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Fenomen (Šarlo Akrobata Song)
"Fenomen" is a song by the Yugoslav new wave band Šarlo Akrobata, from the album '' Bistriji ili tuplji čovek biva kad...'', released in 1981. Cover versions * Serbian punk rock band Džukele covered the song live on the various artists album ''Punk You All'' in 1998. * Električni Orgazam frontman Srđan Gojković "Gile" covered the song on the ''Jako dobar tattoo'' Milan Mladenović Milan Mladenović ( sr-Cyrl, Милан Младеновић; 21 September 1958 – 5 November 1994) was a Serbian and Yugoslavian musician best known as the frontman of the Yugoslav art rock band Ekatarina Velika. Early life Born to Serbian f ... tribute album in 2002. References External links * ''EX YU ROCK enciklopedija 1960-2006'', Janjatović Petar; {{DEFAULTSORT:Fenomen (Sarlo Akrobata Song) 1981 songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šarlo Akrobata
Šarlo Akrobata ( sr-Cyrl, Шарло Акробата; trans. ''Charlot the Acrobat'', a Serbo-Croatian language version of Charlie Chaplin's name in the Kingdom of Yugoslavia) were a seminal Serbian new wave/post-punk band from Belgrade. Short-lived but extremely influential, in addition to being one of the most important acts of the Yugoslav new wave scene, the three piece left an indelible mark on the entire music scene of former Yugoslavia. Spawning from the progressive/hard rock group Limunovo Drvo ( sr-Cyrl, Лимуново Дрво; trans. ''Lemon Tree''), founded in 1977 by guitarist and vocalist Milan Mladenović and guitarist Dragomir Mihajlović "Gagi", after several lineup changes, moved towards new wave music, with the arrival of bassist and vocalist Dušan Kojić "Koja" and drummer Ivan Vdović "VD". After performing as an opening act for Pankrti in April 1980, Mihajlović left the band and the remaining three members changed their name to Šarlo Akrobata, aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Punk
Art punk is a subgenre of punk rock in which artists go beyond the genre's rudimentary garage rock and are considered more sophisticated than their peers. These groups still generated punk's aesthetic of being simple, offensive, and free-spirited, but essentially attracted audiences other than the angry, working-class ones that surrounded pub rock. History In the rock music of the 1970s, the "art" descriptor was generally understood to mean either "aggressively avant-garde" or "pretentiously progressive". Musicologists Simon Frith and Howard Horne described the band managers of the 1970s punk bands as "the most articulate theorists of the art punk movement", with Bob Last of Fast Product identified as one of the first to apply art theory to marketing, and Tony Wilson's Factory Records described as "applying the Bauhaus principle of the same 'look' for all the company's goods".Frith, Simon & Horne, Howard (1987) ''Art into Pop'', Methuen, , p. 129-130 Wire's Colin Newman describ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jugoton
Jugoton was the largest record label and chain record store in the former Yugoslavia based in Zagreb, SR Croatia. History Jugoton was formed in 1947. It is notable for releasing some of the most important former Yugoslav pop and rock records. In addition, the company owned a widespread network of record shops across SFR Yugoslavia. The company changed its name to Croatia Records in 1991, after Croatia seceded from Yugoslavia. Artists Jugoton notable for signing numerous eminent former Yugoslav pop and rock acts. Some of the artists that have been signed to Jugoton include: * Aerodrom * Ansambel bratov Avsenik *Silvana Armenulić *Atomi *Azra *Đorđe Balašević *Bele Vrane *Beograd *Halid Bešlić *Bezobrazno Zeleno *Bijele Strijele *Bijelo Dugme *Biseri * Borghesia *Bulevar *Cacadou Look *Crni Biseri *Crvena Jabuka *Crveni Koralji *Zdravko Čolić * Dah *Daltoni *Dʼ Boys * Delfini (Split band) * Delfini (Zagreb band) * Devil Doll * Divlje Jagode *Dorian Gray * Dubrov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socialist Federal Republic Of Yugoslavia
