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From Spirituals To Swing
''From Spirituals to Swing'' was the title of two concerts presented by John Hammond in Carnegie Hall on 23 December 1938 and 24 December 1939. The concerts included performances by Count Basie, Benny Goodman, Big Joe Turner and Pete Johnson, Helen Humes, Meade Lux Lewis, Albert Ammons, Mitchell's Christian Singers, the Golden Gate Quartet, James P. Johnson, Big Bill Broonzy and Sonny Terry. Concert The idea was a history, starting with spirituals and leading up to big swing bands, involving African American performers. Hammond had difficulty gaining sponsorship for the event because it involved African American artists and an integrated audience. However, ''The New Masses'', the journal of the American Communist Party, agreed to finance it. Hammond, according to the liner notes of the boxed set, " 1938... conceived a concert at Carnegie Hall in New York City to showcase African-American music from its raw beginnings to the most current jazz. Hammond... was one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerts
A concert is a live music performance in front of an audience. The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or musical band, band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest music venue, venues are sometimes called ''arena concerts'' or ''amphitheatre concerts''. Informal names for a concert include ''show'' and ''gig''. Regardless of the venue, musicians usually perform on a stage (theatre), stage (if not actual then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arrang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Masses
''New Masses'' (1926–1948) was an American Marxist magazine closely associated with the Communist Party USA. It succeeded both ''The Masses'' (1912–1917) and ''The Liberator''. ''New Masses'' was later merged into '' Masses & Mainstream'' (1948–1963). With the coming of the Great Depression in 1929 America became more receptive to ideas from the political Left and ''New Masses'' became highly influential in intellectual circles. The magazine has been called “the principal organ of the American cultural left from 1926 onwards." History Early years ''New Masses'' was launched in New York City in 1926 as part of the Workers (Communist) Party of America's publishing stable, produced by a communist leadership but making use of the work of an array of independent writers and artists.Paul Buhle, ''Marxism in the USA: From 1870 to the Present Day'' (London: Verson, 1987), p. 172. The magazine was established to fill a void caused by the gradual transition of ''The Workers Mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Minor
Dan "Slamfoot" Minor (August 10, 1909 – April 11, 1982) was an American jazz trombonist who featured in the bands of Count Basie, Cab Calloway and many others from the 1920s to the 1940s. Early life He was born in Dallas, Texas, and played for a local church orchestra in his teens before joining local band the Blue Moon Chasers and then, in 1927, his first major professional engagement as a member of Walter Page's Blue Devils. Career In 1929 Minor joined another band, the Blues Syncopaters led by Ben Smith, and also worked around the same time in bands led by Earl Dykes, Gene Coy, Lloyd Hunter and Alphonse Trent. In 1931, he joined the Bennie Moten band. He remained with the band after Moten's death in 1935, when its leadership was taken over by Count Basie, and stayed with the Basie orchestra until 1941. During that period he performed at the ''From Spirituals to Swing'' concerts in New York City in 1938 and 1939.''From Spirituals to Swing'', liner notes, Definitive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dicky Wells
William Wells (June 10, 1907 – November 12, 1985), known professionally as Dicky Wells (sometimes Dickie Wells), was an American jazz trombonist. Career Dickie Wells is believed to have been born on June 10, 1907 in Centerville, Tennessee, United States. His brother was trombonist Henry Wells. He moved to New York City in 1926, and became a member of the Lloyd Scott band. He played with Count Basie between 1938–1945 and 1947–1950. He also played with Cecil Scott, Spike Hughes, Fletcher Henderson, Benny Carter, Teddy Hill, Jimmy Rushing, Buck Clayton and Ray Charles. In the middle years of the 1960s, Wells toured and performed extensively, and the onset of alcoholism caused him personal problems which led to his semi-retirement. Publication of his autobiography in 1973 helped to steer Wells back to his profession. In his later years, Wells suffered a severe beating during a mugging that affected his memory, but he recovered and continued to perform. He played frequentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shad Collins
Lester Rallingston "Shad" Collins (June 27, 1910 – June 6, 1978) was an American jazz trumpet player, composer and arranger, who played in several leading bands between the 1930s and 1950s, including those led by Chick Webb, Benny Carter, Count Basie, Lester Young, Cab Calloway and Sam "The Man" Taylor. Life and career Born in Elizabeth, New Jersey, United States, the son of a clergyman, he acquired the nickname of "Shad" in his teens, and by the late 1920s had joined Charlie Dixon's band. He also performed with pianist Eddie White, before joining Chick Webb's band in 1931. In the mid-1930s he played in Teddy Hill's band, with whom he toured in Britain and Europe, before joining the Count Basie Orchestra. Biography by Eugene Chadbourne |
Buck Clayton
Wilbur Dorsey "Buck" Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie's orchestra. His principal influence was Louis Armstrong, first hearing the record "Confessin' That I Love You" as he passed by a shop window. Early years Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family's local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee's band. In his early twenties he was based in California, and was briefly a member of Duke Ellington's Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrong while Armstrong was performing at Sebastian's Cotton Club, who taugh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Edison
Harry "Sweets" Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra. Biography Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. Speaking in 1956 with ''Down Beat's'' Don Freeman, Edison expla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Lewis (musician)
Ed Lewis (January 22, 1909 – September 18, 1985) was an American jazz trumpeter. Career Born in Eagle City, Oklahoma, Lewis played early in his career in Kansas City, Missouri, with Jerry Westbrook as a baritone hornist, then switched to trumpet in 1925. He played with Paul Banks and Laura Rucker before joining the Bennie Moten Orchestra, where he played from 1926 to 1932 and was the primary trumpet soloist until Hot Lips Page became a member. In the 1930s he worked with Thamon Hayes (1932–34), Harlan Leonard (1934–37), and Jay McShann (1937). In 1937 Lewis joined the Count Basie Orchestra, where he remained until 1948; he recorded frequently with Basie but almost never soloed. In the 1950s Lewis led his band in New York City for local performances and worked for a while as a taxi driver. He returned to play with the Countsmen in Europe in 1984 shortly before his death. Lewis never led a recording session. Discography * Count Basie, ''The Original American Decca Recordi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Night Club
A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs generally restrict access to people in terms of age, attire, personal belongings, and inappropriate behaviors. Nightclubs typically have dress codes to prohibit people wearing informal, indecent, offensive, or gang-related attire from entering. Unlike other entertainment venues, nightclubs are more likely to use bouncers to screen prospective patrons for entry. The busiest nights for a nightclub are Friday and Saturday nights. Most nightclubs cater to a particular music genre or sound for branding effects. Some nightclubs may offer food and beverages (including alcoholic beverages). History Early history In the United States, New York increasingly became the national capital for tourism and entertainment. Grand hotels were built for upscal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cafe Society
A coffeehouse, coffee shop, or café is an establishment that primarily serves coffee of various types, notably espresso, latte, and cappuccino. Some coffeehouses may serve cold drinks, such as iced coffee and iced tea, as well as other non-caffeinated beverages. In continental Europe, cafés serve alcoholic drinks. A coffeehouse may also serve food, such as light snacks, sandwiches, muffins, fruit, or pastries. Coffeehouses range from owner-operated small businesses to large multinational corporations. Some coffeehouse chains operate on a franchise business model, with numerous branches across various countries around the world. While ''café'' may refer to a coffeehouse, the term "café" generally refers to a diner, British café (colloquially called a "caff"), "greasy spoon" (a small and inexpensive restaurant), transport café, teahouse or tea room, or other casual eating and drinking place. A coffeehouse may share some of the same characteristics of a bar or restaurant, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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