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F.P.1
''F.P.1'' ( ger, F.P.1 antwortet nicht) is a 1932 German film directed by Karl Hartl. The film was based on the 1931 novel of the same name by Kurt Siodmak. The plot concerned a permanent air station in the middle of the Atlantic Ocean. The film was developed as a multilingual version, with one film each in German, French, and English. The film was shot in 1932 and premiered in Berlin late that year with English and French-language versions premiering the next year. Plot Lieutenant Droste wants to build an air station in the middle of the ocean to allow pilots on intercontinental flights to refuel and repair any damage to their aircraft. With the help of the pilot Ellissen, he manages to win the support of the Lennartz-Werke for the project. Ellissen, who has taken up with the owner's sister Claire Lennartz, shies away from marriage and seeks new adventure. After two years, the platform has become a city on the ocean, with runways, hangars, hotels, and shopping centers. Duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurt Siodmak
Curt Siodmak (August 10, 1902 – September 2, 2000) was a German-American novelist and screenwriter. He is known for his work in the horror and science fiction film genres, with such films as '' The Wolf Man'' and ''Donovan's Brain'' (the latter adapted from his novel of the same name). He was the younger brother of noir director Robert Siodmak. Life and career Siodmak was born Kurt Siodmak in Dresden, Germany, the son of Rosa Philippine (née Blum) and Ignatz Siodmak. His parents were both from Jewish families in Leipzig. Siodmak acquired a degree in mathematics before beginning to write novels. He invested early royalties earned by his first books in the 1929 movie '' Menschen am Sonntag'', a documentary-style chronicle of the lives of four Berliners on a Sunday based on their own lives. The movie was co-directed by Curt Siodmak's older brother Robert Siodmak and Edgar G. Ulmer, with a script by Billy Wilder in collaboration with Fred Zinnemann and cameraman Eugen Schüff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Multiple-language Version
A multiple-language version film, often abbreviated to MLV, is a film, especially from the early talkie era, produced in several different languages for international markets. To offset the marketing restrictions of making sound films in only one language, it became common practice for American and European studios to produce foreign-language versions of their films using the same sets, crew, costumes, etc. a BrentonFilm.com retrieved 7 July 2015 The first foreign-language versions appeared in 1929 and largely replaced the |
Karl Hartl
Karl Hartl (10 May 1899 – 29 August 1978) was an Austrian film director. Life Born in Vienna, Hartl began his film career at the Austrian Sascha-Film company of Alexander Kolowrat and from 1919 was assistant to the Hungarian director Alexander Korda. As a production manager, he in the 1920s accompanied Korda to Berlin, until in 1926 he returned to Vienna to work for his former class-mate director Gustav Ucicky. From 1930 he worked for Universum Film AG (UFA) and debuted as director of ''Ein Burschenlied aus Heidelberg'' ("A Fraternity Song from Heidelberg") starring Hans Brausewetter and Willi Forst, with young Billy Wilder as a screenwriter. Together with Luis Trenker he directed the ''Gebirgsjäger'' drama ''Berge in Flammen'' ("Mountains in Flames") in 1931. He then experimented with other genres, for example the comedy ''Die Gräfin von Monte Cristo'' ("The Countess of Monte Cristo") (1932) with Brigitte Helm and Gustaf Gründgens, and in the same year achieved his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jill Esmond
Jill Esmond (born Jill Esmond Moore; 26 January 1908 – 28 July 1990) was an English stage and screen actress. She was the first wife of Laurence Olivier. Early life Esmond was born in London, the daughter of stage actors Henry V. Esmond and Eva Moore. Dramatist W.S. Gilbert and actress Maxine Elliott were her godparents. One of her maternal aunts was Decima Moore. She had a brother Jack (an actor) and a sister, Lynette, who did not survive infancy.Joannou, Maroula"Moore, Eva (1868–1955)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, accessed 10 February 2011 While her parents toured with theatre companies, Esmond spent her childhood in boarding schools until she decided at the age of 14 to become an actress. She made her stage debut playing Wendy to Gladys Cooper's Peter Pan, but her success was short-lived. When her father died suddenly in 1922, in Paris, due to pneumonia, Esmond returned to school and at the time considered abandoning her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Boyer
