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Frankenstein Monster
Frankenstein's monster or Frankenstein's creature, often referred to as simply "Frankenstein", is a fictional character who first appeared in Mary Shelley's 1818 novel ''Frankenstein; or, The Modern Prometheus''. Shelley's title thus compares the monster's creator, Victor Frankenstein, to the mythological character Prometheus, who fashioned humans out of clay and gave them fire. In Shelley's Gothic story, Victor Frankenstein builds the creature in his laboratory through an ambiguous method based on a scientific principle he discovered. Shelley describes the monster as tall and emotional. The monster attempts to fit into human society but is shunned, which leads him to seek revenge against Frankenstein. According to the scholar Joseph Carroll, the monster occupies "a border territory between the characteristics that typically define protagonists and antagonists". Frankenstein's monster became iconic in popular culture, and has been featured in various forms of media, inclu ...
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Mary Shelley
Mary Wollstonecraft Shelley (; ; 30 August 1797 – 1 February 1851) was an English novelist who wrote the Gothic fiction, Gothic novel ''Frankenstein, Frankenstein; or, The Modern Prometheus'' (1818), which is considered an History of science fiction#Shelley and Europe in the early 19th century, early example of science fiction. She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley. Her father was the political philosopher William Godwin and her mother was the philosopher and women's rights advocate Mary Wollstonecraft. Mary's mother died less than a fortnight after giving birth to her. She was raised by her father, who provided her with a rich if informal education, encouraging her to adhere to his own anarchist political theories. When she was four, her father married a neighbour, Mary Jane Clairmont, with whom Mary came to have a troubled relationship. In 1814, Mary began a romance with one of her father's politica ...
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Gothic Fiction
Gothic fiction, sometimes called Gothic horror in the 20th century, is a loose literary aesthetic of fear and haunting. The name is a reference to Gothic architecture of the European Middle Ages, which was characteristic of the settings of early Gothic novels. The first work to call itself Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled "A Gothic Story". Subsequent 18th century contributors included Clara Reeve, Ann Radcliffe, William Beckford (novelist), William Thomas Beckford, and Matthew Gregory Lewis, Matthew Lewis. The Gothic influence continued into the early 19th century, works by the Romantic poetry, Romantic poets, and novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works. The early Victorian literature, Victorian period continued the use of gothic, in novels by Charles Dickens and the Brontë family, Brontë sisters, as well as works by the American ...
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Presumption; Or, The Fate Of Frankenstein
''Presumption; or, the Fate of Frankenstein'' is an 1823 play in three acts by Richard Brinsley Peake based on the 1818 novel ''Frankenstein; or, The Modern Prometheus'' by Mary Shelley. It is the first recorded theatrical adaptation of the novel and had 37 performances during its original run. It was revived at the English Opera House until at least 1850. The play marks the first recorded appearance of Victor Frankenstein’s servile assistant character, who is known commonly in pop culture as Igor. Here, the character is named 'Fritz', just as he is named in the 1931 film adaptation. Such a character does not exist in the original novel. Mary Shelley attended the play in London during its original run. It was the only adaptation of ''Frankenstein'' Shelley saw during her lifetime. Background Because Charles II had only awarded royal patents allowing for the staging of plays to the "Theatres Royal" (the Theatre Royal, Drury Lane and the Royal Opera House at Covent Garden) ...
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Richard Brinsley Peake
Richard Brinsley Peake (19 February 1792 – 4 October 1847) was a dramatist of the early nineteenth century best remembered today for his 1823 play '' Presumption; or, the Fate of Frankenstein'', a work based on the novel ''Frankenstein'' by Mary Shelley. It was Peake, not Shelley, who wrote the famous line, "It lives!" Early life Richard Brinsley Peake was born in Gerrard Street in Soho, London, the son of Richard Peake, who for forty years worked in the Treasury Office of the Theatre Royal, Drury Lane in London. He was named after the playwright Richard Brinsley Sheridan, who was a friend of his father. From 1809 to 1817 Peake was an apprentice with the engraver James Heath. On leaving Heath's employ in 1817 Peake began to write for the theatre; his first play was ''The Bridge that Carries Us Safe Over'', produced at the English Opera House in 1817, and which was quickly followed by a farce, ''Wanted, a Governess''. Writing career For the next forty years Peake wro ...
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Ogre
An ogre ( feminine: ogress) is a legendary monster depicted as a large, hideous, man-like being that eats ordinary human beings, especially infants and children. Ogres frequently feature in mythology, folklore, and fiction throughout the world. They appear in many classic works of literature, and are most often associated in fairy tales and legend with a taste for infants. In mythology, ogres are often depicted as inhumanly large, tall, and having a disproportionately large head, abundant hair, unusually colored skin, a voracious appetite, and a strong body. Ogres are closely linked with giants and with human cannibals in mythology. In both folklore and fiction, giants are often given ogrish traits (such as the giants in "Jack and the Beanstalk" and " Jack the Giant Killer", the Giant Despair in ''The Pilgrim's Progress'', and the Jötunn of Norse mythology); while ogres may be given giant-like traits. Famous examples of ogres in folklore include the ogre in "Puss in Boots" ...