The Socialist Federal Republic of Yugoslavia, commonly referred to as SFR Yugoslavia or simply as Yugoslavia, was a country in Central and Southeast Europe. It emerged in 1945, following World War II, and lasted until 1992, with the breakup of Yugoslavia occurring as a consequence of the Yugoslav Wars. Spanning an area of in the Balkans, Yugoslavia was bordered by the Adriatic Sea and Italy to the west, by Austria and Hungary to the north, by Bulgaria and Romania to the east, and by Albania and Greece to the south. It was a one-party socialist state and federation governed by the League of Communists of Yugoslavia, and had six constituent republics: Bosnia and Herzegovina, Croatia, Macedonia, Montenegro, Serbia, and Slovenia. Within Serbia was the Yugoslav capital city of Belgrade as well as two autonomous Yugoslav provinces: Kosovo and Vojvodina. The SFR Yugoslavia traces its origins to 26 November 1942, when the Anti-Fascist Council for the National Liberation of Yugoslavia wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Džukele
Džukele ( sr-Cyrl, Џукеле; transl. '' The Curs'') were a Serbian punk rock band from Subotica. History The band Phoenix was formed in 1991 by Dragan Neorčić (bass guitar), Slobodan Vukosavljević (guitar, vocals), and Rudolf Aleksijević (drums). Together they recorded their first, seven-track demo at the Classic Studio, and a few months later, in February 1992, the band recorded yet another demo, featuring two songs. In April of the same year, former Allegro member Leonid Pilipović, also known as "Leo fon Punkerstein", joined the band and, as Phoenix '39, the band recorded their third demo recording, made in November at the ''Do-Re-Mi'' studio in Novi Sad. After the demo recording, the band was renamed to Džukele, and started performing live, including the 1993 Gitarijada festival in Zaječar, which was their first major live appearance, and, during February 1994, at the Brzi Bendovi Srbije Festival, where they were, along with Goblini, pronounced the greatest break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Električni Orgazam
Električni Orgazam ( sr-cyr, Електрични Оргазам, lit=Electric Orgasm, translit=) is a Serbian rock band from Belgrade. Originally starting as a combination of new wave, punk rock and post-punk, the band later slowly changed their style, becoming a mainstream rock act. They were one of the most notable acts of the former Yugoslav rock scene. History New wave years (1980–1983) The melodic hard rock band Hipnotisano Pile (''Hypnotized Chicken''), formed in 1979, which got the name by the line from the Iggy Pop song " Lust For Life", consisted of Srđan Gojković "Gile" (drums), Ljubomir Jovanović "Jovec" (guitar), Bojan Banović (vocals), Vladan Stepanović (guitar), "Džo" Otašević (keyboards). The band performed their own material, mainly written by Banović, on Guitar festivals in Belgrade. In mid-January 1980, at the Mornar bistro, after a Leb i Sol concert held at the Belgrade Dom Sindikata, Hipnotisano Pile members, drummer Gojković and guitaris ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milan Mladenović
Milan Mladenović ( sr-Cyrl, Милан Младеновић; 21 September 1958 – 5 November 1994) was a Serbian and Yugoslavian musician best known as the frontman of the Yugoslav art rock band Ekatarina Velika. Early life Born to Serbian father Spasa from Kruševac and Croatian mother Danica from Makarska, Milan's first years were spent in Zagreb, PR Croatia, where his father, an officer in the Yugoslav People's Army, was stationed at the time. Consequently, Milan grew up wherever it was that his dad's job took the family. In total, it ended up being three cities. When he was six, Milan's family moved to Sarajevo where he spent a notable part of his childhood. Eventually in 1970, they moved to Belgrade just short of his 12th birthday. Once in Belgrade, Milan attended the Eleventh Belgrade Gymnasium in the Lekino Brdo neighbourhood while simultaneously entering the circle of young people involved with music and arts. Musical career Limunovo Drvo and Šarlo Akrobata Wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
