|
Film-makers' Cooperative
The Film-Makers' Cooperative a.k.a. legal name The New American Cinema Group, Inc. is an artist-run, non-profit organization incorporated in July 1961 in New York City by Jonas Mekas, Shirley Clarke, Stan Brakhage, Lionel Rogosin, Gregory Markopoulos, Lloyd Michael Williams and other filmmakers for the distribution, education and exhibition of avant-garde films and alternative media. History In the fall of 1960, Jonas Mekas and Lewis Allen organized several meetings with independent filmmakers in New York City that culminated on September 28, 1960 with them officially declaring themselves the New American Cinema Group. Two days later on Sept. 30, Mekas presented the first draft of a manifesto for the Group, which included a call to form a cooperative distribution center. On January 7, 1961, at a contentious meeting of the Group, Amos Vogel attempted to stonewall the formation of the distribution center claiming that his own Cinema 16 organization should be the only distributor of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jonas Mekas
Jonas Mekas (; December 24, 1922 – January 23, 2019) was a Lithuanian-American filmmaker, poet, and artist who has been called "the godfather of American avant-garde cinema". Mekas' work has been exhibited in museums and at festivals worldwide. Mekas was active in New York City, where he co-founded Anthology Film Archives, The Film-Makers’ Cooperative, and the journal '' Film Culture''. He was also the first film critic for ''The Village Voice''. In the 1960s, Mekas launched anti-censorship campaigns in defense of the LGBTQ-themed films of Jean Genet and Jack Smith, garnering support from cultural figures including Jean-Paul Sartre, Simone de Beauvoir, Norman Mailer, Susan Sontag. Mekas mentored and supported many prominent American artists and filmmakers, including Ken Jacobs, Peter Bogdanovich, Chantal Akerman, Richard Foreman, John Waters, Barbara Rubin, Yoko Ono, and Martin Scorsese. He helped launch the writing careers of the critics Andrew Sarris, Amy Taubin, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bradley Eros
Bradley Eros (born in 1952 in Fairfield, Illinois) is an experimental film director, actor, curator, poet, and performance artist who also makes Musique concrète sound collages, music videos, photographs, live projection performances, works on paper and art objects. His work has been presented in multiple screenings and exhibitions at the Museum of Modern Art, and the Whitney Museum of American Art, including the 2004 Whitney Biennial, and is in the permanent collection of the museum. He has also created dozens of ‘zines, posters, soundtracks and unique artist’s books. He is represented by Microscope Gallery in New York City and is known for his work in the field of ''contracted cinema''. Life and work Among his first projects following his relocation from Illinois to NYC was a series of expanded cinema films with (and performed live with) Aline Mare in a multi-media film and music partnership called ''Erotic Psyche''. In 1982 he helped organize (and appeared in) the Colab sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaker Cooperatives
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is written. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Organizations In The United States
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Film Festivals
An experiment is a procedure carried out to support or refute a hypothesis, or determine the efficacy or likelihood of something previously untried. Experiments provide insight into cause-and-effect by demonstrating what outcome occurs when a particular factor is manipulated. Experiments vary greatly in goal and scale but always rely on repeatable procedure and logical analysis of the results. There also exist natural experimental studies. A child may carry out basic experiments to understand how things fall to the ground, while teams of scientists may take years of systematic investigation to advance their understanding of a phenomenon. Experiments and other types of hands-on activities are very important to student learning in the science classroom. Experiments can raise test scores and help a student become more engaged and interested in the material they are learning, especially when used over time. Experiments can vary from personal and informal natural comparisons (e. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five boroughs of New York City. The borough is also coextensive with New York County, one of the original counties of the U.S. state of New York. Located near the southern tip of New York State, Manhattan is based in the Eastern Time Zone and constitutes both the geographical and demographic center of the Northeast megalopolis and the urban core of the New York metropolitan area, the largest metropolitan area in the world by urban landmass. Over 58 million people live within 250 miles of Manhattan, which serves as New York City’s economic and administrative center, cultural identifier, and the city’s historical birthplace. Manhattan has been described as the cultural, financial, media, and entertainment capital of the world, is considered a safe haven for global real estate investors, and hosts the United Nations headquarters. New York City is the headquarters of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Villager (Manhattan)