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Devil
A devil is the personification of evil as it is conceived in various cultures and religious traditions. It is seen as the objectification of a hostile and destructive force. Jeffrey Burton Russell states that the different conceptions of the devil can be summed up as 1) a principle of evil independent from God, 2) an aspect of God, 3) a created being turning evil (a ''fallen angel''), and 4) a symbol of human evil. Each tradition, culture, and religion with a devil in its mythos offers a different lens on manifestations of evil.Jeffrey Burton Russell, ''The Devil: Perceptions of Evil from Antiquity to Primitive Christianity'', Cornell University Press 1987 , pp. 41–75 The history of these perspectives intertwines with theology, mythology, psychiatry, art, and literature developing independently within each of the traditions. It occurs historically in many contexts and cultures, and is given many different names— Satan, Lucifer, Beelzebub, Mephistopheles, Iblis—and at ...
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Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In ma ...
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Adam
Adam; el, Ἀδάμ, Adám; la, Adam is the name given in Genesis 1-5 to the first human. Beyond its use as the name of the first man, ''adam'' is also used in the Bible as a pronoun, individually as "a human" and in a collective sense as "mankind". tells of God's creation of the world and its creatures, including ''adam'', meaning humankind; in God forms "Adam", this time meaning a single male human, out of "the dust of the ground", places him in the Garden of Eden, and forms a woman, Eve, as his helpmate; in Adam and Eve eat the fruit of the tree of knowledge and God condemns Adam to labour on the earth for his food and to return to it on his death; deals with the birth of Adam's sons, and lists his descendants from Seth to Noah. The Genesis creation myth was adopted by both Christianity and Islam, and the name of Adam accordingly appears in the Christian scriptures and in the Quran. He also features in subsequent folkloric and mystical elaborations in later Judaism ...
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Frankenstein Cooke 1823
''Frankenstein; or, The Modern Prometheus'' is an 1818 novel written by English author Mary Shelley. ''Frankenstein'' tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821. Shelley travelled through Europe in 1815, moving along the river Rhine in Germany, and stopping in Gernsheim, away from Frankenstein Castle, where, two centuries before, an alchemist had engaged in experiments.This seems to mean Johann Konrad Dippel (1673–1734), one century before (not two). For Dippel's experiments and the possibility of connection to ''Frankenstein'' see the Dippel article. She then journeyed to the region of Geneva, Switzerland, where much of the story takes place. Galvanism an ...
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Son Of Frankenstein
''Son of Frankenstein'' is a 1939 American horror film that was directed by Rowland V. Lee and stars Basil Rathbone, Boris Karloff and Bela Lugosi. The film is the third in Universal Pictures' ''Frankenstein'' series and is the follow-up to the 1935 film ''Bride of Frankenstein''. ''Son of Frankenstein'' stars Rathbone as Baron Wolf von Frankenstein who, with his wife Elsa (Josephine Hutchinson) and son Peter ( Donnie Dunagan), return to his late father's estate. Near the castle lives Ygor (Bela Lugosi), a crazed blacksmith whose neck was broken in an unsuccessful hanging attempt. Among the castle's remains, Frankenstein discovers the remains of the monster (Boris Karloff) and decides to try to save his family name by resurrecting the creature to prove his father was correct. He finds, however, the monster only responds to Ygor's commands. The film was originally announced in August 1938 after a successful theatrical reissue of ''Dracula'' and ''Frankenstein''. ''Son of Franke ...
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Bride Of Frankenstein
''Bride of Frankenstein'' is a 1935 American science fiction horror film, and the first sequel to Universal Pictures' 1931 film ''Frankenstein''. As with the first film, ''Bride of Frankenstein'' was directed by James Whale starring Boris Karloff as the Monster and Colin Clive as Dr. Frankenstein. The sequel features Elsa Lanchester in the dual role of Mary Shelley and the titular character at the end of the film. Colin Clive reprises his role as Henry Frankenstein, and Ernest Thesiger plays the role of Doctor Septimus Pretorius. Taking place immediately after the events of the earlier film, it is rooted in a subplot of the original Mary Shelley novel, ''Frankenstein; or, The Modern Prometheus'' (1818). Its plot follows a chastened Henry Frankenstein as he attempts to abandon his plans to create life, only to be tempted and finally blackmailed by his old mentor Dr. Pretorius, along with threats from the Monster, into constructing a mate for the Monster. The preparation to fi ...
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Frankenstein (1931 Film)
''Frankenstein'' is a 1931 American pre-Code science fiction horror film directed by James Whale, produced by Carl Laemmle Jr., and adapted from a 1927 play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel ''Frankenstein; or, The Modern Prometheus''. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell. ''Frankenstein'' stars Colin Clive as Henry Frankenstein, an obsessed scientist who digs up corpses with his assistant in order to assemble a living being from body parts. The resulting creature, often known as Frankenstein's monster, is portrayed by Boris Karloff. The make-up for the monster was provided by Jack Pierce. Alongside Clive and Karloff, the film's cast also includes Mae Clarke, John Boles, Dwight Frye, and Edward Van Sloan. Produced and distributed by Universal Pictures, the film was a commercial success up ...
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