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From This Moment On (Shania Twain Song)
"From This Moment On" is a song by Canadian singer Shania Twain. It was released as the fourth single from her third studio album, ''Come On Over'' (1997). The song was written by Twain, with additional production and songwriting by Robert John "Mutt" Lange. Twain has performed "From This Moment On" on every one of her tours. Both a duet with Bryan White as well as a solo version were released. "From This Moment On" is a country pop track that received generally favourable reviews from music critics, who deemed the song as one of the highlights on the album. The song achieved commercial success, reaching number two in Australia, number seven in New Zealand, number four in Canada and the United States, and number nine in the United Kingdom. The song also charted in France, Netherlands, and Sweden, as well on several US ''Billboard'' charts. An accompanying music video, directed by Paul Boyd, depicts Twain walking down a hallway alone in a dress, and then toward the end of the v ...
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Shania Twain
Eilleen Regina "Shania" Twain ( , ; née Edwards; born August 28, 1965) is a Canadian singer and songwriter. She has sold over 100 million records, making her the best-selling female artist in country music history and one of the best-selling music artists of all time. Her success garnered her several titles including the " Queen of Country Pop". '' Billboard'' named her as the leader of the '90s country-pop crossover stars. Raised in Timmins, Ontario, Twain pursued singing and songwriting from a young age before signing with Mercury Nashville Records in the early 1990s. Her self-titled debut studio album was a commercial failure upon release in 1993. After collaborating with producer and later husband Robert John "Mutt" Lange, Twain rose to fame with her second studio album, '' The Woman in Me'' (1995), which brought her widespread success. It sold over 20 million copies worldwide, spawned eight singles, including " Any Man of Mine" and earned her a Grammy Award. Her ...
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Asylum Records
Asylum Records is an American record label, founded in 1971 by David Geffen and partner Elliot Roberts. It was taken over by Warner Communications (now the Warner Music Group) in 1972, and later merged with Elektra Records to become Elektra/Asylum Records. After previous incarnations, it is geared primarily towards hip-hop, along with rock and alternative metal. It is owned and distributed by Warner Music Group. History Formation Asylum was founded in 1971 by David Geffen, and partner Elliot Roberts, both of whom had previously worked as agents at the William Morris Agency, and operated a folk/rock label. They had also previously founded their own management company. While unsuccessfully pitching a recording contract for their client Jackson Browne to Atlantic Records president Ahmet Ertegun, Geffen said, "You'll make a lot of money." Ertegun replied, "You know what, David, I have a lot of money. Why don't you start a record company and then you'll have a lot of money." ...
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Sentimental Ballad
A sentimental ballad is an emotional style of music that often deals with romantic and intimate relationships, and to a lesser extent, loneliness, death, war, drug abuse, politics and religion, usually in a poignant but solemn manner.J. M. Curtis, ''Rock Eras: Interpretations of Music and Society, 1954-1984'' (Popular Press, 1987), p. 236. Ballads are generally melodic enough to get the listener's attention. Sentimental ballads are found in most music genres, such as pop, R&B, soul, country, folk, rock and electronic music. Usually slow in tempo, ballads tend to have a lush musical arrangement which emphasizes the song's melody and harmonies. Characteristically, ballads use acoustic instruments such as guitars, pianos, saxophones, and sometimes an orchestral set. Many modern mainstream ballads tend to feature synthesizers, drum machines and even, to some extent, a dance rhythm. Sentimental ballads had their origins in the early Tin Pan Alley music industry of the la ...
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Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encomp ...
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BBC Music
BBC Music is responsible for the music played across the BBC. The current director of music is Bob Shennan, who is also the controller of BBC Radio 2, BBC Radio 6 Music, and the BBC Asian Network. Officially it is a part of the BBC's Radio operational division and is directly responsible to Helen Boaden (director of Radio); however, its remit also includes music used in television and online services. It was established in its current form in 2014; however, the BBC had already been using the BBC Music brand to refer to its online music content and some live events beforehand, including a now defunct record label. Launch BBC Music had its official launch at 20:00 on 7 October 2014, with a simulcast of a specially-commissioned cover of the Beach Boys' 1966 song "God Only Knows". Produced by Ethan Johns, it featured a supergroup of singers such as Chris Martin (of Coldplay), Stevie Wonder, Kylie Minogue, Dave Grohl (of Foo Fighters), Elton John, Pharrell Williams, One Dir ...
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C (musical Note)
C or Do is the first note and semitone of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63  Hz. The actual frequency has depended on historical pitch standards, and for transposing instruments a distinction is made between written and sounding or concert pitch. It has enharmonic equivalents of B and D. In English the term ''Do'' is used interchangeably with C only by adherents of fixed Do solfège; in the movable Do system Do refers to the tonic of the prevailing key. Frequency Historically, concert pitch has varied. For an instrument in equal temperament tuned to the A440 pitch standard widely adopted in 1939, middle C has a frequency around 261.63 Hz (for other notes see piano key frequencies). Scientific pitch was originally proposed in 1713 by French physicist Joseph Sauveur and based on the numerically convenient frequency of 256  ...
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D (musical Note)
D"D note"
basicmusictheory.com is a musical note a above C, and is known as Re within the fixed-Do solfege system. Its enharmonic equivalents are C (C-double sharp) and E (E-double flat). When calculated in equal temperament with a reference of A above middle C as 440  H ...
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Vocal Range
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing, where it is used as a defining characteristic for classifying singing voices into voice types. It is also a topic of study within linguistics, phonetics, and speech-language pathology, particularly in relation to the study of tonal languages and certain types of vocal disorders, although it has little practical application in terms of speech. Singing and the definition of vocal range While the broadest definition of "vocal range" is simply the span from the lowest to the highest note a particular voice can produce, this broad definition is often not what is meant when "vocal range" is discussed in the context of singing. Vocal pedagogists tend to define the vocal range as the total span of "musically useful" pitches that a singer can produce. This is because some of the notes a voice can produce may not be considered usable by the singer within performance ...
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G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ...
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music. The group features a '' tonic note'' and its corresponding ''chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest, and also has a unique relationship to the other pitches of the same group, their corresponding chords, and pitches and chords outside the group. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major or minor mode, though musicians assume major when this is not specified, e.g., "This piece is in C" implies that the key of the song is C major. Popular songs are usually in a key, and so is classical music during the common practice period, around 1650–1900. Longer pieces in the classical repertoire may have sections in contrasting keys. ...
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Peer International (music Publishing)
Ralph Sylvester Peer (May 22, 1892 – January 19, 1960) was an American talent scout, recording engineer, record producer and music publisher in the 1920s and 1930s. Peer pioneered field recording of music when in June 1923 he took remote recording equipment south to Atlanta, Georgia, to record regional music outside the recording studio in such places as hotel rooms, ballrooms, or empty warehouses. Career Peer, born in Independence, Missouri, spent some years working for Columbia Records, in Kansas City, Missouri, until 1920, when he was hired as recording director of General Phonograph's OKeh Records label in New York. In the same year, he supervised the recording of Mamie Smith's " Crazy Blues", the first blues recording specifically aimed at the African-American market. In 1924, he supervised the first commercial recording session in New Orleans, Louisiana, recording jazz, blues, and gospel music groups there. He is also credited with what is often called the first ...
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Tempo (music)
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often indic ...
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