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Feelin' The Spirit (Jimmy Witherspoon Album)
''Feelin' the Spirit'' is an album by vocalist Jimmy Witherspoon featuring that was recorded in 1957 and released by the HiFi label.Both Sides Now: HiFi/Arvee/Life Album Discographies
accessed April 22, 2019


Reception

Thomas Ward of AllMusic stated, "The finest collection of Jimmy Witherspoon's gospel songs, ''Feelin' the Spirit'' is an essential addition to any Witherspoon collection. ... Witherspoon's voice and style are so distinctive that they make these songs seem new ... Never strictly a gospel artist, all of these recordings show sincerity and, more importantly, depth, both musically and spiritually".


Track listing

All compositions are traditional except wh ...
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Jimmy Witherspoon
James Witherspoon (August 8, 1920 – September 18, 1997) was an American jump blues singer. Early life, family and education Witherspoon was born in Gurdon, Arkansas. His father was a railroad worker who sang in local choirs, and his mother was an avid piano player. Witherspoon's grandson Ahkello Witherspoon is the starting cornerback for the Pittsburgh Steelers. Witherspoon eventually joined the Merchant Marines. Career Witherspoon first attracted attention singing in Calcutta, India, with Teddy Weatherford's band, which made regular radio broadcasts over the US Armed Forces Radio Service during World War II. Witherspoon made his first records with Jay McShann's band in 1945. He first recorded under his own name in 1947, and two years later with the McShann band, he had his first hit, " Ain't Nobody's Business", a song that came to be regarded as his signature tune. In 1950 he had hits with two more songs closely identified with him—"No Rollin' Blues" and "Big Fin ...
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Sometimes I Feel Like A Motherless Child
"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional Spiritual. It dates back to the era of slavery in the United States. An early performance of the song was in the 1870s by the Fisk Jubilee Singers. "Blue Gene" Tyranny, "Sometimes I Feel Like a Motherless Child" article ''Allmusic'' Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. Description The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from their parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer ''does not'' feel like a motherless child."Sweet Chariot: the story of the spirituals"
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Jimmy Witherspoon Albums
Jimmy may refer to: Arts and entertainment Film and television * ''Jimmy'' (2008 film), a 2008 Hindi thriller directed by Raj N. Sippy * ''Jimmy'' (1979 film), a 1979 Indian Malayalam film directed by Melattoor Ravi Varma * ''Jimmy'' (2013 film), a 2013 drama directed by Mark Freiburger * "The Jimmy", a 1995 episode of the sitcom ''Seinfeld'' * "Jimmy", a 2002 episode of ''Static Shock'' Music * ''Jimmy'' (musical), a 1969 musical Songs * "Jimmy" (song), a song by M.I.A. from the 2007 album ''Kala'' * "Jimmy", a song by Irving Berlin, see also List of songs written by Irving Berlin * "Jimmy", a song by Tones and I from her EP ''The Kids Are Coming'' * "Jimmy", a song by Tool from their 1996 album ''Ænima'' * "Jimmy", a song by dutch artist Boudewijn de Groot * "Jimmy", a song by Jay Thompson for the 1967 film ''Thoroughly Modern Millie'' Theater * Jimmy Awards, annual awards given by the Broadway League to high school musical theater performers in the United States P ...
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Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The Duel' ...
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Go Down Moses
"Go Down Moses" is a spiritual phrase that describes events in the Old Testament of the Bible, specifically Exodus 5:1: "And the LORD spake unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may serve me", in which God commands Moses to demand the release of the Israelites from bondage in Egypt. This phrase is the title of one of the most well known African American spirituals of all time. The song discusses themes of freedom, a very common occurrence in spirituals. In fact, the song actually had multiple messages, discussing not only the freedom of the Israelites, but also the freedom of runaway enslaved people, and many enslavers outlawed this song because of those very messages. The opening verse as published by the Jubilee Singers in 1872: The lyrics of the song represent liberation of the ancient Jewish people from Egyptian slavery, a story recounted in the Old Testament. For enslaved African Americans, the story was very powe ...
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Mary Don't You Weep
