Frederick Bovill
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Frederick Bovill
Frederick Bovill was an operatic baritone of the late Victorian era. In his short career, he created the roles of Pish-Tush in Gilbert and Sullivan's comic opera hit ''The Mikado'' (1885) and the Squire in Sullivan's romantic opera ''Ivanhoe'' (1891). From 1887 to 1889 Bovill toured the British provinces with J. W. Turner's English Opera Company Life and career Nothing is known of Bovill's life; the musicologist Kurt Gänzl found that his dates are consistent with a fish sauce and pickle merchant of the same name from Harrow, London, but that person consistently identified his career as "merchant" during the period when Bovill was professionally engaged in opera. Gänzl, Kurt"The third wish: or, Pish Tush Bah!" Kurt Gänzl's blog, 26 April 2018 ''The Mikado'' In the original production of ''The Mikado'' at London's Savoy Theatre (1885–1887), Bovill joined the D'Oyly Carte Opera Company, where he originated the supporting role of the Japanese nobleman Pish-Tush.Stone, David ...
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Frederick Bovill
Frederick Bovill was an operatic baritone of the late Victorian era. In his short career, he created the roles of Pish-Tush in Gilbert and Sullivan's comic opera hit ''The Mikado'' (1885) and the Squire in Sullivan's romantic opera ''Ivanhoe'' (1891). From 1887 to 1889 Bovill toured the British provinces with J. W. Turner's English Opera Company Life and career Nothing is known of Bovill's life; the musicologist Kurt Gänzl found that his dates are consistent with a fish sauce and pickle merchant of the same name from Harrow, London, but that person consistently identified his career as "merchant" during the period when Bovill was professionally engaged in opera. Gänzl, Kurt"The third wish: or, Pish Tush Bah!" Kurt Gänzl's blog, 26 April 2018 ''The Mikado'' In the original production of ''The Mikado'' at London's Savoy Theatre (1885–1887), Bovill joined the D'Oyly Carte Opera Company, where he originated the supporting role of the Japanese nobleman Pish-Tush.Stone, David ...
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Ruddigore
''Ruddigore; or, The Witch's Curse'', originally called ''Ruddygore'', is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. It is one of the Savoy Operas and the tenth of fourteen comic operas written together by Gilbert and Sullivan. It was first performed by the D'Oyly Carte Opera Company at the Savoy Theatre in London on 22 January 1887. The first night was not altogether a success, as critics and the audience felt that ''Ruddygore'' (as it was originally spelled) did not measure up to its predecessor, '' The Mikado''. After some changes, including respelling the title, it achieved a run of 288 performances. The piece was profitable, and the reviews were not all bad. For instance, the ''Illustrated London News'' praised the work of both Gilbert and, especially, Sullivan: "Sir Arthur Sullivan has eminently succeeded alike in the expression of refined sentiment and comic humour. In the former respect, the charm of graceful melody pre ...
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La Basoche
''La Basoche'' is an opéra comique in three acts, with music by André Messager and words by Albert Carré. The opera is set in Paris in 1514 and depicts the complications that arise when the elected "king" of the student guild, the Basoche, is mistaken for King Louis XII of France. The opera was first performed at the Opéra-Comique in Paris in 1890. Productions soon followed in continental Europe, Britain and the US. After that, the piece was revived repeatedly in France and elsewhere well into the 20th century. Background and first production During the 1880s Messager had met with mixed fortunes. His opérette '' La fauvette du temple'' (1885) and opéra comique '' La Béarnaise'' (1885) ran well, and his ballet '' Les deux pigeons'' (1886) was a box-office triumph. But in the late 1880s success eluded him, and he had three failures in a row: '' Le bourgeois de Calais'' (1888), '' Isoline'' (1888), and '' Le mari de la reine'' (1889).Wagstaff, John, and Andrew Lamb"Message ...
