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Film Leader
A film leader is a length of film attached to the head or tail of a film to assist in threading a projector or telecine. A leader attached to the beginning of a reel is sometimes known as a head leader, or simply head, and a leader attached to the end of a reel known as a tail leader or foot leader, or simply tail or foot. "Film leader", used generically, refers to different types manufactured for many editorial and laboratory uses. For example, some types are used in negative cutting while making A and B rolls for printing. "Painted leader" is perforated film in overall colors, usually white, black, red, blue, or green. These are used for protective head and tail leaders to keep the body of the program material from being damaged. "Fill leader" (also called picture fill, or spacer, or slug film) is used to space out different sections of magnetic audio film stock so they are kept in synchronization with the picture. Typically, this is made from rejected or retired prints of pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eight (film Start) Cropped2
8 is a number, numeral, and glyph. 8 or eight may also refer to: Years * AD 8, the eighth year of the AD era * 8 BC, the eighth year before the AD era Art *The Eight (Ashcan School), a group of twentieth century painters associated with the Ashcan School *The Eight (painters), an avant-garde art movement of Hungarian painters Motor vehicles *Bentley Eight, Bentley's "entry-level" offering from 1984 until 1992 * Leyland Eight, a luxury car produced by Leyland Motors from 1920 to 1923 *Mercury Eight, a first Post War Mercury car design *Morris Eight, a small car inspired by the Ford Model Y *Standard Eight, a small car produced by Standard Motor Company 1938–59 *Wolseley Eight, a four-door, light saloon car produced by Wolseley Motors Limited from 1946 to 1948 *Straight eight, automobile engine *Eight cylinder, automobile engine Sports *Eight (rowing), rowing boat used in the sport of competitive rowing *Figure 8 (belay device), rock climbing equipment also known as an "eigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cue Marks
A cue mark, also known as a cue dot, a cue blip, a changeover cueThe term "changeover cue" can refer to any cue mark, or it can also refer to the second cue in a pair (the one that actually signals the changeover). or simply a cue is a visual indicator used with motion picture film prints, usually placed in the upper right-hand corner of a filmframe.SMPTE 301M-1999. ''SMPTE STANDARD for Motion-Picture Film: Theater Projection Leader, Trailer and Cue Marks.'' Society of Motion Picture and Television Engineers. White Plains, NY. Cue dots are also used as a visual form of signalling on television broadcasts. A pair of cue marks is used to signal the projectionist that a particular reel of a movie is ending, as most movies presented on film come to theaters on several reels of film lasting about 14 to 20 minutes each (the positive print rolls, themselves, are either 1,000 feet or, more commonly, 2,000 feet, nominally 11.11 or 22.22 minutes, absolute maximum, with more commonly an ed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film And Video Terminology
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitize ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slate (broadcasting)
In broadcasting, a slate is a title card listing important metadata of a television program, included before the first frame of the program. The broadcasting equivalent of a film leader, the slate is usually accompanied with color bars and tone, a countdown, and a 2-pop. In videotape workflows, slates help ensure that the tape received is the right one to broadcast (or to project, in the case of digital cinema) or to ingest into a digital playout system. It also provides helpful context for consideration in the re-editing of the material into a larger package. A convention from the videotape era of television broadcasting, the need for slates in a tapeless workflow has largely been usurped by the Material Exchange Format. However, the slate is still a regular and often-required fixture of television stations and other media companies . Common information Common information to include in a slate includes, but is not limited to: * Title of the program * Name of the production company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Girl (filmmaking)
In the motion picture industry, a China girl is a type of test film, an image of a woman accompanied by color bars that appears for a few frames (typically one to four) in the Film leader, reel leader. A "China Girl" was used by the lab technician for calibration purposes when processing the film (with the still photography equivalent being a "Color chart#Shirley cards, Shirley Card"). The origin of the term is a matter of some dispute but is usually accepted to be a reference to the models used to create the frames - either they were actually china (porcelain) mannequins, or the make-up worn by the live models made them appear to be mannequins. Originally the "China Girl" frames were created in-house by laboratories to varying standards, but in the mid-1970s engineers from the Eastman Kodak Company developed the Laboratory Aim Density system as a means of simplifying the production of motion picture prints. Under the LAD system, Kodak created many duplicate negatives of a single C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Cinema Package