Charles Boyer (; 28 August 1899 – 26 August 1978) was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as '' The Garden of Allah'' (1936), '' Algiers'' (1938), and '' Love Affair'' (1939), as well as the mystery-thriller ''Gaslight'' (1944). He received four Oscar nominations for Best Actor. He also appeared as himself on the CBS sitcom ''I Love Lucy''. Life and career Early years Boyer was born in Figeac, Lot, France, the son of Augustine Louise Durand and Maurice Boyer, a merchant. Boyer (which means "cowherd" in the Occitan language) was a shy small-town boy who discovered the movies and theatre at the age of eleven. Early acting career Boyer performed comic sketches for soldiers while working as a hospital orderly during W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Schott
Werner Schott (20 November 1891, in Berlin – 6 September 1965) was a German actor. Selected filmography * ''Gefesselt'' (1920) - Allan * ''Das vierte Gebot'' (1920) - Weltpriester Eduard * ''Wie Satan starb'' (1920) * ''Golgatha'' (1920) - Josef * ''Der verlorene Schatten'' (1921) - Graf Durande * ''Die Schauspielerin des Kaisers'' (1921) * '' The Daughter of the Brigadier'' (1922) * ''König einer Nacht'' (1922) * ''Genoveva'' (1922) * ''Die Sportlady'' (1922) * ''Tragedy in the House of Habsburg'' (1924) - Corradini * ''Der Sturz ins Glück'' (1924) * ''Das Gift der Borgia'' (1924) * ''Luther'' (1928) - Johann der Beständige * ''The Last Company'' (1930) - Biese * ''The Flute Concert of Sanssouci'' (1930) - Frazösischer Gesandter in Dresden * ''Danton'' (1931) - St. Just * ''F.P.1 antwortet nicht'' (1932) - Matthias Lennartz * ''Ich will Dich Liebe lehren'' (1933) - Der Frieseur * '' William Tell'' (1934) - Vogt Landenberg * '' The Big Chance'' (1934) - Hans Raschdorf, Chefi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sybille Schmitz
Sybille Maria Christina Schmitz (2 December 1909 – 13 April 1955) was a German actress. Biography Schmitz attended an acting school in Cologne and got her first engagement at Max Reinhardt's Deutsches Theater in Berlin in 1927. Only one year later, she made her film debut with ''Freie Fahrt'' (1928), which attracted her first attention from the critics. Her other early movies include Pabst's ''Diary of a Lost Girl'' (1929), Dreyer's ''Vampyr'' (1932), and eventually ''F.P.1'' (1932), where she played her first leading role. Schmitz established herself as a prominent actress in the German cinema with the films which followed including '' Der Herr der Welt'' (1934), ''Abschiedswalzer'' (1934), '' Ein idealer Gatte'' (1935), and ''Fährmann Maria'' (1936). She also had roles in ''Die Umwege des schönen Karl'' (1937), ' (1938), ''Die Frau ohne Vergangenheit'' (1939), ''Trenck, der Pandur'' (1940) and ''Titanic'' (1943). Schmitz's career remained strong even though she was never ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Albers
Hans Philipp August Albers (22 September 1891 – 24 July 1960) was a German actor and singer. He was the biggest male movie star in Germany between 1930 and 1960 and one of the most popular German actors of the twentieth century. Early life Hans Albers was born in Hamburg, the son of a butcher, and grew up in the district of St. Georg. He was seriously interested in acting by his late teens and took acting classes without the knowledge of his parents. In 1915 Albers was drafted to serve in the German Army in World War I, but was wounded early on. After his release from the Hospital in Wiesbaden where he had been treated, he performed in the local Residenztheater in comedies, antics and operettas. After the war Albers moved to Berlin, where he found work as a comedic actor in various Weimar-Era Berlin theatres. His breakthrough performance was that of a waiter in the play ''Verbrecher'' (Criminals). It was also in Berlin that Albers began a long-term relationship with Jewish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lorre
Peter Lorre (; born László Löwenstein, ; June 26, 1904 – March 23, 1964) was a Hungarian and American actor, first in Europe and later in the United States. He began his stage career in Vienna, in the Austro-Hungarian Empire, before moving to Germany where he worked first on the stage, then in film in Berlin in the late 1920s and early 1930s. Lorre caused an international sensation in the Weimar Republic-era film '' M'' (1931), directed by Fritz Lang, in which he portrayed a serial killer who preys on little girls. Of Jewish descent, Lorre left Germany after Adolf Hitler and the Nazi Party came to power. His second English-language film, following the multiple-language version of ''M'' (1931), was Alfred Hitchcock's '' The Man Who Knew Too Much'' (1934), made in the United Kingdom. Eventually settling in Hollywood, he later became a featured player in many Hollywood crime and mystery films. In his initial American films, '' Mad Love'' and ''Crime and Punishment'' (both 193 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Günther Rittau
Günther Rittau (born 7 August 1893 in Königshütte (Silesia); died 6 August 1971 in Munich) was a German cinematographer and film director. After study of science in Berlin, Rittau started his career in 1919 at the documentary-film department of Decla, later at Universum Film AG. He learned the job of camera operator "on the side". From 1924, he was active as a feature cameraman. His experiences with the documentary film production and the production of trick photographs let to the development of his style. ''Metropolis'' (1927) and a propaganda movie ''U-Boote westwärts!'' (en:''U-boats westwards!'') (1941, as director) are considered to be among his best artistic achievements. His film ''The Eternal Tone'' (1943) about two brothers (a violinist and a violin maker) was considered "artistically valuable" by the Reichsfilmkammer. After World War II, he did not return to filmmaking until 1954. In 1967, he was awarded the Filmband in Gold. Günther Rittau is buried at the Waldf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Merritt (actor)
Frederick George Merritt (10 December 1890 – 27 September 1977) was an English theatre, film and television actor, often in authoritarian roles. He studied German theatre in Magdeburg, Germany, and taught at the Berlitz School at the outbreak of the First World War, when he was held as a British Civil Prisoner of War, and interned at Ruhleben, 1914–1918. He was involved in over 50 plays at Ruhleben. He lived for many years in Lissenden Gardens, Parliament Hill, north west London. Selected filmography * '' The W Plan'' (1930) – Ulrich Muller * ''Bracelets'' (1931) – Director * '' Dreyfus'' (1931) – Émile Zola * '' A Gentleman of Paris'' (1931) – M. Duval * '' White Face'' (1932) – (uncredited) * '' The Lodger'' (1932) – Commissioner * '' Blind Spot'' (1932) – Inspector Cadbury * '' Money for Speed'' (1933) * '' Going Straight'' (1933) * '' F.P.1'' (1933) – Lubin * ''I Was a Spy'' (1933) – Captain Reichman * ''Crime on the Hill'' (1933) – Police Inspec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Calthrop
Donald Esme Clayton Calthrop (11 April 1888 – 15 July 1940) was an English stage and film actor. Born in London, Calthrop was educated at St Paul's School and made his first stage appearance at eighteen years of age at the Comedy Theatre, London. His first film was '' The Gay Lord Quex'' released in 1917. He starred as the title character in the successful musical '' The Boy'' in the same year. He then appeared in more than 60 films between 1916 and 1940, including five films directed by Alfred Hitchcock. He died in Eton, Berkshire from a heart attack while he was filming ''Major Barbara'' (1941). According to Ronald Neame in his autobiography, some shots in the final film had a stand-in playing Calthrop's role (from the back) and a piece of dialogue was recorded using an unnamed person who impersonated Calthrop's voice. He was the nephew of dramatist Dion Boucicault. Selected filmography * ''Altar Chains'' (1916) * '' Masks and Faces'' (1917) - Lovell * '' The Gay L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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