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Palace Theatre, London
The Palace Theatre is a West End theatre in the City of Westminster in London. Its red-brick facade dominates the west side of Cambridge Circus behind a small plaza near the intersection of Shaftesbury Avenue and Charing Cross Road. The Palace Theatre seats 1,400. Richard D'Oyly Carte, producer of the Gilbert and Sullivan operas, commissioned the theatre in the late 1880s. It was designed by Thomas Edward Collcutt and intended to be a home of English grand opera. The theatre opened as the Royal English Opera House in January 1891 with a lavish production of Arthur Sullivan's opera ''Ivanhoe''. Although this ran for 160 performances, followed briefly by André Messager's ''La Basoche'', Carte had no other works ready to fill the theatre. He leased it to Sarah Bernhardt for a season and sold the opera house within a year at a loss. It was then converted into a grand music hall and renamed the Palace Theatre of Varieties, managed successfully first by Sir Augustus Harris and the ...
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The Stage
''The Stage'' is a British weekly newspaper and website covering the entertainment industry and particularly theatre. It was founded in 1880. It contains news, reviews, opinion, features, and recruitment advertising, mainly directed at those who work in theatre and the performing arts. History The first edition of ''The Stage'' was published (under the title ''The Stage Directory – a London and Provincial Theatrical Advertiser'') on 1 February 1880 at a cost of three old pence for twelve pages. Publication was monthly until 25 March 1881, when the first weekly edition was produced. At the same time, the name was shortened to ''The Stage'' and the publication numbering restarted at number 1. The publication was a joint venture between founding editor Charles Lionel Carson and business manager Maurice Comerford. It operated from offices opposite the Theatre Royal, Drury Lane. Carson, whose real name was Lionel Courtier-Dutton, was cited as the founder. His wife Emily Courtier ...
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Tremolo
In music, ''tremolo'' (), or ''tremolando'' (), is a trembling effect. There are two types of tremolo. The first is a rapid reiteration: * Of a single Musical note, note, particularly used on String instrument#Bowing, bowed string instruments, by rapidly moving the bow back and forth; plucked strings such as on a harp, where it is called ''wikt:bisbigliando, bisbigliando'' () or "whispering". Tremolo picking, on traditionally plucked string instruments including guitar and mandolin, is the rapid articulation of single notes or a group of notes with a plectrum (pick) or with fingers. Tremolo playing sustains notes that would otherwise rapidly decay (fade to silence). * Between two notes or chords in alternation, an imitation (not to be confused with a trill (music), trill) of the preceding that is more common on keyboard instruments. Mallet instruments such as the marimba are capable of either method. * A drum roll, roll on any percussion instrument, whether tuned or untuned. ...
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Evening Telegraph (Dundee)
The ''Evening Telegraph'' is a local newspaper in Dundee, Scotland. Known locally as the ''Tele'' (usually pronounced ''Tully or Tilly''), it is the sister paper of '' The Courier'', also published by Dundee firm D. C. Thomson & Co. Ltd. It was founded in 1877. Dave Lord is the Evening Telegraph's current editor. History Originally founded by John Leng, the Evening Telegraph began to adopt its current conservative and populist Populism refers to a range of political stances that emphasize the idea of "the people" and often juxtapose this group against " the elite". It is frequently associated with anti-establishment and anti-political sentiment. The term developed ... editorial style after it was acquired by DC Thomson. References External links * Newspapers published in Scotland Mass media in Dundee Daily newspapers published in the United Kingdom Right-wing populism in the United Kingdom {{Scotland-newspaper-stub ...
