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Four Discourses
Four discourses is a concept developed by French psychoanalyst Jacques Lacan. He argued that there were four fundamental types of discourse. He defined four discourses, which he called Master, University, Hysteric and Analyst, and suggested that these relate dynamically to one another. Lacan's theory of the four discourses was initially developed in 1969, perhaps in response to the events of social unrest during May 1968 in France, but also through his discovery of what he believed were deficiencies in the orthodox reading of the Oedipus complex. The four discourses theory is presented in his seminar ''L'envers de la psychanalyse'' and in ''Radiophonie'', where he starts using "discourse" as a social bond founded in intersubjectivity. He uses the term discourse to stress the transindividual nature of language: speech always implies another subject. Necessity of formalising psychoanalysis Prior to the development of the four discourses, the primary guideline for clinical psych ...
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Four Discourses
Four discourses is a concept developed by French psychoanalyst Jacques Lacan. He argued that there were four fundamental types of discourse. He defined four discourses, which he called Master, University, Hysteric and Analyst, and suggested that these relate dynamically to one another. Lacan's theory of the four discourses was initially developed in 1969, perhaps in response to the events of social unrest during May 1968 in France, but also through his discovery of what he believed were deficiencies in the orthodox reading of the Oedipus complex. The four discourses theory is presented in his seminar ''L'envers de la psychanalyse'' and in ''Radiophonie'', where he starts using "discourse" as a social bond founded in intersubjectivity. He uses the term discourse to stress the transindividual nature of language: speech always implies another subject. Necessity of formalising psychoanalysis Prior to the development of the four discourses, the primary guideline for clinical psych ...
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Master Signifier
Master or masters may refer to: Ranks or titles * Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans *Grandmaster (chess), National Master, International Master, FIDE Master, Candidate Master, all ranks of chess player *Grandmaster (martial arts) or Master, an honorary title * Grand master (order), a title denoting the head of an order or knighthood *Grand Master (Freemasonry), the head of a Grand Lodge and the highest rank of a Masonic organization *Maestro, an orchestral conductor, or the master within some other musical discipline *Master, a title of Jesus in the New Testament *Master or shipmaster, the sea captain of a merchant vessel *Master (college), head of a college *Master (form of address), an English honorific for boys and young men *Master (judiciary), a judicial official in the courts of common law jurisdictions *Master mariner, a licensed mariner who is qualif ...
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Psychoanalytic Terminology
PsychoanalysisFrom Greek language, Greek: + . is a set of Theory, theories and Therapy, therapeutic techniques"What is psychoanalysis? Of course, one is supposed to answer that it is many things — a theory, a research method, a therapy, a body of knowledge. In what might be considered an unfortunately abbreviated description, Freud said that anyone who recognizes transference and resistance is a psychoanalyst, even if he comes to conclusions other than his own.… I prefer to think of the analytic situation more broadly, as one in which someone seeking help tries to speak as freely as he can to someone who listens as carefully as he can with the aim of articulating what is going on between them and why. David Rapaport (1967a) once defined the analytic situation as carrying the method of interpersonal relationship to its last consequences." Gill, Merton M. 1999.Psychoanalysis, Part 1: Proposals for the Future" ''The Challenge for Psychoanalysis and Psychotherapy: Solutions for ...
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Demand (psychoanalysis)
In the theory of Jacques Lacan, demand (french: demande) represents the way instinctive needs are inevitably alienated through the effects of language on the human condition. The concept of demand was developed by Lacan in parallel to those of need and desire to account for the role of speech on human aspirations. Demand forms part of Lacan's battle against the approach to language acquisition favored by ego psychology, and makes use of Kojeve's theory of desire. Demand is not a Freudian concept. Language acquisition For Lacan, demand is the result of language acquisition on physical needs – the individual's wants are automatically filtered through the alien system of external signifiers. Where traditionally psychoanalysis had recognised that learning to speak was a major step in the ego's acquisition of power over the world, and celebrated its capacity for increasing instinctual control, Lacan by contrast stressed the more sinister side of man's early submergence in language. ...
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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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Don Giovanni
''Don Giovanni'' (; K. 527; Vienna (1788) title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legend about a libertine as told by playwright Tirso de Molina in his 1630 play '' El burlador de Sevilla y convidado de piedra''. It is a ''dramma giocoso'' blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as ''opera buffa''). It was premiered by the Prague Italian opera at the National Theater (of Bohemia), now called the Estates Theatre, on 29 October 1787. ''Don Giovanni'' is regarded as one of the greatest operas of all time and has proved a fruitful subject for commentary in its own right; critic Fiona Maddocks has described it as one of Mozart's "trio of masterpieces with librettos by Da Ponte". Composition and premiere The opera was commissioned after the succes ...
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Slavoj Žižek
Slavoj Žižek (, ; ; born 21 March 1949) is a Slovenian philosopher, cultural theorist and public intellectual. He is international director of the Birkbeck Institute for the Humanities at the University of London, visiting professor at New York University and a senior researcher at the University of Ljubljana's Department of Philosophy. He primarily works on continental philosophy (particularly Hegelianism, psychoanalysis and Marxism) and political theory, as well as film criticism and theology. Žižek is the most famous associate of the Ljubljana School of Psychoanalysis, a group of Slovenian academics working on German Idealism, Lacanian psychoanalysis, ideology critique, and media criticism. His breakthrough work was 1989's ''The Sublime Object of Ideology'', his first book in English, which was decisive in the introduction of the Ljubljana School's thought to English-speaking audiences. He has written over 50 books in multiple languages. The idiosyncratic style of his ...
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Analysand
PsychoanalysisFrom Greek language, Greek: + . is a set of Theory, theories and Therapy, therapeutic techniques"What is psychoanalysis? Of course, one is supposed to answer that it is many things — a theory, a research method, a therapy, a body of knowledge. In what might be considered an unfortunately abbreviated description, Freud said that anyone who recognizes transference and resistance is a psychoanalyst, even if he comes to conclusions other than his own.… I prefer to think of the analytic situation more broadly, as one in which someone seeking help tries to speak as freely as he can to someone who listens as carefully as he can with the aim of articulating what is going on between them and why. David Rapaport (1967a) once defined the analytic situation as carrying the method of interpersonal relationship to its last consequences." Gill, Merton M. 1999.Psychoanalysis, Part 1: Proposals for the Future" ''The Challenge for Psychoanalysis and Psychotherapy: Solutions for ...
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Master–slave Dialectic
Master–slave or master/slave may refer to: * Master/slave (technology), a model of communication between two devices in computing * Master–slave dialectic, a concept in Hegelian philosophy * Master–slave morality, a central theme of Friedrich Nietzsche's works * Master/slave (BDSM), a type of consensual relationship of dominance and submission * Letter 47 (Seneca), also known as ''On Master and Slave'' *"Master/Slave", a hidden track by the alternative rock band Pearl Jam on the album '' Ten'' See also * Master (other) Master or masters may refer to: Ranks or titles *Ascended master, a term used in the Theosophical religious tradition to refer to spiritually enlightened beings who in past incarnations were ordinary humans *Grandmaster (chess), National Master, ... * Slave (other) {{disambiguation ...
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Objet Petit A
In the psychoanalytic theory of Jacques Lacan, ''objet petit a'' stands for the unattainable object of desire, the "a" being the small other ("autre"), a projection or reflection of the ego made to symbolise otherness, like a specular image, as opposed to the big Other (always capitalised as "A") which represents otherness itself. It is sometimes called the object cause of desire, as it is the force that induces desire towards any particular object. Lacan always insisted that the term should remain untranslated, "thus acquiring the status of an algebraic sign" (''Écrits''). Origins Jacques-Alain Miller, Lacan's protégé, traces the idea back to Sigmund Freud's ''Three Essays on the Theory of Sexuality'', out of which Karl Abraham develops the notion of the "part-object", a concept further developed by his student, Melanie Klein, which in turn inspired Donald Winnicott's idea of the "transitional object". Lacanian development 'In Lacan's seminars of the late 1950s and early ...
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Knowledge
Knowledge can be defined as awareness of facts or as practical skills, and may also refer to familiarity with objects or situations. Knowledge of facts, also called propositional knowledge, is often defined as true belief that is distinct from opinion or guesswork by virtue of justification. While there is wide agreement among philosophers that propositional knowledge is a form of true belief, many controversies in philosophy focus on justification: whether it is needed at all, how to understand it, and whether something else besides it is needed. These controversies intensified due to a series of thought experiments by Edmund Gettier and have provoked various alternative definitions. Some of them deny that justification is necessary and replace it, for example, with reliability or the manifestation of cognitive virtues. Others contend that justification is needed but formulate additional requirements, for example, that no defeaters of the belief are present or that the ...
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The Subject
A subject is a being who has a unique consciousness and/or unique personal experiences, or an entity that has a relationship with another entity that exists outside itself (called an "object"). A ''subject'' is an observer and an ''object'' is a thing observed. This concept is especially important in Continental philosophy, where 'the subject' is a central term in debates over the nature of the self. The nature of the subject is also central in debates over the nature of subjective experience within the Anglo-American tradition of analytical philosophy. The sharp distinction between subject and object corresponds to the distinction, in the philosophy of René Descartes, between thought and extension. Descartes believed that thought (subjectivity) was the essence of the mind, and that extension (the occupation of space) was the essence of matter. German idealism ''Subject'' as a key-term in thinking about human consciousness began its career with the German idealists, in respon ...
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