Frédéric Chopin
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Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many o ...
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Żelazowa Wola
Żelazowa Wola () is a village in Gmina Sochaczew, Sochaczew County, Masovian Voivodeship, in east-central Poland. It lies on the Utrata River, some northeast of Sochaczew and west of Warsaw. Żelazowa Wola has a population of 65. The village is the birthplace of the Polish pianist and composer Frédéric Chopin. It is known for its picturesque Masovian landscape, including numerous winding streams surrounded by willows and hills. In 1909, in celebration of Chopin's centenary, Russian composer Sergei Lyapunov wrote the symphonic poem A symphonic poem or tone poem is a piece of orchestral music, usually in a single continuous movement, which illustrates or evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. The German term ''T ..., '' Zhelazova Vola'' (Żelazowa Wola), Op. 37 (russian: Желязова-Воля), "in memory of Chopin". Housed in an annex to the Chopin's home, surrounded by a park, is a museum devoted to the ...
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Maria Wodzińska
Maria Wodzińska, ''primo voto'' Skarbkowa, ''secundo voto'' Orpiszewska (7 January 1819 – 7 December 1896), was a Polish artist who was once engaged to composer Frédéric Chopin. Life Maria Wodzińska was a daughter of Count Wincenty Wodziński and Countess Teresa Wodzińska, of the Jastrzębiec clan. She had three brothers, Antoni, Feliks, and Kazimierz, and a sister, Józefa. The family moved to Geneva in 1832, where Maria was "the brilliant star of the household... striking in every sense". She studied piano with composer John Field and art at the Geneva Academy. Prince Louis-Napoleon (later Napoleon III) was reportedly among those in love with her, as was poet Juliusz Słowacki, who wrote a poem about her. She was described as having "a touch of the Mediterranean about her": olive-toned skin and dark hair and eyes. She was one of the recipients of Chopin's so-called Farewell Waltz in 1835. She also painted the composer, creating what Tad Szulc called "one of the best ...
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Études (Chopin)
The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number. History Composition Chopin's Études formed the foundation for what was then a revolutionary playing style for the piano. They are some of the most challenging and evocative pieces of all the works in concert piano repertoire. Because of this, the music remains popular and often performed in both concert and private stages. Some are so popular they have been given nicknames; among the most popular are Op. 10, No. 3, sometimes identified by the names ''Tristesse'' ("Sadness") or "Farewell" (''L'Adieu''), as well as the "Revolutionary Étude" ( Op. 10, No. 12), “Black Keys” ( Op. 10, No. 5), and "Winter Wind" ( Op. 25, No. 11). No nicknames are of Chopin's ...
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Ballades (Chopin)
Frédéric Chopin's four ballades are single- movement pieces for solo piano, composed between 1831 and 1842. They are considered to be some of the most important and challenging pieces in the standard piano repertoire. Form The term ''ballade'' was used by Chopin in the sense of a balletic interlude or dance-piece, equivalent to the old Italian ''ballata'', but the term may also have connotations of the medieval heroic ballad, a narrative minstrel-song, often of a fantastical character. There are dramatic and dance-like elements in Chopin's use of the genre, and he may be said to be a pioneer of the ballade as an abstract musical form. The four ballades are said to have been inspired by a friend of Chopin’s, poet Adam Mickiewicz. The exact inspiration for each individual ballade, however, is unclear and disputed. Though the ballades do not conform exactly to sonata form, the "ballade form" created by Chopin for his four ballades is a variant of sonata form with specific di ...
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Ballade (classical Music)
A ballade (from French ''ballade'', , and German ''Ballade'', , both being words for "ballad"), in classical music since the late 18th century, refers to a setting of a literary ballad, a narrative poem, in the musical tradition of the , or to a one- movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballade. In 19th century romantic music, a piano ballad (most often spelled ballade) is a genre of solo piano piecesJim Samson, "Chopin and Genre", ''Music Analysis'' 8, no. 3 (October 1989): 213–231. Reference on 216–17. written in a balletic narrative style, often with lyrical elements interspersed. This type of work made its first appearance with Chopin's Ballade No. 1 in G minor, Op. 23 of 1831–35, closely followed by the ballad included in Clara Schumann's ''Soirées musicales'' Op. 6 published in the same year. Romantic ballades In late 18th century German literature, the term ''ballade'' w ...
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Polonaises (Chopin)
Most of Frédéric Chopin's polonaises were written for solo piano. He wrote his first polonaise in 1817, when he was 7; his last was the '' Polonaise-Fantaisie'' of 1846, three years before his death. Among the best known polonaises are the "Military" Polonaise in A, Op. 40, No. 1, and the "Heroic" Polonaise in A, Op. 53. There is also the ''Andante spianato et grande polonaise brillante'' in E, Op. 22, for piano and orchestra, which also exists in a solo piano version; and the '' Introduction and Polonaise brillante'' in C major, Op. 3, for cello and piano. Polonaises for solo piano Chopin wrote at least 23 polonaises for piano solo. Of these: * 7, including the '' Polonaise-Fantaisie'', were published in his lifetime * 3 were published posthumously with opus numbers * 6 were published posthumously without opus numbers * at least 7 are lost. List of polonaises by Chopin These are for solo piano unless otherwise indicated. See also * List of compositions by Frédéri ...
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Nocturnes (Chopin)
Frédéric Chopin wrote 21 nocturnes for solo piano between 1827 and 1846. They are generally considered among the finest short solo works for the instrument and hold an important place in contemporary concert repertoire. Although Chopin did not invent the nocturne, he popularized and expanded on it, building on the form developed by Irish composer John Field. Chopin's nocturnes numbered 1 to 18 were published during his lifetime, in twos or threes, in the order of composition. However, numbers 19 and 20 were actually written first, prior to Chopin's departure from Poland, but published posthumously. Number 21 was not originally entitled "nocturne" at all, but since its publication in 1938 as such, it is generally included with publications and recordings of the set. Influences By the time of Chopin's birth in 1810, John Field was already an accomplished composer. Eventually, the young Chopin became a great admirer of Field, taking some influence from the Irish composer's play ...
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