''The Villager'' is a weekly newspaper serving Downtown Manhattan. Background Founded in 1933 by Walter and Isabel Bryan, it is part of Schneps Media whose Manhattan portfolio includes ''Downtown Express'', ''Gay City News'' (formerly ''LGNY''), ''Chelsea Now'', ''Villager Express'' (formerly ''East Villager''), ''AM New York'', and ''Manhattan Express.'' In 2001, 2004 and 2005, ''The Villager'' won the Stuart Dorman Award, honoring New York State's best weekly newspaper, in the New York Press Association's Better Newspaper Contest. It has also been called better than ''The New York Times'' by '' New York'' magazine: In 2005, in its "123 Reasons Why We Love New York Right Now," ''New York'' dubbed ''The New York Times'' Reason #51, "because our hometown paper is still the greatest in the world," the magazine said...before adding, #52, on the facing page: "...next to ''The Villager''." In September 2018, NYC Community Media, ''The Villagers owner, and Community News Group, we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peggy Ahwesh
Peggy Ahwesh (born 1954 in Canonsburg, Pennsylvania) is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film. Career Peggy Ahwesh went to Antioch College, where she became enamored with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lynne Sachs
Lynne Sachs (born 1961) is an American experimental filmmaker and poet living in Brooklyn, New York. Her moving image work ranges from documentaries, to essay films, to experimental shorts, to hybrid live performances. Working from a feminist perspective, Sachs weaves together social criticism with personal subjectivity. Her films embrace a radical use of archives, performance and intricate sound work. Between 2013 and 2020, she collaborated with musician and sound artist Stephen Vitiello on five films. Early life and education Sachs graduated from Brown University with a major in history, and a focus on studio art. She developed an interest in experimental documentary filmmaking while attending the 1985 Robert J. Flaherty Documentary Film Seminar through a scholarship. There, she was inspired by the works of Bruce Conner, who would later become her mentor, and Maya Deren. She took her first media arts classes aGlobal Villageand Downtown Community Television Center in New Yor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Morrison (director)
Bill Morrison (born November 17, 1965) is an American, New York–based filmmaker and artist. His films often combine rare archival material set to contemporary music, and have been screened in theaters, cinemas, museums, galleries, and concert halls around the world. Early life and career Morrison was born in Chicago, Illinois. He attended Reed College from 1983 to 1985, and graduated with a BFA from the Cooper Union School of Art in 1989. He received the President's Citation from Cooper Union in 2016. Morrison had a mid-career retrospective at New York's Museum of Modern Art, October 2014 – March 2015. He is a fellow of the John Simon Guggenheim Memorial Foundation, and has received the Alpert Awards in the Arts, a grant from the National Endowment for the Arts, Creative Capital, and the Foundation for Contemporary Arts Grants to Artists award (2003). His theatrical projection design with Ridge Theater has been recognized with two Bessie Awards, and an Obie Award. Morrison ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Jacobs
Ken Jacobs (born May 25, 1933 in Brooklyn, New York) is an American experimental filmmaker. His style often involves the use of found footage which he edits and manipulates. He has also directed films using his own footage. Ken Jacobs directed '' Blonde Cobra'' in 1963. This short film stars Jack Smith who directed his own ''Flaming Creatures'' the same year. In 1969 he directed ''Tom, Tom, the Piper's Son'' (1969, USA), in which he took the original 1905 short film and manipulated the footage to recontextualize it. This is considered an important first example of deconstruction in film. The film was admitted to the National Film Registry in 2007. His '' Star Spangled to Death'' (2004, USA) is a nearly seven-hour film consisting largely of found footage. Jacobs began compiling the archival footage in the 1950s and the film took years to complete. Jacobs taught at the Cinema Department at Harpur College at Binghamton University from 1969 to 2002. His son Azazel Jacobs is al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deitch Projects
Jeffrey Deitch (pronounced ''DIE-tch'';Mike Boehm (January 12, 2010)L.A.'s MOCA picks art dealer Jeffrey Deitch as director''Los Angeles Times''. born 1952) is an American art dealer and curator. He is best known for his gallery Deitch Projects (1996–2010) and curating groundbreaking exhibitions such as ''Lives'' (1975) and ''Post Human'' (1992). Deitch was director of the Museum of Contemporary Art, Los Angeles (MOCA) from 2010 to 2013. He currently owns and directs Jeffrey Deitch Gallery, an art gallery with locations in New York and Los Angeles. Early life and education Deitch was born in 1952 and grew up in Connecticut, where his father ran a heating-oil and coal company and his mother was an economist.Carl Swanson (January 13, 2014)Jeffrey Deitch Curates Jeffrey Deitch: The Return of the Art World's Most Essential Zelig''New York Magazine''. He attended public high school in West Hartford, Connecticut, from 1967 to 1970. He was an exchange student in Paris in 1968, and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Deitch Projects")