with the Etruscans. Origin The lictors were instituted by Rome's first king, Romulus, who appointed twelve lictors to attend him. Livy refers to two competing traditions for the reason that Romulus chose that number of lictors. The first version is that twelve was the number of birds that appeared in the augury, which had portended the kingdom to Romulus. The second version, favoured by Livy, is that the number of lictors was borrowed from the Etruscan kings, who had one lictor appointed from each of their twelve states. Eligibility Originally, lictors were chosen from the plebeians, but through most of Roman history, they seemed to have been freedmen. Centurions from the legions were also automatically eligible to become lictors on retirement from the army. T ...
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Seat Of Honor
{{Short pages monitor See also *Curule seat Honor Honour (British English) or honor (American English; see spelling differences) is the idea of a bond between an individual and a society as a quality of a person that is both of social teaching and of personal ethos, that manifests itself as a ...
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