|
Fantasia On A Theme By Thomas Tallis
''Fantasia on a Theme by Thomas Tallis'', also known as the ''Tallis Fantasia'', is a one-movement work for string orchestra by Ralph Vaughan Williams. The theme is by the 16th-century English composer Thomas Tallis. The Fantasia was first performed at Gloucester Cathedral as part of the 1910 Three Choirs Festival, and has entered the orchestral repertoire, with frequent concert performances and recordings by conductors and orchestras of various countries. Background and first performance Vaughan Williams did not achieve wide recognition early in his career as a composer, but by 1910, in his late thirties, he was gaining a reputation. In that year the Three Choirs Festival commissioned a work from him, to be premiered in Gloucester Cathedral; this represented a considerable boost to his standing. He composed what his biographer James Day calls "unquestionably the first work by Vaughan Williams that is recognizably and unmistakably his and no one else's". It is based on a tune by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Vaughan Williams
Ralph Vaughan Williams, (; 12 October 1872– 26 August 1958) was an English composer. His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty years. Strongly influenced by Tudor music and English folk-song, his output marked a decisive break in British music from its German-dominated style of the 19th century. Vaughan Williams was born to a well-to-do family with strong moral views and a progressive social life. Throughout his life he sought to be of service to his fellow citizens, and believed in making music as available as possible to everybody. He wrote many works for amateur and student performance. He was musically a late developer, not finding his true voice until his late thirties; his studies in 1907–1908 with the French composer Maurice Ravel helped him clarify the textures of his music and free it from Teutonic influences. Vaughan Williams is among the best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tallis Fantasia Cover
Tallis may refer to: People *Tallis (name) *Often Thomas Tallis ( – 1585). English composer Arts, entertainment, and media Fictional entities *Tallis, a world in Kathy Tyers' '' Firebird'' series *Tallis family (Briony, Cecilia, Emily, Jack and Leon), a fictitious wealthy family central to the plot of '' Atonement'' *Canon Tallis, a recurring character in both the "Kairos" and "Chronos" series by Madeleine L'Engle *Tallis, a character in the ''Dragon Age'' media franchise Music *Tallis, a rock band formed by former Jethro Tull members John Evan and David Palmer *Tallis Festival, a choral event hosted in London every 12 to 18 months * The Tallis Scholars, British early music ensemble named after Thomas Tallis * Thomas Tallis, 16th century English choral composer, regarded as one of the greatest composers in English history Other arts, entertainment, and media * Tallis, a publishing company formed by Edgar Wallace to promote his novel ''The Four Just Men'' *'' Tallis Direct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance
The English Renaissance was a cultural and artistic movement in England from the early 16th century to the early 17th century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century. As in most of the rest of northern Europe, England saw little of these developments until more than a century later. Renaissance style and ideas, however, were slow to penetrate England, and the Elizabethan era in the second half of the 16th century is usually regarded as the height of the English Renaissance. However, many scholars see its beginnings in the early 16th century, during the reign of Henry VIII. The English Renaissance is different from the Italian Renaissance in several ways. The dominant art forms of the English Renaissance were literature and music. Visual arts in the English Renaissance were much less significant than in the Italian Renaissance. The English period began far later than the Italian, which was moving i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pilgrim's Progress
''The Pilgrim's Progress from This World, to That Which Is to Come'' is a 1678 Christian allegory written by John Bunyan. It is regarded as one of the most significant works of theological fiction in English literature and a progenitor of the narrative aspect of Christian media. It has been translated into more than 200 languages and never been out of print. It appeared in Dutch in 1681, in German in 1703 and in Swedish in 1727. The first North American edition was issued in 1681.Lyons, M. (2011). Books: A Living History. Getty Publications. It has also been cited as the first novel written in English. According to literary editor Robert McCrum, "there's no book in English, apart from the Bible, to equal Bunyan's masterpiece for the range of its readership, or its influence on writers as diverse as C. S. Lewis, Nathaniel Hawthorne, Herman Melville, Charles Dickens, Louisa May Alcott, George Bernard Shaw, William Thackeray, Charlotte Bronte, Mark Twain, John Steinbeck a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Bunyan
John Bunyan (; baptised 30 November 162831 August 1688) was an English writer and Puritan preacher best remembered as the author of the Christian allegory ''The Pilgrim's Progress,'' which also became an influential literary model. In addition to ''The Pilgrim's Progress'', Bunyan wrote nearly sixty titles, many of them expanded sermons. Bunyan came from the village of Elstow, near Bedford. He had some schooling and at the age of sixteen joined the Parliamentary Army during the first stage of the English Civil War. After three years in the army he returned to Elstow and took up the trade of tinker, which he had learned from his father. He became interested in religion after his marriage, attending first the parish church and then joining the Bedford Meeting, a nonconformist group in Bedford, and becoming a preacher. After the restoration of the monarch, when the freedom of nonconformists was curtailed, Bunyan was arrested and spent the next twelve years in prison as he re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Kennedy (music Critic)
