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Frances Chung (dancer)
Frances Chung is a Canadian ballet dancer. She is currently a principal dancer at the San Francisco Ballet. Early life Chung was born in Vancouver and is of Chinese descent. Her father worked for an electronic company, her mother was a cook, and her sister works in finance. She started ballet and playing the piano when she was five, at a community centre near her home. She attended Magee Secondary School and trained at Goh Ballet Academy. Though most of Chung's teachers are Chinese, she was trained in multiple dance styles, such as French, Russian and English. She also did contemporary, jazz, and Asian dance. However, she did not have any American training. When she was 16, she attended a summer intensives at Boston Ballet, she was then asked to join the studio company, but her mother insisted she graduate high school. Career In 2001, after she finished high school, Chung joined the San Francisco Ballet, at the age of 17. Chung stated that part of the reason she joined the compan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vancouver
Vancouver ( ) is a major city in western Canada, located in the Lower Mainland region of British Columbia. As the List of cities in British Columbia, most populous city in the province, the 2021 Canadian census recorded 662,248 people in the city, up from 631,486 in 2016. The Greater Vancouver, Greater Vancouver area had a population of 2.6million in 2021, making it the List of census metropolitan areas and agglomerations in Canada#List, third-largest metropolitan area in Canada. Greater Vancouver, along with the Fraser Valley Regional District, Fraser Valley, comprises the Lower Mainland with a regional population of over 3 million. Vancouver has the highest population density in Canada, with over 5,700 people per square kilometre, and fourth highest in North America (after New York City, San Francisco, and Mexico City). Vancouver is one of the most Ethnic origins of people in Canada, ethnically and Languages of Canada, linguistically diverse cities in Canada: 49.3 percent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Houston Ballet
Houston Ballet, operated by Houston Ballet Foundation, is a professional ballet company based in Houston, Texas. The company, consisting of 59 dancers, produces over 85 performances per year. History Tatiana Semenova (1955–1967) Houston developed its style for professional ballet beginning in the 1930s, with Ballet Russe de Monte Carlo. For eleven years, Ballet Russe de Monte Carlo spent a week during the Christmas season in Houston performing for Houston audiences. From this exposure grew a desire among patrons for a resident dance company. In the spring of 1955, Tatiana Semenova, a former dancer with Ballet Russe de Monte Carlo, was invited to start a ballet school in Houston. Semenova accepted, and a state charter was obtained to establish a Houston Foundation for Ballet on July 26, 1955. Under Semenova's direction, the Foundation trained young dancers in ballet technique and reached out to under-served students. It established a scholarship program with the Neighborhood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romeo And Juliet (Prokofiev)
''Romeo and Juliet'' (russian: Ромео и Джульетта, Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play ''Romeo and Juliet''. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940. Prokofiev reused music from the ballet in three suites for orchestra and a solo piano work. Background and premiere Based on a synopsis created by Adrian Piotrovsky (who first suggested the subject to Prokofiev) and Sergey Radlov, the ballet was composed by Prokofiev in September 1935 to their scenario which followed the precepts of "drambalet" (dramatised ballet, officially promoted at the Kirov Ballet to replace works based primarily on choreographic display and innovation). Following Radlov's acrimonious resignation from the Kirov in June 1934, a new agreement was signed with the Bolshoi Theatre in Moscow on the understanding that Piotrovsky would remain involved. However, the ballet's original happy en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymonda
''Raymonda'' (russian: Раймонда) is a ballet in three acts, four scenes with an apotheosis, choreographed by Marius Petipa to music by Alexander Glazunov, his Opus 57. It was first presented by the Imperial Ballet at the Imperial Mariinsky Theatre on in Saint Petersburg, Russia. The ballet was created especially for the benefit performance of the Italian ballerina Pierina Legnani, who created the title role. Among the ballet's most celebrated passages is the ''Pas classique hongrois'' (a.k.a. ''Raymonda Pas de dix'') from the third act, which is often performed independently. Today ''Raymonda'' is performed by many ballet companies throughout the world with choreography that is derived primarily from the Kirov Ballet's 1948 revival as staged by Konstantin Sergeyev. Sergeyev greatly altered, and in some cases changed entirely, Marius Petipa's choreography, particularly in the dances for the ''corps de ballet''. The choreography as revised by Sergeyev remains the traditional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paquita