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The Era (newspaper)
''The Era'' was a British weekly paper, published from 1838 to 1939. Originally a general newspaper, it became noted for its sports coverage, and later for its theatrical content. History ''The Era'' was established in 1838 by a body of shareholders consisting of licensed victuallers and other people connected with their trade. The journal was intended to be a weekly organ of the public-house interest, just as the ''Morning Advertiser'' was then its daily organ. In the first two or three years of its existence, its political stance was broadly Liberal. Its first editor, Leitch Ritchie, proved too liberal for his board of directors, and in addition to editorial clashes, the paper was a commercial failure. Ritchie was succeeded by Frederick Ledger, who became sole proprietor as well as editor. He edited the paper for more than thirty years, gradually changing its politics from Liberalism to moderate Conservatism. Politics, however, ceased to be a major concern of ''The Era''. Its ...
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Oldham
Oldham is a large town in Greater Manchester, England, amid the Pennines and between the rivers Irk and Medlock, southeast of Rochdale and northeast of Manchester. It is the administrative centre of the Metropolitan Borough of Oldham, which had a population of 237,110 in 2019. Within the boundaries of the historic county of Lancashire, and with little early history to speak of, Oldham rose to prominence in the 19th century as an international centre of textile manufacture. It was a boomtown of the Industrial Revolution, and among the first ever industrialised towns, rapidly becoming "one of the most important centres of cotton and textile industries in England." At its zenith, it was the most productive cotton spinning mill town in the world,. producing more cotton than France and Germany combined. Oldham's textile industry fell into decline in the mid-20th century; the town's last mill closed in 1998. The demise of textile processing in Oldham depressed and heavily ...
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York Theatre Royal
York Theatre Royal is a theatre in St Leonard's Place, in York, England, which dates back to 1744. The theatre currently seats 750 people. Whilst the theatre is traditionally a proscenium theatre, it was reconfigured for a season in 2011 to offer productions in-the-round. The theatre puts on many of its own productions, as well as hosting touring companies, one of which is Pilot Theatre, a national touring company which often co-produces its work with the theatre. Additionally the main stage and studio are regularly used by local amateur dramatic and operatic societies. York Theatre Royal was one of the co-producers of the historic York Mystery Plays 2012 which were staged in York Museum Gardens between 2–27 August. The theatre reopened on Friday 22 April 2016 following a £6million redevelopment, with a new roof, an extended and re-modelled front of house area, a refurbished and redecorated main auditorium and with major improvements to access and environmental impact. History ...
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Dundee
Dundee (; sco, Dundee; gd, Dùn Dè or ) is Scotland's fourth-largest city and the 51st-most-populous built-up area in the United Kingdom. The mid-year population estimate for 2016 was , giving Dundee a population density of 2,478/km2 or 6,420/sq mi, the second-highest in Scotland. It lies within the eastern central Lowlands on the north bank of the Firth of Tay, which feeds into the North Sea. Under the name of Dundee City, it forms one of the 32 council areas used for local government in Scotland. Within the boundaries of the historic county of Angus, the city developed into a burgh in the late 12th century and established itself as an important east coast trading port. Rapid expansion was brought on by the Industrial Revolution, particularly in the 19th century when Dundee was the centre of the global jute industry. This, along with its other major industries, gave Dundee its epithet as the city of "jute, jam and journalism". Today, Dundee is promoted as "One City, ...
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Il Trovatore
''Il trovatore'' ('The Troubadour') is an opera in four acts by Giuseppe Verdi to an Italian libretto largely written by Salvadore Cammarano, based on the play ''El trovador'' (1836) by Antonio García Gutiérrez. It was García Gutiérrez's most successful play, one which Verdi scholar Julian Budden describes as "a high flown, sprawling melodrama flamboyantly defiant of the Aristotelian unities, packed with all manner of fantastic and bizarre incident." The premiere took place at the Teatro Apollo in Rome on 19 January 1853, where it "began a victorious march throughout the operatic world," a success due to Verdi's work over the previous three years. It began with his January 1850 approach to Cammarano with the idea of ''Il trovatore''. There followed, slowly and with interruptions, the preparation of the libretto, first by Cammarano until his death in mid-1852 and then with the young librettist Leone Emanuele Bardare, which gave the composer the opportunity to propose signifi ...
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