Flute, Brass, Vibes And Percussion
''Flute, Brass, Vibes and Percussion'' is an album by American jazz flautist Herbie Mann recorded in 1960 for the Verve label. accessed July 16, 2015 Reception awarded the album 4½ stars stating "In 1960, flutist Herbie Mann put together a very interesting band that was in its brief existence (before Mann's interests shifted elsewhere) one of the top in Afro-Cuban jazz" and called the album "quite underrated and is one of the finest of Mann's long career".Track listing ''All compositions by Herbie Mann except as indicated'' # "Dearly Beloved" ([...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Herbie Mann
Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz Flute, flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was "Hi-Jack", which was a ''Billboard (magazine), Billboard'' Number-one dance hits of 1975 (USA), No. 1 dance hit for three weeks in 1975. Mann emphasized the Groove (music), groove approach in his music. Mann felt that from his repertoire, the "epitome of a groove record" was ''Memphis Underground'' or ''Push Push (Herbie Mann album), Push Push'', because the "rhythm section locked all in one perception." Early life, family and education Herbie Mann was born in Brooklyn, New York City, New York, New York (state), New York, to Jews, Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jacques Prévert
Jacques Prévert (; 4 February 1900 – 11 April 1977) was a French poet and screenwriter. His poems became and remain popular in the French-speaking world, particularly in schools. His best-regarded films formed part of the Poetic realism, poetic realist movement, and include (1945). He published his first book in 1946. Life and education Prévert was born in Neuilly-sur-Seine and grew up in Paris. After receiving his ''Certificat d'études'' upon completing his primary education, he quit school and went to work in Le Bon Marché, a major department store in Paris. In 1918, he was called up for military service in the First World War. After this, he was sent to the Near East to defend French interests there. He died of lung cancer in Omonville-la-Petite, on 11 April 1977. He had been working on the last scene of the animated movie ''Le Roi et l'Oiseau'' (''The King and the Mockingbird'') with his friend and collaborator Paul Grimault. When the film was released in 1980, it was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1961 Albums
Events January * January 1 – Monetary reform in the Soviet Union, 1961, Monetary reform in the Soviet Union. * January 3 ** United States President Dwight D. Eisenhower announces that the United States has severed diplomatic and consular relations with Cuba (Cuba–United States relations are restored in 2015). ** Aero Flight 311 (Koivulahti air disaster): Douglas DC-3C OH-LCC of Finnish airline Finnair, Aero crashes near Kvevlax (Koivulahti), on approach to Vaasa Airport in Finland, killing all 25 on board, due to pilot error: an investigation finds that the Captain (civil aviation), captain and First officer (civil aviation), first officer were both exhausted for lack of sleep, and had consumed excessive amounts of alcohol at the time of the crash. It remains the deadliest air disaster to occur in the country. * January 5 ** Italian sculptor Alfredo Fioravanti enters the U.S. Consulate in Rome, and confesses that he was part of the team that forged the Etruscan terra ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bongos
Bongos (Spanish language, Spanish: ''bongó'') are an Afro-Cubans, Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. The pair consists of the larger ''hembra'' () and the smaller ''macho'' (), which are joined by a wooden bridge. They are played with both hands and usually held between the legs, although in some cases, as in classical music, they may be played with sticks or mounted on stands. Bongos are mainly employed in the rhythm section of son cubano and salsa music, salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. In these groups, the bongo player is known as ''bongosero'' and often plays a continuous eight-stroke pattern called ''martillo'' () as well as more rhythmically free parts, providing improvisatory flourishes and rhythmic counterpoint. Bongos originated in eastern Cuba at the end of the 19th century, possibly from a pair of larger drums such as the bokú. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ray Mantilla
