Everything (Joe Album)
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Everything (Joe Album)
''Everything'' is the debut studio album by American singer Joe. It was released by Polygram Records on August 17, 1993, in the United States. Produced by Joe along with Keith Mille, J. Dibbs, and Dave "Jam" Hall, it peaked at number 105 on the US ''Billboard'' 200 and number 16 on ''Billboard''s Top R&B/Hip-Hop Albums. ''Everything'' spawned three singles, including "I'm in Luv" and " The One for Me". Track listing ;Notes * signifies a co-producer Charts References External links * ''Everything''at Allmusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ... 1993 debut albums Joe (singer) albums {{1990s-R&B-album-stub ...
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Joe (singer)
Joseph Lewis Thomas (born July 5, 1972), known mononymously as Joe, is an American R&B singer-songwriter and record producer. Born and raised in Ashburn, Georgia, he later relocated to Atlanta and signed a record deal with Polygram Records in 1992. He rose to prominence after releasing his debut album ''Everything'' the following year. He followed it with a series of successful albums under Jive Records, including '' All That I Am'' (1997), the international bestseller ''My Name Is Joe'' (2000) as well as the multi-certified albums '' Better Days'' (2001) and '' And Then...'' (2003). Several songs from these albums became hit singles on the pop and R&B record charts, including the number-one hit " Stutter", the top ten entries " All the Things (Your Man Won't Do)", "Don't Wanna Be a Player", and " I Wanna Know" as well as his collaborations "Faded Pictures", "Thank God I Found You" and "Still Not a Player". Since his departure from Jive, Joe has released most of his projects in ...
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Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ...
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New Jack Swing
New jack swing, new jack, or swingbeat is a fusion genre of the rhythms and production techniques of hip hop and dance-pop, and the urban contemporary sound of R&B. Spearheaded by producers Teddy Riley and Bernard Belle, new jack swing was most popular from the late-1980s to early-1990s. Its influence, along with hip hop, seeped into pop culture. Merriam-Webster's online dictionary defines new jack swing as "pop music usually performed by black musicians that combines elements of jazz, funk, rap, and rhythm and blues." New jack swing took up the trend of using sampled beats and tunes, and created beats using electronic drum machines such as the then-new SP-1200 sampler and the Roland TR-808 to lay an "insistent beat under light melody lines and clearly enunciated vocals." The Roland TR-808 was sampled to create distinctive, syncopated, swung rhythms, with its snare sound being especially prominent. Two examples would be "Groove Me" by Guy which samples "Funky President ( ...
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Polygram Records
PolyGram N.V. was a multinational entertainment company and major music record label formerly based in the Netherlands. It was founded in 1962 as the Grammophon-Philips Group by Dutch corporation Philips and German corporation Siemens, to be a holding for their record companies, and was renamed "PolyGram" in 1972. The name was chosen to reflect the Siemens interest Polydor Records and the Philips interest Phonogram Records. The company traced its origins through Deutsche Grammophon back to the inventor of the flat disc gramophone, Emil Berliner. Later on, PolyGram expanded into the largest global entertainment company, creating film and television divisions. In May 1998, it was sold to the alcoholic distiller Seagram which owned film, television and music company Universal Studios. PolyGram was thereby folded into Universal Music Group, and PolyGram Filmed Entertainment was folded into Universal Pictures, which had been both Seagram successors of MCA Inc. When the newly forme ...
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Executive Producer
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The creditin ...
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Dave "Jam" Hall
Dave Hall ( Dave "Jam" Hall) is an American record producer. He is best known for working on Mary J. Blige's debut album ''What's the 411?'' (including the No. 1 R&B hit single "You Remind Me"); co-writing and co-producing with Madonna several tracks from her 1994 album '' Bedtime Stories'', including the single "Human Nature"; for working with R&B harmony group Brownstone; and for co-producing two of Mariah Carey's No. 1 hits, " Dreamlover" and "Fantasy". He also produced for Usher, Donell Jones, CeCe Peniston, and Joe early in their music careers. He is also a remixer responsible for remixes of "Scream" (1995) by Michael and Janet Jackson and "Goldeneye" (1995) for Tina Turner. He was married to comedian Wanda Sykes from 1991 to 1998. Production discography ''Brand Nubian – One For All (1990)'' * Try To Do Me '' Heavy D. & the Boyz – Peaceful Journey (1991)'' * Body and Mind (produced with Nevelle Hodge) '' Strictly Business- Original Motion Picture Soundtrack (199 ...
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All That I Am (Joe Album)
''All That I Am'' is the second album by American R&B singer Joe. It was by Jive Records on July 29, 1997, in the United States, marking his debut with the label. Widely considered his breakthrough album, ''All That I Am'' reached number thirteen on the US ''Billboard'' 200 and number four on the Top R&B/Hip-Hop Albums chart. It was eventually certified Platinum by the Recording Industry Association of America (RIAA). The album features "All the Things (Your Man Won't Do)", originally featured on the soundtrack of ''Don't Be a Menace to South Central While Drinking Your Juice in the Hood'', which reached number two on the US R&B chart and number eleven on the ''Billboard'' Hot 100; it sold 700,000 copies domestically and was certified Gold by the RIAA. The album also features "Don't Wanna Be a Player", which originally appeared on the soundtrack to the 1997 film ''Booty Call'' and reached number five on the US R&B chart and number twenty-five on the Hot 100. It, too, earned a ...
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I'm In Luv
"I'm in Luv" is a song by American R&B singer Joe. It was written by Darren "J. Dibbs" Jenkins, Teddy Denslow, and Brian Allen for his debut studio album, ''Everything'' (1993), while production was overseen by the former. Serving as his debut single, "I'm in Love" reached number 64 on the US ''Billboard'' Hot 100 and number 10 on the Hot R&B/Hip-Hop Songs chart, while peaking at number 22 on the UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s .... Track listings Credits and personnel * Brian Allen – writer * Teddy Denslow – writer * Darren "J. Dibbs" Jenkins – producer, writer * Adam Kudzin - recording engineer - audio engineer * Special Tee – mixing * Joe Thomas – vocals Charts Weekly charts Year-end charts References Joe (sin ...
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The One For Me
"The One for Me" is a song by American R&B singer Joe. It was written by Joe, Denvil Tracey Gerrell, and Keith Miller for his debut studio album ''Everything'' (1993), while production was helmed by Joe, featuring co-production from Miller. Released as the album's second single from, it reached number 39 on ''Billboard''s Hot R&B/Hip-Hop Songs in the US, while peaking at number 34 on the UK Singles Chart. Track listings Credits and personnel * Denvil Tracey Gerrell – writer * Keith Miller – producer, writer * Special Tee – mixing * Adam Kudzin - Audio engineer An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, ... * Joe Thomas – producer, vocals, writer Charts References Joe (singer) songs 1993 singles 1993 songs New jack swing songs Song recordings produced by ...
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All Or Nothing (Joe Song)
"All or Nothing" is a song by American R&B singer Joe. It was written by Joe, Denvil Tracey Gerrell, and Keith Miller for his debut studio album, ''Everything'' (1993), while production was helmed by Joe, featuring co-production from Miller. Released in 1994 as the album's third single, it reached number 33 on the Hot R&B/Hip-Hop Songs chart, while peaking at number 56 on the UK Singles Chart The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-s .... Track listings Credits and personnel * Denvil Tracey Gerrell – writer * Keith Miller – producer, writer * Adam Hudzim – mixing * Joe Thomas – producer, vocals, writer Charts References {{authority control Joe (singer) songs 1994 singles 1993 songs PolyGram singles ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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