George Michael Sinclair Kennedy CBE (19 February 1926 – 31 December 2014) was an English music critic and author who specialized in classical music. For nearly two decades he was the chief classical music critic for both ''The Daily Telegraph'' (1986–2005) and ''The Sunday Telegraph'' (1989–2005). A prolific writer, he was the biographer of many composers and musicians, including Vaughan Williams, Elgar, Barbirolli, Mahler, Strauss, Britten, Boult and Walton. Other notable publications include writings on various musical institutions, the editing of music dictionaries as well as numerous articles for ''The New Grove Dictionary of Music and Musicians'' and the subsequent ''Grove Music Online''. Life and career On 19 February 1926 Kennedy was born in Chorlton-cum-Hardy, Manchester, and attended Berkhamsted School. On 17 November 1941, he joined the Manchester office of '' Daily Telegraph'' at age 15, as a tea boy. In his youth, Kennedy auditioned for a role i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (hymn)
A hymn metre (''US:'' meter) indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. Hymn and poetic metre In the English language poetic metres and hymn metres have different starting points but there is nevertheless much overlap. The hymn ''Amazing Grace'' is used as an example: :Amazing grace, how sweet the sound :that saved a wretch like me. :I once was lost, but now am found, :was blind, but now I see. Analyzing this, a poet would see couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. A musician would more likely count eight syllables in the first line and six in the second. This would be described as 8.6.8.6 (or 86.86). The words of ''Amazing Grace'' can therefore be set to any tune that has the 8.6.8.6 metre, for example '' The House of the Rising Sun''. Conventionally most hymns in this 86.86 pattern are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its structure resembles that of opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text is an extended reflection on Jesus as the Messiah called Christ. The text begins in Part I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King James Bible
The King James Version (KJV), also the King James Bible (KJB) and the Authorized Version, is an English translation of the Christian Bible for the Church of England, which was commissioned in 1604 and published in 1611, by sponsorship of King James VI and I. The 80 books of the King James Version include 39 books of the Old Testament, an intertestamental section containing 14 books of what Protestants consider the Apocrypha, and the 27 books of the New Testament. Noted for its "majesty of style", the King James Version has been described as one of the most important books in English culture and a driving force in the shaping of the English-speaking world. The KJV was first printed by John Norton and Robert Barker, who both held the post of the King's Printer, and was the third translation into English language approved by the English Church authorities: The first had been the Great Bible, commissioned in the reign of King Henry VIII (1535), and the second had been the Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 2
Psalm 2 is the second psalm of the Book of Psalms, beginning in English in the King James Version: "Why do the heathen rage". In Latin, it is known as "Quare fremuerunt gentes". Psalm 2 does not identify its author with a superscription, but Acts in the New Testament attributes it to David. According to the Talmud, Psalm 2 is a continuation of Psalm 1. The psalm is a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music; George Frideric Handel set nine verses in Part II of his ''Messiah''. Background and themes According to the Talmud ('' Berakhot'' 10b), Psalm 2 is a continuation of Psalm 1. 10th-century rabbi Saadia Gaon, in his commentary on the Psalms, notes that Psalm 1 begins with the word "Happy" and the last verse of Psalm 2 ends with the word "Happy", joining them thematically. According to the Talmud and commentators such as Saadia Gaon, Abraham ibn Ezra, and the Karaite Yefet ben Ali, this psalm is m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Parker
Matthew Parker (6 August 1504 – 17 May 1575) was an English bishop. He was the Archbishop of Canterbury in the Church of England from 1559 until his death in 1575. He was also an influential theologian and arguably the co-founder (with a previous Archbishop of Canterbury, Thomas Cranmer, and the theologian Richard Hooker) of a distinctive tradition of Anglican theological thought. Parker was one of the primary architects of the Thirty-nine Articles, the defining statements of Anglican doctrine. The Parker collection of early English manuscripts, including the book of St Augustine Gospels and "Version A" of the ''Anglo-Saxon Chronicle'', was created as part of his efforts to demonstrate that the English Church was historically independent of Rome, creating one of the world's most important collections of ancient manuscripts. Along with the pioneering scholar Lawrence Nowell, Parker's work concerning the Old English literature laid the foundation for Anglo-Saxon studies. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Matthew Parker")