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Five On Eight
''Five on Eight'' is the only album featuring drummer Rufus "Speedy" Jones as leader. Recording and music Drummer Rufus "Speedy" Jones led a quintet in the period 1963–64; this led to the recording of ''Five on Eight''. The album was produced by Elliot Mezer.Jones, Rufus "Five on Eight" (LP liner notes). Cameo Records. C1076. Release and reception The album was released by Cameo Records.Yanow, Scot"Rufus 'Speedy' Jones" AllMusic. Retrieved July 6, 2017. It was Jones's only album as leader. ''Billboard'' gave it a three-star review."Three-star Albums" (February 22, 1964). ''Billboard''. p. 29. Track listing #"I Long for Your Love" – 3:12 #"My Special Dream" – 3:50 #"Theme from 'The Prize'" – 4:00 #"Ebb Tide" – 2:27 #"Bird Brain" – 3:45 #"Just About That Time" – 3:02 #"A Secret" – 4:47 #"Rollin'" – 5:35 #"Aluminum Baby" – 4:27 Personnel * Seldon Powell – tenor sax (tracks 1–5) * Joe Farrell – tenor sax (tracks 6–9) * Tommy Turrentine – trumpet (tracks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rufus "Speedy" Jones
Rufus "Speedy" Jones (May 27, 1936 – April 25, 1990) was an American jazz drummer from Charleston, South Carolina. Starting out on trumpet, Jones switched to drums at the age of 13. He worked with Lionel Hampton in 1954 before being drafted. While stationed at Fort Jackson, Jones played in a quintet every Saturday night at the black United Service Organization clubhouse in Columbia. He later played with Red Allen and Maynard Ferguson's Orchestra (1959–1963). He led a quintet from 1963 to 1964, producing for Cameo Records his only album as a leader. Jones worked with Count Basie and Woody Herman in the mid-1960s and backed that up with Duke Ellington in the latter half of the decade. Rufus' son, Lebrew, was sentenced in 1989 to 22 years to life for the murder of Michaelanne Hall, a prostitute in New York City. He was released on parole on November 19, 2009 after significant doubts were raised about his guilt. Discography As leader * '' Five on Eight'' (Cameo, 1964) As side ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameo-Parkway Records
Cameo-Parkway Records was the parent company of Cameo Records and Parkway Records, which were major American Philadelphia-based record labels from 1956 (for Cameo) and 1958 (for Parkway) to 1967. Among the types of music released were doo-wop, dance hits, popular/rock, rockabilly, big band, garage rock, soul and novelty records. Until 1962, Cameo was also the parent company name for both labels, and Parkway was a subsidiary. In 1962, the parent company was renamed from Cameo to Cameo-Parkway, to give both labels equal status. In some foreign markets Cameo-Parkway was also a label name, issuing records by artists from both labels. The Cameo-Parkway catalogue is currently owned by ABKCO Records. History Cameo Records was founded in December 1956 in Philadelphia by Bernie Lowe and Kal Mann (it has no connection to the 1920s record label Cameo Records). Parkway, initially a subsidiary label, was formed in 1958. Mann and Lowe had been a successful songwriting team prior to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seldon Powell
Seldon Powell (15 November 1928 – 25 January 1997) was an American soul jazz, swing, and R&B tenor saxophonist and flautist born in Lawrenceville, Virginia. He worked with Tab Smith (1949), Lucky Millinder (1949–51), Neal Hefti, and Louis Bellson. During the 1960s he ventured into the soul jazz idiom and worked with Clark Terry, Lou Donaldson, Johnny Hammond Smith, and Buddy Rich. Discography As leader * ''Sedon Powell Plays'' (Roost 1955 [1956], reissued by Roulette, 1973)) * ''Seldon Powell featuring Jimmy Cleveland'' (Roost, 1956) * ''Rhythm Plus One'' (Fresh Sound, 1956 [1984], LP reissue of selections from the above) * ''At the Hop'' (PMI) * ''Messin' with Seldon Powell'' (Encounter, 1973) As sideman With Tony Aless *''Long Island Suite'' (Roost, 1955) With Mose Allison *''Hello There, Universe'' (Atlantic, 1970) With Albert Ayler *''New Grass'' (Impulse!, 1968) With Chet Baker *''Baker's Holiday'' (Limelight, 1965) With Gato Barbieri *''Chapter Three, Viva Emilian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Farrell
Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea's Return to Forever. Early life and education Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. After graduating from the University of Illinois at Urbana–Champaign in 1959, he moved to New York City to work as a freelance musician. Career He joined the Ralph Marterie Band in 1957 and later played with Maynard Ferguson and The Thad Jones/ Mel Lewis Orchestra. He also recorded with Charles Mingus, Andrew Hill, Jaki Byard, Players Association and Elvin Jones. After the death of John Coltrane, Elvin Jones formed a pianoless trio with Jimmy Garrison and Farrell, recording two albums for Blue Note in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Turrentine
