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Fear Of The Digital Remix
''Fear of the Digital Remix'' is the third studio album by industrial band Deitiphobia, released in January 1995 by Myx Records. All the songs on the album were created by Michael Knott using samples from two earlier Deitiphobia albums, ''Fear of God'' and ''Digital Priests - the Remixes'', which he digitally edited to produce songs that barely resembled the originals they were taken from. Track listing All songs written by Michael Knott. #"TV" – 3:53 #"Blind Hate" – 3:20 #"Exorcist" – 4:38 #"Need" – 4:08 #"Religious Fanatic" – 4:52 #"Mastermind" – 2:18 #"Wilbur" – 4:21 #"The Late Pastor Harry Dean" – 3:36 #"Arc" – 3:50 #"B-Movie" – 2:25 #"Vamp Jesus" – 2:37 Personnel *Wally Shaw – vocals, keyboards, percussion, cover design *Brent Stackhouse – vocals, programming *Michael Knott – production Production may refer to: Economics and business * Production (economics) * Production, the act of manufacturing goods * Production, in the outline of industri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deitiphobia
Deitiphobia is a Christian rock, Christian Industrial music, industrial, Electro music, electro and techno band from the United States formed in 1990 consisting of the duo of Wally Shaw and Brent Stackhouse. Known originally as Donderfliegen (translated into band speak as 'darn that fly'), the band changed names to Deitiphobia in 1991 to better clarify the band's focus on Christianity. The band's name means "Fear of God". History Early years (1990–1992) Deitiphobia was initially formed in 1990 under the name Donderfliegen by artists Wally Shaw and Brent Stackhouse. They released a demo (music), demo album, ''Digital Priests'', on their own independent label, Slava Music. The name change from Donderfliegen to Deitiphobia was first announced on-stage at the Cornerstone Festival, Cornerstone New Band Showcase performance of 1991. Their first major release, ''Fear of God (Deitiphobia album), Fear of God'', was released later that year when the band was signed to Blonde Vinyl Records. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Body Music
Electronic body music (acronymized to EBM) is a genre of electronic music that combines elements of industrial music and synth-punk with elements of disco and dance music. It developed in the early 1980s in Western Europe as an outgrowth of both punk and industrial music cultures. It combines sequenced repetitive basslines, programmed dance music rhythms, and mostly undistorted vocals and commandlike shouts with confrontational or provocative themes. The evolution of the genre reflected "a general shift towards more song-oriented structures in industrial as to a general turn towards the dancefloor by many musicians and genres in the era of post-punk."Timor Kaul: ''Electronic Body Music''. In: Thomas Hecken, Marcus S. Kleiner: ''Handbook Popculture.'' J.B. Metzler Verlag 2017, , p. 102–104. It was considered a part of the European new wave and post-punk movement and the first style that blended synthesized sounds with an ecstatic style of dancing (e.g. pogo). EBM gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Knott
Michael may refer to: People * Michael (given name), a given name * Michael (surname), including a list of people with the surname Michael Given name "Michael" * Michael (archangel), ''first'' of God's archangels in the Jewish, Christian and Islamic religions * Michael (bishop elect), English 13th-century Bishop of Hereford elect * Michael (Khoroshy) (1885–1977), cleric of the Ukrainian Orthodox Church of Canada * Michael Donnellan (1915–1985), Irish-born London fashion designer, often referred to simply as "Michael" * Michael (footballer, born 1982), Brazilian footballer * Michael (footballer, born 1983), Brazilian footballer * Michael (footballer, born 1993), Brazilian footballer * Michael (footballer, born February 1996), Brazilian footballer * Michael (footballer, born March 1996), Brazilian footballer * Michael (footballer, born 1999), Brazilian footballer Rulers =Byzantine emperors= *Michael I Rangabe (d. 844), married the daughter of Emperor Nikephoro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clean (Deitiphobia Album)
''Clean'' is the second full-length studio album from industrial band Deitiphobia, released in 1994 by Myx Records. It is the earliest Deitiphobia album not to feature Brent Stackhouse, who left in 1992, and was also the band's debut for the Myx label. The album features Sheri Shaw, who remained with Deitiphobia until it dissolved in 2001, and Michael Knott, who produced '' Fear of the Digital Remix'' and was also the founder of the band's previous record label, Blonde Vinyl. Track listing All songs written and performed by Deitiphobia. #"The Shake (Part 1 - Body)" – 5:09 #"Take the Sin" – 4:31 #"Hypnotique" – 2:48 #"Ancient" – 5:15 #"Redemption Draweth Nigh" – 4:09 #"Vivid" – 3:53 #"Clean" – 3:16 #"Go Prone" – 4:19 #"The Shake (Part II - Brother)" – 4:51 #"Enraptured" – 5:37 #"Perfect Eyes" – 4:37 #"Redemption" (K-otic Mix) – 4:19 #"Perfect Eyes" (20/20 Mix) – 7:49 Personnel *Wally Shaw – vocals, keyboards, percussion *Sheri Shaw – keyboards, vo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allmusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fear Of God (Deitiphobia Album)
''Fear of God'' is the first official studio album by industrial band Deitiphobia, who had been known as Donderfliegen up until that time. It was originally released in late 1991 by Blonde Vinyl. The album was later reissued in 1998 by Flaming Fish Music, alongside a reissue of Digital Priests - the Remixes. The reissue features three additional tracks, and two of the tracks from the original release are merged. Track listing All songs written, programmed and performed by Deitiphobia. Original release #"Crucifixion of Will" – 3:29 #"My Sins are Gone" – 0:05 #"Tripizoidal" – 0:58 #"SPILL!" – 5:15 #"Architekt = X" – 3:51 #"Digital Symphony Opus 1" – 0:21 #"Dancing Messiah" – 5:04 #"Communion" – 4:30 #"Ethereal Worship Sequence" – 0:57 #"A.O.G." – 4:39 #"Jesu Christe Network" – 0:19 #"Altitude 0" – 4:06 #"Target: Humanity" – 4:27 #"Lost in Light" – 0:12 #"I Tore the Sky" – 3:25 #"Liars and Fools" – 4:41 #"A.O.G.L.X.E.M.I.X" – 7:03 #"Architekt = X" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Priests - The Remixes
Digital usually refers to something using discrete digits, often binary digits. Technology and computing Hardware *Digital electronics, electronic circuits which operate using digital signals **Digital camera, which captures and stores digital images ***Digital versus film photography **Digital computer, a computer that handles information represented by discrete values **Digital recording, information recorded using a digital signal Socioeconomic phenomena *Digital culture, the anthropological dimension of the digital social changes * Digital divide, a form of economic and social inequality in access to or use of information and communication technologies * Digital economy, an economy based on computing and telecommunications resources Other uses in technology and computing * Digital data, discrete data, usually represented using binary numbers *Digital marketing, search engine & social media presence booster, usually represented using online visibility. * Digital media, media ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Art
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper ( tabloid), comic book, video game (box art), music album (album art), CD, videotape, DVD, or podcast. The art has a primarily commercial function, for instance to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product. Album cover art Album cover art is artwork created for a music album. Notable album cover art includes Pink Floyd's ''The Dark Side of the Moon, King Crimson's In the Court of the Crimson King,'' the Beatles' '' Sgt. Pepper's Lonely Hearts Club Band'', ''Abbey Road'' and their self-titled "White Album" among others. Albums can have cover art created by the musician, as with Joni Mitchell's ''Clouds'', or by an associated musician, such as Bob Dylan's artwork for the cov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