A Digital Cinema Package (DCP) is a collection of digital files used to store and convey digital cinema (DC) audio, image, and data streams. The term was popularized by Digital Cinema Initiatives, LLC in its original recommendation for packaging DC contents. However, the industry tends to apply the term to the structure more formally known as the composition. ("You PLAY a composition, You do NOT play a Digital Cinema Package".) A DCP is a “packing crate” for compositions, a hierarchical file structure that represents a title version. The DCP may carry a partial composition (e.g. not a complete set of files), a single complete composition, or multiple and complete compositions. The composition consists of a Composition Playlist (in XML format) that defines the playback sequence of a set of Track Files. Track Files carry the essence, which is wrapped using Material eXchange Format (MXF). Two track files at a minimum must be present in every composition (see SMPTE ST429-2 D-Cine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ANSI
The American National Standards Institute (ANSI ) is a private non-profit organization that oversees the development of voluntary consensus standards for products, services, processes, systems, and personnel in the United States. The organization also coordinates U.S. standards with international standards so that American products can be used worldwide. ANSI accredits standards that are developed by representatives of other standards organizations, government agencies, consumer groups, companies, and others. These standards ensure that the characteristics and performance of products are consistent, that people use the same definitions and terms, and that products are tested the same way. ANSI also accredits organizations that carry out product or personnel certification in accordance with requirements defined in international standards. The organization's headquarters are in Washington, D.C. ANSI's operations office is located in New York City. The ANSI annual operating b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2-pop
Used in television production and filmmaking post-production, a 2-pop is a 1 kHz tone that is one frame long and placed 2 seconds before the start of a program. It is a simple and effective method of ensuring synchronization between sound and picture in a video or film. A 2-pop is typically placed at the end of a visual countdown. Only the first frame of the "2" is shown, and the remainder of the 2 seconds prior to the program is black. This provides a unique point of reference where the frame-long image and frame-long sound should align, similar to the way a film clapperboard is used to generate a synchronization point. For example, in a television or video program the first frame of action (FFOA) starts at one hour (typically timecode of 01:00:00:00 in the US, and 10:00:00:00 in the UK), preceding that, 1 frame (or the 2-pop) of tone would be placed at timecode 00:59:58:00 or exactly 2 seconds before first picture. Alternately, in film post-production the leader starts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second
The second (symbol: s) is the unit of time in the International System of Units (SI), historically defined as of a day – this factor derived from the division of the day first into 24 hours, then to 60 minutes and finally to 60 seconds each (24 × 60 × 60 = 86400). The current and formal definition in the International System of Units ( SI) is more precise:The second ..is defined by taking the fixed numerical value of the caesium frequency, Δ''ν''Cs, the unperturbed ground-state hyperfine transition frequency of the caesium 133 atom, to be when expressed in the unit Hz, which is equal to s−1. This current definition was adopted in 1967 when it became feasible to define the second based on fundamental properties of nature with caesium clocks. Because the speed of Earth's rotation varies and is slowing ever so slightly, a leap second is added at irregular intervals to civil time to keep clocks in sync with Earth's rotation. Uses Analog clocks and watches often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Motion Picture And Television Engineers
The Society of Motion Picture and Television Engineers (SMPTE) (, rarely ), founded in 1916 as the Society of Motion Picture Engineers or SMPE, is a global professional association of engineers, technologists, and executives working in the media and entertainment industry. As an internationally recognized standards organization, SMPTE has published more than 800 technical standards and related documents for broadcast, filmmaking, digital cinema, audio recording, information technology (IT), and medical imaging. SMPTE also publishes the ''SMPTE Motion Imaging Journal'', provides networking opportunities for its members, produces academic conferences and exhibitions, and performs other industry-related functions. SMPTE membership is open to any individual or organization with an interest in the subject matter. In the US, SMPTE is a 501(c)3 non-profit charitable organization. History The Motion Picture and Television Engineers was founded in 1913 by Charles Francis Jenkins, w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movie Projector
A movie projector is an optics, opto-mechanics, mechanical device for displaying Film, motion picture film by projecting it onto a movie screen, screen. Most of the optical and mechanical elements, except for the illumination and sound devices, are present in movie cameras. Modern movie projectors are specially built video projectors. (see also digital cinema) Many projectors are specific to a particular film gauge and not all movie projectors are film projectors since the use of film is required. Predecessors The main precursor to the movie projector was the magic lantern. In its most common setup it had a concave mirror behind a light source to help direct as much light as possible through a painted glass picture slide and a lens, out of the lantern onto a screen. Simple mechanics to have the painted images moving were probably implemented since Christiaan Huygens introduced the apparatus around 1659. Initially candles and oil lamps were used, but other light sources, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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