"Mary Don't You Weep" (alternately titled "O Mary Don't You Weep", "Oh Mary, Don't You Weep, Don't You Mourn", or variations thereof) is a Spiritual that originates from before the American Civil War – thus it is what scholars call a "slave song," "a label that describes their origins among the enslaved," and it contains "coded messages of hope and resistance." It is one of the most important of Negro spirituals. It is listed as number 11823 in the Roud Folk Song Index. The song tells the Biblical story of Mary of Bethany and her distraught pleas to Jesus to raise her brother Lazarus from the dead. Other narratives relate to The Exodus and the Passage of the Red Sea, with the chorus proclaiming ''Pharaoh's army got drown-ded!'', and to God's rainbow covenant to Noah after the Great Flood. With liberation thus one of its themes, the song again became popular during the Civil Rights Movement. Additionally, a song that explicitly chronicles the victories of the Civil Rig ...
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Steal Away
"Steal Away" ("Steal Away to Jesus") is an American Negro spiritual. The song is well known by variations of the chorus: Songs such as "Steal Away to Jesus", "Swing Low, Sweet Chariot", "Wade in the Water" and the " Gospel Train" are songs with hidden codes, not only about having faith in God, but containing hidden messages for slaves to run away on their own, or with the Underground Railroad. "Steal Away" the song was composed by Wallace Willis, a slave of a Choctaw freedman in the old Indian Territory, sometime before 1862. Alexander Reid, a minister at a Choctaw boarding school, heard Willis singing the songs and transcribed the words and melodies. He sent the music to the Jubilee Singers of Fisk University in Nashville, Tennessee. The Jubilee Singers then popularized the songs during a tour of the United States and Europe. "Steal Away" the song is a standard Gospel song, and is found in the hymnals of many Protestant denominations. An arrangement of the song is included i ...
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Nobody Knows The Trouble I've Seen
"Nobody Knows the Trouble I've Seen" is an African-American spiritual song that originated during the period of slavery but was not published until 1867. The song is well known and many cover versions of it have been done by artists such as Marian Anderson, Lena Horne, Louis Armstrong, Harry James, Paul Robeson, and Sam Cooke among others. Anderson had her first successful recording with a version of this song on the Victor label in 1925. Horne recorded a version of the song in 1946. Deep River Boys recorded their version in Oslo on August 29, 1958. It was released on the extended play ''Negro Spirituals Vol. 1'' (HMV 7EGN 27). The song was arranged by Harry Douglas. Traditional lyrics :Nobody knows the trouble I've been through :Nobody knows my sorrow :Nobody knows the trouble I've seen :Glory hallelujah! :Sometimes I'm up, sometimes I'm down :Oh, yes, Lord :Sometimes I'm almost to the ground :Oh, yes, Lord :Although you see me going 'long so :Oh, yes, Lord :I have my t ...
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Deep River (song)
"Deep River" is an anonymous African-American spiritual, popularized by Henry Burleigh in his 1916 collection ''Jubilee Songs of the USA''. Overview The song was first mentioned in print in 1867, when it was published in the first edition of ''The Story of the Jubilee Singers: With Their Songs'', by J. B. T. Marsh (page 230). By 1917, when Harry Burleigh completed the last of his several influential arrangements, the song had become very popular in recitals. It has been called "perhaps the best known and best-loved spiritual". Lyrics Deep river, my home is over Jordan. Deep river, Lord, I want to cross over into campground. Oh, don't you want to go to that Gospel-feast? That Promised Land, where all is peace? Adaptations The melody was adopted in 1921 for the song ''Dear Old Southland'' by Henry Creamer and Turner Layton, which enjoyed popular success the next year in versions by Paul Whiteman and by Vernon Dalhart. "Deep River" has been sung in several films. The 1929 film ' ...
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Gospel Music
Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. Hymns and sacred songs were often repeated in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand-clapping and foot-stomping as rhythmic accompaniment. Most of the singing was done a cappella.Jackson, Joyce Marie. "The changing nature of gospel music: A southern case study." ''African American Review'' 29.2 (1995): 185. Academic Search Premier. EBSCO. Web. October 5, 2010. The ...
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Every Time I Feel The Spirit (song)
"Every Time I Feel the Spirit" (aka "Ev'ry Time I Feel the Spirit") is an African-American spiritual dating to before the US Civil War. The song has been frequently recorded by contemporary artists and gospel music Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is com ... groups. Lyrics :Refrain :Every time I feel the Spirit :moving in my heart I will pray. :Yes, every time I feel the Spirit :moving in my heart I will pray :Verse 1 :Upon the mountain, when my Lord spoke, :out of God's mouth came fire and smoke. :Looked all around me, it looked so fine, :till I asked my Lord if all was mine. efrain :Verse 2 :Jordan River, chilly and cold, :it chills the body but not the soul. :There is but one train upon this track. :It runs to heaven and then right back. efrain Alternative Lyrics ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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