''Paquita'' is a ballet in two acts and three scenes originally choreographed by Joseph Mazilier to music by Édouard Deldevez and Ludwig Minkus. Paul Foucher received royalties as librettist. History ''Paquita'' is the creation of French composer Édouard Deldevez and Paris Opéra Ballet Master Joseph Mazilier. It was first presented at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846 and was retained in the repertory of the Opéra until 1851. In 1847, ''Paquita'' was staged for the first time in Russia for the Imperial Ballet of St. Petersburg by Marius Petipa and Pierre-Frédéric Malavergne, being the first work ever staged by Petipa in Russia. In 1881, Petipa produced a revival of the ballet for which he added new pieces specially composed by Ludwig Minkus. This included the ''Paquita pas de trois'' for the first act and the ''Paquita grand pas classique'' and the ''Mazurka des enfants'' for the last act. Petipa's version of ''Paquita'' was retained in the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giselle
''Giselle'' (; ), originally titled ''Giselle, ou les Wilis'' (, ''Giselle, or The Wilis''), is a romantic ballet (" ballet-pantomime") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Théâtre de l'Académie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Quixote (ballet)
''Don Quixote'' is a ballet in three acts, based on episodes taken from the famous novel ''Don Quixote de la Mancha'' by Miguel de Cervantes. It was originally choreographed by Marius Petipa to the music of Ludwig Minkus and first presented by Moscow's Bolshoi Ballet on . Petipa and Minkus revised the ballet into a more elaborate and expansive version in five acts and eleven scenes for the Mariinsky Ballet, first presented on at the Imperial Bolshoi Kamenny Theatre of St. Petersburg. All modern productions of the Petipa/Minkus ballet are derived from the version staged by Alexander Gorsky for the Bolshoi Theatre of Moscow in 1900, a production the ballet master staged for the Imperial Ballet of St. Petersburg in 1902. History Earlier versions The two chapters of the novel that the ballet is mostly based on were first adapted for the ballet in 1740 by Franz Hilverding in Vienna, Austria. In 1768, Jean Georges Noverre mounted a new version of ''Don Quixote'' in Vienna to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dances At A Gathering
''Dances at a Gathering'' is a ballet choreographed by Jerome Robbins to music by Frédéric Chopin, with costumes designed by Joe Eula. The ballet premiered on May 22, 1969, at the New York State Theater, performed by the New York City Ballet. Production ''Dances at a Gathering'' is the first ballet Robbins created for the New York City Ballet (NYCB) in years, after he worked on Broadway theatre. He first planned to make a pas de deux for Patricia McBride and Edward Villella, but it was eventually expanded to five couples. According to NYCB, after George Balanchine saw 25 minutes of the ballet, he said: " ke more, make it like popcorn", so Robbins enlarged the ballet to an hour long. With costumes by Joe Eula and lighting by Thomas Skelton, the ballet had a gala preview on May 8, 1969, before premiering on May 22. Robbins dedicated the ballet to lighting designer Jean Rosenthal, who had died on May 1. Following the premiere, there were many speculations regarding the narrative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chroma (ballet)
''Chroma'' is a one-act contemporary ballet created by Wayne McGregor for the Royal Ballet. The work received its premiere at the Royal Opera House, Covent Garden, on 17 November 2006. The ballet is performed to a combination of original music by Joby Talbot and arrangements of music by Jack White of the White Stripes, with orchestrations by Christopher Austin. The ballet was a great success, winning a number of awards, including the Laurence Olivier Award for Best New Dance Production, and led to The Royal Ballet appointing McGregor as resident choreographer. Production ''Chroma'' marks the second time Wayne McGregor choreographed for the Royal Opera House main stage, having previously created works for the Royal Opera House's Linbury Studio Theatre. According to McGregor, it was created within three weeks, with four to five hours of rehearsals each day. The ballet is performed by ten dancers; some of the original cast members went on to be McGregor's frequent collaborators, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