Raymond Mantilla (June 22, 1934 – March 21, 2020) was an American percussionist. Discography As leader * ''Mantilla'' ( Inner City, 1978) * ''Hands of Fire'' ( Red, 1984) * ''Synergy'' (Red, 1986) * ''Dark Powers'' (Red, 1988) * ''The Next Step'' (Red, 2000) * ''Man-Ti-Ya'' (Savant, 2004) * ''Good Vibrations'' (Savant, 2006) * ''The Connection'' (Savant, 2013) * ''High Voltage'' (Savant, 2017) * ''Rebirth'' (Savant, 2021) As sideman With Mose Allison * 1994 ''The Earth Wants You'' * 1997 ''Jazz Profile'' With Gato Barbieri *'' Chapter Three: Viva Emiliano Zapata'' (Impulse!, 1974) *'' Yesterdays'' (Flying Dutchman, 1974) With Ray Barretto * 1961 ''Barretto Para Bailar'' * 1963 ''Latino! & Afro-Jaws'' * 1973 ''Carnaval: Latino!/Pachanga with Barretto'' With Joe Beck *''Beck & Sanborn'' (Columbia, 1975) *''Beck'' (Kudu, 1975) With Walter Bishop Jr. *'' Cubicle'' (Muse, 1978) With Art Blakey *'' Child's Dance'' (Prestige, 1972) *'' In My Prime Vol. 1'' (Timeless, 1977) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are stave (wood), staved like barrels and classified into three types: quinto (drum), quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as Conga (music), conga (hence their name) and Cuban rumba, rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Music of Latin America, Latin music such as son cubano, son (when played by Conjunto#Cuban conjunto, conjuntos), descarga, Afro-Cuban jazz, salsa music, salsa, songo music, songo, merengue music, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researche ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ray Barretto
Raymundo "Ray" Barretto Pagán (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his charanga (Cuba), Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa (music), salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, ''Soy dichoso'', was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drum Kit
A drum kit or drum set (also known as a trap set, or simply drums in popular music and jazz contexts) is a collection of drums, cymbals, and sometimes other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The drummer typically holds a pair of matching Drum stick, drumsticks or special wire or nylon brushes; and uses their feet to operate hi-hat and bass drum pedals. A standard kit usually consists of: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by one or more foot-operated pedals * One or more Tom drum, tom-toms, including Rack tom, rack toms or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be played with a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rudy Collins
Rudy Collins (July 24, 1934 – August 15, 1988) was an American jazz drummer born in New York City. Collins played trombone in high school and started on drums at that time as well. He studied with Sam Ulano during 1953–1957 and began gigging in New York City, playing with Hot Lips Page, Cootie Williams, Eddie Bonnemere, Dizzy Gillespie, Johnny Smith, Carmen McRae, Cab Calloway, and Roy Eldridge. he played with J.J. Johnson and Kai Winding at the Newport Jazz Festival. Later in the 1950s Collins became increasingly interested in the nascent free jazz scene, in addition to playing with more traditional ensembles. He worked with Herbie Mann from 1959 and later with Cecil Taylor, Quincy Jones, Dave Pike, and Lalo Schifrin. His last recordings were in 1981. Discography With Ahmed Abdul-Malik *'' Sounds of Africa'' (New Jazz, 1962) With Gene Ammons *'' Night Lights'' (Prestige, 1970 985 With Ray Bryant *'' The Ray Bryant Touch'' (Cadet, 1967) With Billy Butler *'' This Is Billy ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vibraphone
The vibraphone (also called the vibraharp) is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using Percussion mallet, mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the Marimbaphone, steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Johnny Rae
John Anthony Pompeo (August 11, 1934 – September 4, 1993), better known as Johnny Rae, was an American jazz drummer and vibraphonist. Biography Born in Saugus, Massachusetts, Rae graduated from East Boston High School in 1952 and studied music at the New England Conservatory and at the Berklee College of Music in the early 1950s. His mother was a night club pianist in the Boston area. His first major professional gig was with Herb Pomeroy in 1953-54; following this he played with George Shearing (1955–56), Johnny Smith (1956), Ralph Sharon (1957), Cozy Cole (1957–58), Herbie Mann (1959–60), Cal Tjader (1961–66, 1968–70), Stan Getz (1962), Gábor Szabó, Charlie Byrd, Earl Hines, Art Van Damme, and Barney Kessel. In addition to modern jazz, he also played Latin jazz percussion. Through the 1980s Rae worked in music education and authored several instruction books. He was also a disc jockey in San Francisco for many years. From 1982 until his passing, Rae led a tribu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |