Experimental Film
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Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in new technology rather t ...
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Limite (1931)
''Limite'' (, Portuguese for "limit" or "border") is a film by Brazilian director and writer Mário Peixoto (1908–1992), filmed in 1930 and first screened in 1931. Cited by some as the greatest of all Brazilian films, this 120-minute, silent, and experimental feature by novelist and poet Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of many, including Sergei Eisenstein, Georges Sadoul, and Walter Salles. In 2015, it was voted number 1 on the Abraccine Top 100 Brazilian films list. It's considered to be a cult film.http://www.cinelatino.com.fr/sites/default/files/lesdocs/cinemas_damerique_latine_n16_2008.pdf Plot In August 1929, Peixoto was in Paris, on a summer break from his studies in England, when he saw a photograph by André Kertész. The picture of two handcuffed male hands around the neck of a woman who was gazing at the camera became the 'generative' or 'Protean' image for ''Limite,'' in which a man and two women are los ...
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