Fever (Roy Ayers Album)
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Fever (Roy Ayers Album)
''Fever'' is a studio album by American musician Roy Ayers. It was released in 1979 through Polydor Records. Recording sessions for the album took place at Sigma Sound Studios and Electric Lady Studios in New York City, and at Record Plant in Los Angeles. The production was handled by Ayers himself with co-production by Carla Vaughn. The album peaked at number 67 on the ''Billboard'' 200 albums chart and at number 25 on the Top R&B/Hip-Hop Albums chart in the United States. Its lead single, "Love Will Bring Us Back Together", reached peak position #41 on the Hot R&B/Hip-Hop Songs chart. Critical reception The '' Bay State Banner'' wrote that Ayers "still cannot sing, but the vibes solos at last have some sting and energy behind them." Track listing Personnel * Roy Ayers – lead vocals (tracks: 1-7), backing vocals (track 2), electric piano (tracks: 1, 5, 6, 8), clavinet (tracks: 1, 5, 6), handclaps (track 1), cowbell (track 2), ARP String Synthesizer (track ...
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Roy Ayers
Roy Ayers (born September 10, 1940) is an American funk, soul, and jazz composer, vibraphone player, and music producer. Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been dubbed "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Searchin", and "Running Away". At one time, he was said to have more sampled hits by rappers than any other artist. Biography Early life Ayers was born on September 10, 1940, in Los Angeles. He grew up in a musical family, where his father played trombone and his mother played piano. At the age of five, he was given his first pair of vibraphone mallets by Lionel Hampton. The area of Los Angeles that Ayers grew up in, South Park (later known as South Central) was at the center of the Southern ...
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Jack Norworth
John Godfrey Knauff (January 5, 1879 – September 1, 1959), known professionally as Jack Norworth, was an American songwriter, singer and vaudeville performer. Biography Norworth is credited as writer of a number of Tin Pan Alley hits. He wrote the lyrics to "Take Me Out to the Ball Game" in 1908, his longest-lasting hit. It wasn't until 1940 that he witnessed a major league baseball game. The song placed at number 8 on the "Songs of the Century" list selected by the National Endowment for the Arts and the Recording Industry Association of America. His "Shine On, Harvest Moon" was a bigger hit at the time. There is some disagreement about his involvement in its creation. Broadway historian John Kenrick credits Edward Madden and Gus Edwards, while the family of Follies songwriter Dave Stamper claims he wrote the song while working as the pianist for Nora Bayes, the officially credited co-writer with Norworth. Another possibility for the music could lie with George Gershwin, w ...
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ARP Omni
The ARP Omni was a polyphonic analog synthesizer manufactured by ARP Instruments, Inc. Overview The Omni featured preset, electronically generated Orchestral ensemble String voices including polyphonic Violin and Viola sounds as well as monophonic Bass and Cello. The instrument also included a monophonic Bass Synthesizer section and a polyphonic Synthesizer section. The Synthesizer section featured a 24 dB/oct Voltage-Controlled Low Pass Filter (LPF); an ADSR envelope generator and a single waveform (triangle) Low Frequency Oscillator (LFO) were both routed to control the VCF Cutoff frequency. A Waveform Enhancement switch allowed selection of a square wave voice waveform vs. the default quasi-sawtooth waveform. The ARP Omni had a unique logo that was painted on to the back face of the unit. Voicing The String and Synthesizer sections of the 49-note Omni utilized the Mostek MK50240 Top Octave generator IC along with divide-down circuitry; as a result, these section ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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ARP String Synthesizer
The Solina String Synthesizer, also erroneously known as the ARP Solina String Synthesizer or sometimes the ARP String Synthesizer, is a combination of a string synthesizer and synthesizer. It is a hybrid model which combined both the Solina String Ensemble string synthesizer and the ARP Explorer monophonic synthesizer. It was built in Bodegraven, Netherlands by Eminent B.V. Supposedly only about 100 were ever produced.Solina String Synthesizer
Vintage Synth Explorer The addition of the to the Solina string sounds made for a very powerful combination.


Keyboard modes

* Strings Only * Strings through the Explorer low-pass filter * Explorer voice combined with the lower Solina ke ...
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Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the Engli ...
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Handclaps
A clap is the percussive sound made by striking together two flat surfaces, as in the body parts of humans or animals. Humans clap with the palms of their hands, often quickly and repeatedly to express appreciation or approval (see applause), but also in rhythm as a form of body percussion to match the sounds in music, dance, chants, hand games, and clapping games. Some people slap the back of one hand into the palm of the other hand to signify urgency or enthusiasm. This act may be considered uncouth by others. Clapping is used in many forms of music. In American music, clapping is popular in Gospel, Doo-wop and early Pop. In flamenco and sevillanas, two Spanish musical genres, clapping is called '' palmas'' and often sets the rhythm and is an integral part of the songs. A sampled or synthesized clap is also a staple of electronic and pop music. Musical works that include clapping Classical works performed entirely by clapping * Steve Reich, ''Clapping Music'' (1972) * ...
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Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Backing Vocalist
A backing vocalist is a singer who provides vocal harmony with the lead vocalist or other backing vocalists. A backing vocalist may also sing alone as a lead-in to the main vocalist's entry or to sing a counter-melody. Backing vocalists are used in a broad range of popular music, traditional music, and world music styles. Solo artists may employ professional backing vocalists in studio recording sessions as well as during concerts. In many rock and metal bands (e.g., the power trio), the musicians doing backing vocals also play instruments, such as guitar, electric bass, drums or keyboards. In Latin or Afro-Cuban groups, backing singers may play percussion instruments or shakers while singing. In some pop and hip hop groups and in musical theater, they may be required to perform dance routines while singing through headset microphones. Styles of background vocals vary according to the type of song and genre of music. In pop and country songs, backing vocalists may sing ha ...
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Lead Vocalist
The lead vocalist in popular music is typically the member of a group or band whose voice is the most prominent melody in a performance where multiple voices may be heard. The lead singer sets their voice against the accompaniment parts of the ensemble as the dominant sound. In vocal group performances, notably in soul and gospel music, and early rock and roll, the lead singer takes the main vocal melody, with a chorus or harmony vocals provided by other band members as backing vocalists. Lead vocalists typically incorporate some movement or gestures into their performance, and some may participate in dance routines during the show, particularly in pop music. Some lead vocalists also play an instrument during the show, either in an accompaniment role (such as strumming a guitar part), or playing a lead instrument/instrumental solo role when they are not singing (as in the case of lead singer-guitar virtuoso Jimi Hendrix). The lead singer also typically guides the vocal ensem ...
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Otis Blackwell
Otis Blackwell (February 16, 1931 – May 6, 2002) was an American songwriter whose work influenced rock and roll. His compositions include "Fever" (recorded by Little Willie John), "Great Balls of Fire" and " Breathless" (recorded by Jerry Lee Lewis), "Don't Be Cruel", " All Shook Up" and " Return to Sender" (with Winfield Scott; recorded by Elvis Presley), and " Handy Man" (recorded by Jimmy Jones). Biography Blackwell was born in Brooklyn, New York. He learned to play the piano as a child and grew up listening to both R&B and country music. His first success was winning a local talent contest ("Amateur Night") at the Apollo Theater in Harlem in 1952. This led to a recording contract with RCA and then with Jay-Dee. His first release was his own composition "Daddy Rolling Stone", which became a favorite in Jamaica, where it was recorded by Derek Martin. The song later became part of the Who's mod repertoire. Enjoying some early recording and performing success, he found ...
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