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Five Pieces For Piano (Schoenberg)
Five Pieces for Piano, (German: ), Op. 23, is a set of five pieces for solo piano by Arnold Schoenberg, which he partly composed in 1920 and completed in 1923. The five pieces are: A typical performance of all five pieces takes around 12 minutes. Each of the pieces explores a different approach to serializing pitch. The first piece simultaneously unfolds series of 21, 20, and 13 pitches, which later recur in the same order, but changed in rhythm and octave to generate a different, contrasting musical texture. Its initial impetus was a June 1920 solicitation from Henry Prunières, editor of the French music magazine "La Revue musicale," for contributions to a proposed "Tombeau de Claude Debussy," although Schoenberg ultimately decided not to submit it for inclusion in that project. The brief second piece, also written in 1920, is strongly contrasting. The third, composed in 1923, is based on a motive of five notes, and the fourth, started in 1920, then resumed in 1923, features fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waltz
The waltz ( ), meaning "to roll or revolve") is a ballroom and folk dance, normally in triple ( time), performed primarily in closed position. History There are many references to a sliding or gliding dance that would evolve into the waltz that date from 16th-century Europe, including the representations of the printmaker Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, uses his surplus energy to press all his strength into the proper beat of the bar, thus intensifying his personal enjoyment in dancing." Around 1750, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Prunières
Henry Prunières (24 May 1886, in Paris – 11 April 1942, in Nanterre) was a French musicologist, and international proponent of contemporary art in various forms, including music, dance and painting. He occupies an important place in the art world between the wars, particularly with regard to music. His major contribution ''La Revue musicale,'' a monthly musical periodical which he founded in 1920 and left in 1939, is still a reference in the Western musical world. Prunières received his doctorate at the Sorbonne in 1913, where he wrote his dissertations on Italian music in France before Jean-Baptiste Lully and ''ballet de cour'' in France before Lully. Between 1924-1935, he worked as the music correspondent at the New York Times. He was also secretary and chairman of the International Music Society. Prunières was an important figure in the early 20th-century renewal of interest in Lully and his music. Major works * ''Lully''. Paris, 1910 * ''La musique de la chambre et l'e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Revue Musicale
''La Revue musicale'' was a music magazine founded by Henry Prunières in 1920. ''La Revue musicale'' of Prunières was undoubtedly the first music publishing magazine giving as much attention to the quality of editing, iconography, and illustration. In each issue (11 per year), there was plenty of information on the musical and choreographic life in many countries. In addition to the magazine, there were over 160 musical pieces by various composers, most of whom were French, irregularly produced as 81 supplements between 1920 and 1939. Many of these were composed specifically for the magazine. Several compositions have been overlooked in listings of the complete works of the composer. The magazine's aim was to support the profound changes taking place in the music of the period while simultaneously showing affection for the music of the past. Avoiding intransigent nationalism that marked French classical music before the World War I, the magazine became a reference point for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite For Piano (Schoenberg)
Arnold Schoenberg's Suite for Piano (German: ), Op. 25, is a 12-tone piece for piano composed between 1921 and 1923. The work is the earliest in which Schoenberg employs a row of "12 tones related only to one another" in every movement: the earlier ''5 Stücke'', Op. 23 (1920–23) employs a 12-tone row only in the final waltz movement, and the ''Serenade'', Op. 24, uses a single row in its central ''Sonnet''. The basic tone row of the suite consists of the following pitches: E–F–G–D–G–E–A–D–B–C–A–B. In form and style, the work echoes many features of the Baroque suite. There are six movements: A typical performance of the entire suite takes around 16 minutes. In this work, Schoenberg employs transpositions and inversions of the row for the first time: the sets employed are P-0, I-0, P-6, I-6 and their retrogrades. Arnold Whittall has suggested that " e choice of transpositions at the sixth semitone—the tritone—may seem the consequence of a desire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eduard Steuermann
