Experimental Music Catalogue
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Experimental Music Catalogue
{{No footnotes, date=October 2019 The Experimental Music Catalogue (commonly known as the EMC) was founded in 1968 by Christopher Hobbs in order to provide an outlet for new music by composers of the English experimental movement, Publications appeared mainly as generic anthologies, such as the ''Verbal Anthology'', ''String Anthology'', ''Rhythmic Anthology'' and the ''Scratch Anthology of Compositions''. These anthologies featured music by British composers such as Cornelius Cardew, Hugh Shrapnel, Howard Skempton, Gavin Bryars, John White, and other experimental composers, including those in the Scratch Orchestra, but also others, including Robert Ashley and Terry Jennings. As the Catalogue grew in the 1970s, Hobbs released control to a committee including Gavin Bryars and Michael Nyman. However, due to the change in music and publishing needs after experimental music turned to minimalism and other post-modern styles, the EMC was wound down in the early 1980s. Hobbs re-establ ...
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Christopher Hobbs
Christopher Hobbs (born 9 September 1950) is an English experimental composer, best known as a pioneer of British systems music. Life and career Hobbs was born in Hillingdon, near London. He was a junior exhibitioner at Trinity College London, then was Cornelius Cardew's first student at the Royal Academy of Music from 1967. Hobbs worked with Cardew and Christian Wolff: he joined AMM, appearing on two albums: ''The Crypt'' and ''Laminal''. In 1969, Hobbs was a member from the first meeting of the Scratch Orchestra, and, as its youngest member, designed the Scratch Orchestra's first concert, at Hampstead Town Hall on 1 November 1969. His early composition ''Voicepiece'', part of his Verbal Pieces group, was used often enough to be called a Popular Classic in the Scratch Orchestra nomenclature. As experimental music was hard to come by, Hobbs gathered sheet music from friends and founded the Experimental Music Catalogue in 1968 as a distribution centre. Various pieces were eventu ...
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John White (composer)
John White (born 5 April 1936, in Berlin) is an English experimental composer and musical performer. He invented the early British form of minimalism known as systems music, with his early Machines. Life and career White was born in Berlin to an English father and German mother. The family moved to London at the outbreak of war. Originally a sculptor, White decided on a composition career when he heard Messiaen's ''Turangalîla-Symphonie''. He studied composition at the London Royal College of Music from 1955 to 1958 with Bernard Stevens and piano with Arthur Alexander and Eric Harrison. He also took analysis classes privately with Elisabeth Lutyens. Upon graduation, White became the musical director of the Western Theatre Ballet, and then professor of composition at the Royal College of Music from 1961 to 1967. He is a skilled pianist and tuba player and has written extensively for both instruments. In the 1960s and 1970s he was closely associated with English experimental com ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Sheet Music Publishing Companies
Sheet or Sheets may refer to: * Bed sheet, a rectangular piece of cloth used as bedding * Sheet of paper, a flat, very thin piece of paper * Sheet metal, a flat thin piece of metal * Sheet (sailing), a line, cable or chain used to control the clew of a sail Places * Sheet, Hampshire, a village and civil parish in East Hampshire, Hampshire, England. * Sheet, Shropshire, a village in Ludford, Shropshire, England. * Sheets Lake, Michigan, United States. * Sheets Site, a prehistoric archaeological site in Fulton County, Illinois, United States. * Sheets Peak, a mountain in the Wisconsin Range, Antarctica. Other uses * Sheets (surname), a surname (including a list of people with the name) * Sheet (computing), a type of dialog box * "Sheets", a 2003 song by Stephen Malkmus and the Jicks from ''Pig Lib'' * Google Sheets, spreadsheet editor by Google * Sheet of stamps, a unit of stamps as printed * Sheet or plate glass, a type of glass * Ice sheet, a mass of glacier ice * Sheet, the ...
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Music Publishing Companies Of The United Kingdom
Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into academic disciplines, criticism, philosophy, and psychology. Music may be performed or improvised using a vast range of instruments, including the human voice. In some musical contexts, a performance or composition may be to some extent improvised. For instance, in Hindustani classical music, the performer plays spontaneously while following a partially defined structure and using characteristic motifs. In modal jazz th ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Virginia Anderson
Virginia, officially the Commonwealth of Virginia, is a state in the Mid-Atlantic and Southeastern regions of the United States, between the Atlantic Coast and the Appalachian Mountains. The geography and climate of the Commonwealth are shaped by the Blue Ridge Mountains and the Chesapeake Bay, which provide habitat for much of its flora and fauna. The capital of the Commonwealth is Richmond; Virginia Beach is the most-populous city, and Fairfax County is the most-populous political subdivision. The Commonwealth's population was over 8.65million, with 36% of them living in the Baltimore–Washington metropolitan area. The area's history begins with several indigenous groups, including the Powhatan. In 1607, the London Company established the Colony of Virginia as the first permanent English colony in the New World. Virginia's state nickname, the Old Dominion, is a reference to this status. Slave labor and land acquired from displaced native tribes fueled the growing pl ...
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