Thomas Walter Turrentine, Jr. (April 22, 1928 – May 13, 1997) was a swing and hard bop trumpeter and composer who was active between the 1940s and the 1960s. He rarely worked as a bandleader, and was known for his work as a sideman with drummer Max Roach and his younger brother, the saxophonist Stanley Turrentine. Biography Born in Pittsburgh, Pennsylvania, Turrentine played in the bands of Benny Carter, Earl Bostic, Charles Mingus, Billy Eckstine, Dizzy Gillespie, and Count Basie. He later recorded with Sonny Clark, Lou Donaldson, and his brother Tommy's bands. His working relationship with Max Roach was spawned in part when he joined the Max Roach Quintet in the late 1950s. Turrentine was also adept on the piano at chord blockings and was a compositional exponent of Thelonious Monk's earlier chordal voicings. His bebop compositions combined a sophisticated and emotional fusion and poignant lyricism reminiscent of Benny Golson and with the passionate, spirited influence of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaki Byard
John Arthur "Jaki" Byard (; June 15, 1922 – February 11, 1999) was an American jazz multi-instrumentalist, composer, and arranger. Mainly a pianist, he also played tenor and alto saxophones, among several other instruments. He was known for his eclectic style, incorporating everything from ragtime and stride to free jazz. Byard played with trumpeter Maynard Ferguson in the late 1950s and early 1960s, and was a member of bands led by bassist Charles Mingus for several years, including on several studio and concert recordings. The first of his recordings as a leader was in 1960, but, despite being praised by critics, his albums and performances did not gain him much wider attention. In his 60-year career, Byard recorded at least 35 albums as leader, and more than 50 as a sideman. Byard's influence on the music comes from his combining of musical styles during performance, and his parallel career in teaching. From 1969 Byard was heavily involved in jazz education: he began teachi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Bertoncini
Gene J. Bertoncini (born 6 April 1937) is an American jazz guitarist. Biography Bertoncini was born in New York City, where he was raised in a musical family. His father, Mario Bertoncini (1901–1978), played guitar and harmonica. Gene began playing guitar at age seven and by age sixteen was appearing on television. He graduated from high school and attended the University of Notre Dame, where, in 1959, he earned a Bachelor of Science degree in Architectural Engineering.Summerfield, Maurice. 1998. ''The Jazz Guitar: Its Evolution, Players and Personalities Since 1900''. United Kingdom: Ashley Mark Publishing Early in life, Bertoncini had lessons with Bob Scilingo and Johnny Smith. After college Bertoncini moved to Chicago where he became immersed in the jazz scene, working with Carmen McRae. He returned to New York and played with vibraphonist Mike Mainieri and then played in one of Buddy Rich's ensembles. Bertoncini's career has included playing with Benny Goodman, Wayne Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Holley
Major "Mule" Holley Jr. (July 10, 1924 – October 25, 1990) was an American jazz upright bassist. Biography Holley was born in Detroit, Michigan, United States. He attended the prestigious Cass Technical High School in Detroit. Holley played violin and tuba when young. He started playing bass while serving in the Navy, playing in the Ships Company A Band at Camp Robert Smalls, which was led by Leonard Bowden and included Clark Terry, and several other musicians recruited from civilian dance bands.Floyd, Samuel A. “An Oral History: The Great Lakes Experience,” in ''The Black Experience in Music'' 11.1: (Spring 1983): pp. 41-61. In the latter half of the 1940s, he played with Dexter Gordon, Charlie Parker, and Ella Fitzgerald; in 1950 he and Oscar Peterson recorded duets, and he also played with Peterson and Charlie Smith as a trio. He was married to Minnie Walton (born Millicent Aitcheson). In the mid-1950s, he moved to England and worked at the BBC. Upon his return to A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teddy Smith
Theodore "Teddy" Smith (January 22, 1932, in Washington, D.C.—August 24, 1979, in Washington, D.C.) was an American jazz double-bassist. Smith played with Betty Carter in 1960, and with Clifford Jordan (with whom he recorded the LP ''Bearcat'' in 1962) and Kenny Dorham in 1961-62. In 1962-63 he played with Jackie McLean and Slide Hampton. Following this he played with Horace Silver, including at the 1964 Montreux Jazz Festival, Montreux, Antibes Jazz Festival, Antibes, and Paris Jazz Festival, Paris jazz festivals and on the album ''Song for My Father (album), Song for My Father''. Following this Smith played with Sonny Rollins (1964–65) and Sonny Simmons (1966). Smith's performance on Song for My Father (song), the title track of ''Song for My Father'', beginning with the opening unison figure between Smith's bass and Silver's piano, has been one of the most widely heard pieces of jazz music in the world for nearly a half-century and an influence on such artists as Stevi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
