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French Painter
This is a list of French painters sorted alphabetically and by the century in which the painter was most active. alphabetically A–C * Edmond Aman-Jean (1858–1936) * Albert André (1869–1954) * Mathuren Arthur Andrieu (1822–1896) * Gaston Anglade (1854–1919) * Charles Angrand (1854–1926) * Alexandre Antigna (1817–1878) * Arcabas (1926–2018) * Renée Aspe (1922–1969) * Louise Astoud-Trolley (1817–1883) * Etienne Aubry (1746–1781) * Louis-François Aubry (1770–1850) * Joseph Aved (1702–1766) * Jean Bardin (1732–1809) * Rex Barrat (1914–1974) * Georges Barrière (1881–1944) * Cécile Bart (born 1958) * Adrien Bas (1884–1925) * Jean-François Batut (1828–1907) * Jean René Bazaine (1904–2001) * Frédéric Bazille (1841–1870) * Geneviève Brossard de Beaulieu (fl. c. 1770–1815) * Amar Ben Belgacem (1979–2010) * Andrée Belle (1840–1901) * Louis Émile Benassit (1833–1902) * Marcelle Bergerol (1901–1989) * Antoine Berjon ...
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Gustave Coubet - The Cliffs Of The Loue
Gustav, Gustaf or Gustave may refer to: *Gustav (name), a male given name of Old Swedish origin Art, entertainment, and media *Primeval (film), ''Primeval'' (film), a 2007 American horror film *Gustav (film series), ''Gustav'' (film series), a Hungarian series of animated short cartoons *Gustav (Zoids), Gustav (''Zoids''), a transportation mecha in the ''Zoids'' fictional universe *Gustav, a character in ''Sesamstraße'' *Monsieur Gustav H., a leading character in ''The Grand Budapest Hotel'' Weapons *Carl Gustav recoilless rifle, dubbed "the Gustav" by US soldiers *Schwerer Gustav, 800-mm German siege cannon used during World War II Other uses *Gustav (pigeon), a pigeon of the RAF pigeon service in WWII *Gustave (crocodile), a large male Nile crocodile in Burundi *Gustave, South Dakota *Hurricane Gustav (other), a name used for several tropical cyclones and storms *Gustav, a streetwear clothing brand See also

*Gustav of Sweden (other) *Gustav Adolf (disamb ...
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Georges Barrière
Georges Barrière (28 March 1881 in Chablis – 1944 in Đồ Sơn) was a French painter. He went to Paris at the age of 19 to follow the courses of Léon Bonnat and Jules Adler at the Beaux-Arts in Paris. His paintings were shown at the Salon d'Automne in 1903, at the Société des Artistes Indépendants in 1906, and the Salon des Artistes Français in 1909. During World War I he made many sketches of the trench life of the French soldiers, with titles such as "Sous les Marmites au poste de secours de la cote 204." After the war his paintings were shown at the Société nationale des Beaux-Arts. The last ten years of his life were spent in Indochina. In 1934 at the age of 52 he won the Prix de l'Indochine with a portrait of his friend the Swiss sculptor August Heng (1891-1968), but his bursary completed thereafter did not return home to France. However he did not show much interest in local art techniques, and modern Vietnamese art historians have critically compared his ...
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André Beronneau
André Beronneau (1886–1973) was a French painter active during the first half of the 20th century. He is famous for his sumptuous French landscapes of southern Brittany and Provence.Benezit Dictionary of Artists in 14 volumes, Éditions Gründ, Jan 1999, 13440 p. () He exhibited his works at the Salon des Indépendants in Paris between 1926 and 1935. Œuvres * ''Saint-Tropez-Vieille tour'', Musée Alfred-Canel (Pont-Audemer Pont-Audemer () is a commune in the Eure department in the Normandy region in northern France.Artnet
Photos of André Beronneau's artworks.

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Antoine Berjon
Antoine Berjon (17 May 1754 – 24 October 1843) was a French painter and designer, among the most important flower painters of 19th-century France. He worked in a variety of media including oil, pastel, watercolour, and ink. Berjon was born in St Pierre de Vaise, a commune near Lyon, to the son of a butcher, and he first studied drawing with the local sculptor Antoine-Michel Perrache (1726–1779). His early history is not clear; according to his uncorroborated biographer J. Gaubin, he may have studied medicine or a religious vocation, learning flower painting during his novitiate. He went to work as a designer of textiles in Lyon's important silk industry until its collapse with the French Revolution. Berjon's paintings from the 1780s are untraced. In 1791, the Paris Salon accepted four of his works, including ''Still Life of Peaches and Grapes''. He visited Paris often in the early 1790s and moved there in 1794, becoming a friend of Jean-Baptiste Jacques Augustin (1759 ...
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Marcelle Bergerol
Marcelle Bergerol (née Cahen) (1901 Paris - 1989 Boulogne-Billancourt) was a Post-Impressionism, post-impressionist French painter, specializing in paintings of France and Paris, Brittany, and the Quercy region of France. Bergerol took drawing classes before she joined the atelier of Edmond Heuzé in the early 1920. She exhibited in Paris at the Salon des Indépendants starting in 1927 and later showed her work at the Salon d'Automne from 1929 to 1936, and the Salon des Tuileries from 1930 to 1934. She also exhibited in several galleries in Paris, such as the Gallery du Verseau, the Gallery Altarriba and the Gallery Armand Drouant, before and after World War II. Color and forms are two distinctive elements in Bergerol's work. Her art was influenced by Cézanne, Monet, and Pissarro. As a post-impressionist painter, however, she was especially influenced by the use of colors in Fauvism, fauvist painter Albert Marquet's work. External links Marcelle Bergerol website Referenc ...
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Louis Émile Benassit
Louis Émile Benassit (20 December 1833 – 9 August 1902) was a French artist and raconteur. He cut a colorful figure in the literary and artistic circles of Paris in the 1860s and 1870s, known equally for his satirical drawings and for his barbed wit. His updated versions of the fables of La Fontaine were widely reported in the French press. After his own military service in the Franco-Prussian War of 1870, he frequently depicted soldiers, often enduring snow or inclement weather. Eventually, thanks in part to the influential art dealer Paul Durand-Ruel, his work began to fetch high prices; Benassit's depictions of courtiers and ladies of the 1700s became especially popular. But beginning in 1882, a progressive paralysis that started in his right arm cut short both his career and his appearances in café society, though by at least one account he learned to paint using his left hand. The last twelve years of his life were spent in relative seclusion away from Paris. Educati ...
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Andrée Belle
Andrée Belle (?–?) was a French painter. Andrée Belle was born in Paris. She was a pupil of Jean-Charles Cazin (1840–1901). She painted in oils and pastels, landscapes especially, of which she exhibited seventeen in June, 1902. The larger part of these were landscape portraits. The subjects were well represented, and the various hours of day, with characteristic lighting, unusually well rendered. At the Salon des Beaux Arts, 1902, this artist exhibited a large pastel, "A Halt at St. Mammes" and a "Souvenir of Bormes", showing the tomb of Cazin. In 1903, she exhibited a pastel called "Calvary," which became part of the collection of the Musée de Picardie at Amiens; it was praised for its harmony of color and the manner in which the rainbow is represented. Her pictures of "Twilight" and "Sunset " are unusually successful. She was a member of the Société Nationale des Beaux-Arts Société Nationale des Beaux-Arts (SNBA; ; en, National Society of Fine Arts) was the term ...
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Amar Ben Belgacem
Amar Ben Belgacem (June 18, 1979 – August 24, 2010) was a French-born Tunisia ) , image_map = Tunisia location (orthographic projection).svg , map_caption = Location of Tunisia in northern Africa , image_map2 = , capital = Tunis , largest_city = capital , ...n self-taught painter. Biography Born to Tunisian parents, Amar Ben Belgacem grew up in France until he was 5. In 1984, his parents decided to return to Tunisia, taking Belgacem and his twin brother with them. Until he was 19 years old, he lived in a villa which he described as "artistic" because it contains an exotic garden, many paintings, collection of objects, arts books, and other arts-related items. A self-taught painter, his works are represented in public and private collections in twenty countries. On August 2, 2006, he was made named an officer of merit of the Tunisian culture by the minister of culture and patrimony. He was a member of th ...
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Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ...
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Geneviève Brossard De Beaulieu
Geneviève Brossard de Beaulieu (floruit, fl. c. 1770 - 1815) was a French painter. She was born at La Rochelle and studied painting under Jean-Baptiste Greuze. She established herself as a successful artist, specializing in historical and mythological genres and portraiture. She ran a school at Lille, Belgium, in Flanders, until the outbreak of the French Revolution. With the restoration of the Bourbon Restoration in France, Bourbons (1814–1815) she was granted a state pension. Several of her works survive, including a portrait of Princess Elżbieta Lubomirska, Elisabeth Lubomirksa which remains in the National Museum of Warsaw in Poland. References

*''G. Greer, The Obstacle Race (1979)'' 1770 births 1815 deaths French women painters 18th-century French painters 18th-century French women artists 19th-century French painters 19th-century French women artists {{France-painter-18thC-stub ...
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Frédéric Bazille
Jean Frédéric Bazille (December 6, 1841 – November 28, 1870) was a French Impressionist painter. Many of Bazille's major works are examples of figure painting in which he placed the subject figure within a landscape painted ''en plein air''. Life and work Frédéric Bazille was born in Montpellier, Hérault, Languedoc-Roussillon, France, into a wealthy wine merchant Protestant family. Bazille grew up in the Le Domaine de Méric, a wine-producing estate in Castelnau-le-Lez, near Montpellier, owned by his family. He became interested in painting after seeing some works of Eugène Delacroix. His family agreed to let him study painting, but only if he also studied medicine. Bazille began studying medicine in 1859, and moved to Paris in 1862 to continue his studies. There he met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting full-time. His ...
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Jean René Bazaine
Jean René Bazaine (21 December 1904 – 4 March 2001) was a French painter, designer of stained glass windows and writer. He was the great great grandson of the English Court portraitist Sir George Hayter. Studies Bazaine was born in Paris. He studied sculpture at the Académie Julian and with Paul Landowski after a brief passage at the École des Beaux-Arts. At the same time, he continued his study of philosophy and literature at the Sorbonne in Paris attaining ''certificats'' in art history and philosophy (1921–1925). Bergson's ''L'évolution créatrice'' was his main inspiration at the time. With Baltrušaitis, he participated at the first "Groupe d'Histoire de l'art" led by Emile Mâle and Henri Focillon. These studies would culminate in an influential text ''Notes sur la peinture d'aujourd'hui'' (1948), aimed at going beyond the boundaries—quite dogmatic at the time—of ''abstract'' and ''figurative''. It supplied the theoretical base for Bazaine's creative criticism ...
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