Eduard Steuermann (June 18, 1892 in Sambor, Austro-Hungarian Empire – November 11, 1964 in New York City) was an Austrian (and later American) pianist and composer. Steuermann studied piano with Vilém Kurz at the Lemberg Conservatory and Ferruccio Busoni in Berlin, and studied composition with Engelbert Humperdinck and Arnold Schoenberg. He played the piano part in the first performance of Schoenberg's ''Pierrot Lunaire'' and premiered his Piano Concerto. He continued his association with Schoenberg as a pianist for the composer's Society for Private Musical Performances in Vienna, and made an arrangement for piano trio of Schoenberg's ''Verklärte Nacht''. He performed in the radio premiere of Schoenberg's "Ode to Napoleon Bonaparte" with the New York Philharmonic under Artur Rodziński on November 26, 1944. In 1952 he was awarded the Schoenberg Medal by the International Society for Contemporary Music. He taught at the Internationale Ferienkurse für Neue Musik at Darmstadt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna
en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST = CEST , utc_offset_DST = +2 , blank_name = Vehicle registration , blank_info = W , blank1_name = GDP , blank1_info = € 96.5 billion (2020) , blank2_name = GDP per capita , blank2_info = € 50,400 (2020) , blank_name_sec1 = HDI (2019) , blank_info_sec1 = 0.947 · 1st of 9 , blank3_name = Seats in the Federal Council , blank3_info = , blank_name_sec2 = GeoTLD , blank_info_sec2 = .wien , website = , footnotes = , image_blank_emblem = Wien logo.svg , blank_emblem_size = Vienna ( ; german: Wien ; ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glenn Gould
Glenn Herbert Gould (; né Gold; September 25, 1932October 4, 1982) was a Canadian classical pianist. He was one of the most famous and celebrated pianists of the 20th century, and was renowned as an interpreter of the keyboard works of Johann Sebastian Bach. Gould's playing was distinguished by remarkable technical proficiency and a capacity to articulate the contrapuntal texture of Bach's music. Gould rejected most of the standard Romantic piano literature by Chopin, Liszt, Rachmaninoff, and others, in favour of Bach and Beethoven mainly, along with some late-Romantic and modernist composers. Although his recordings were dominated by Bach and Beethoven, Gould's repertoire was diverse, including works by Mozart, Haydn, Scriabin, and Brahms; pre-Baroque composers such as Jan Pieterszoon Sweelinck, William Byrd, and Orlando Gibbons; and 20th-century composers including Paul Hindemith, Arnold Schoenberg, and Richard Strauss. Gould was known for his eccentricities, from his u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Helffer
Claude Helffer (18 June 1922 – 27 October 2004) was a French pianist. Early life Helffer was born in Paris, and began piano lessons at the age of five and from the age of ten until the outbreak of World War II he studied with Robert Casadesus. During the War he entered École Polytechnique and fought for the French Resistance during World War II. After the War, he studied theory and composition with René Leibowitz. Career He made his debut in Paris in 1948 and from 1954 appeared regularly in the concerts of the Domaine musical. Helffer gave many premières of new works and was the dedicatee of several notable works, including ''Erikhthon'' ( Xenakis, 1974), Concerto ( Boucourechliev, 1975), ''Stances'' (Betsy Jolas, 1978), Concerto no. 1 (Luis de Pablo, 1980), ''Envoi'' ( Gilles Tremblay, 1982), and ''Modifications'' (Michael Jarrell, 1983). Conductors he collaborated with included Boulez, Bour, Gielen, Leibowitz, Maderna, Marriner, Martinon, Van Otterloo, Prà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Jacobs (pianist)
Paul Jacobs (June 22, 1930 – September 25, 1983) was an American pianist. He was best known for his performances of twentieth-century music but also gained wide recognition for his work with early keyboards, performing frequently with Baroque ensembles. Biography Education Paul Jacobs was born in New York City and attended PS 95 and DeWitt Clinton High School in the Bronx and studied at the Juilliard School, where his teacher was Ernest Hutcheson. He became a soloist with Robert Craft's Chamber Arts Society and played with the Composer's Forum. He made his official New York debut in 1951. Reviewing that concert, Ross Parmenter described him in ''The New York Times'' as 'a young man of individual tastes with an experimental approach to the keyboard that he already has mastered.' Europe in the 1950s He moved to France after his graduation in 1951. There he began his long association with Pierre Boulez, playing frequently in his Domaine musical concerts, which introduced many ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
