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Everyday I Have The Blues (Joe Williams Album)
''Everyday I Have the Blues'' is an album by singer Joe Williams (jazz singer), Joe Williams with Count Basie and His Orchestra featuring tracks recorded in 1959 (with one track from 1957 on the original LP) which was originally released on the Roulette Records, Roulette label.Kitora, R.Count Basie Discography - 1950-1959 accessed November 3, 2015 Reception AllMusic awarded the album 4 stars and its review by John Bush states, "Joe Williams had enlivened the Count Basie band for so long that it was natural for Basie and company to return the favor on his 1959 solo LP for Roulette. And with a trio of Basie arrangers -- Frank Foster, Ernie Wilkins, Thad Jones -- providing charts for a rather small group here, the results are excellent". Track listing # "Every Day I Have the Blues, Everyday" (William York) - 4:43 # "Baby Won't You Please Come Home" (Charles Warfield, Clarence Williams (musician), Clarence Williams) - 1:58 # "Going to Chicago Blues" (Count Basie, Jimmy Rushing) - 4:0 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Williams (jazz Singer)
Joe Williams (born Joseph Goreed; December 12, 1918 – March 29, 1999) was an American jazz singer. He sang with big bands such as the Count Basie Orchestra and the Lionel Hampton Orchestra and with his combos. He sang in two films with the Basie orchestra and sometimes worked as an actor. Life Williams was born in Cordele, Georgia, the son of Willie Goreed and Anne Beatrice ''née'' Gilbert. When he was about three, his mother and grandmother took him to Chicago. He grew up on the South Side, Chicago, South Side of Chicago, where he attended Austin Otis Sexton Elementary School and Englewood Technical Prep Academy, Englewood High School. In the 1930s, as a teenager, he was a member of a gospel group, the Jubilee Boys, and performed in Chicago churches. Work He began singing professionally as a soloist in 1937. He sometimes sang with big bands: from 1937 he performed with Jimmie Noone's Apex Club Orchestra, and also toured with Les Hite in the Midwest. In 1941 he toured wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, music arrangement, arranger, bandleader, and composer. Biography Redman was born in Piedmont, West Virginia, Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become Swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benny Carter
Bennett Lester Carter (August 8, 1907 – July 12, 2003) was an American jazz saxophonist, clarinetist, trumpeter, composer, arranger, and bandleader. With Johnny Hodges, he was a pioneer on the alto saxophone. From the beginning of his career in the 1920s, he worked as an arranger including written charts for Fletcher Henderson's big band that shaped the swing style. He had an unusually long career that lasted into the 1990s. During the 1980s and 1990s, he was nominated for eight Grammy Awards, which included receiving a Lifetime Achievement Award. Career Carter was born in New York City in 1907. He was given piano lessons by his mother and others in the neighborhood. He played trumpet and experimented briefly with C-melody saxophone before settling on alto saxophone. In the 1920s, he performed with June Clark, Billy Paige, and Earl Hines, then toured as a member of the Wilberforce Collegians led by Horace Henderson. He appeared on record for the first time in 1927 as a membe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Brown (singer)
Walter Brown (August 17, 1917 – June 1956) was an American blues shouter who sang with Jay McShann's band in the 1940s and co-wrote their biggest hit, "Confessin' the Blues". Brown was born in Dallas, Texas. He joined McShann's orchestra, which also included the saxophonist Charlie Parker, in 1941. Brown sang on some of the band's most successful recordings, including "Confessin' the Blues" and "Hootie Blues", before leaving to be replaced by Jimmy Witherspoon. in 1947 he recorded some sides with the Tiny Grimes Sextet, which resulted in their version of the hit "Open the Door Richard". The record was considered too risque and was banned from most radio playlists, and the label withdrew it from sale soon after. Brown's subsequent solo singing career was unsuccessful, although he recorded for the King, Signature and Mercury labels, and he briefly reunited with McShann for recording sessions in 1949. His last two recordings were completed in Houston in 1951 and released on the P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jay McShann
James Columbus "Jay" McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson (trumpeter), Bernard Anderson, Walter Brown (singer), Walter Brown, and Ben Webster. Early life and education McShann was born in Muskogee, Oklahoma, Muskogee, Oklahoma, and was nicknamed Hootie. During his youth he taught himself how to play the piano through observing his sister's piano lessons and trying to practicing tunes he heard off the radio. He was also heavily influenced by late-night broadcasts of pianist Earl Hines from Chicago's Grand Terrace Cafe: "When 'Fatha' (''Hines'') went off the air, I went to bed". He began working as a professional musician in 1931 at the age of 15, performing around Tulsa, Oklahoma, and neighboring Arkansas. Career 1936–44 McShann moved to Kansas City, Missouri, in 1936, and set up his own big band which variously fea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Kirkland
Leroy E. Kirkland (February 10, 1904 or 1906 – April 6, 1988) was an American arranger, bandleader, guitarist and songwriter whose career spanned the eras of big band jazz, R&B, rock and roll and soul. Life and career Born in Columbia, South Carolina, in either 1904 or 1906 (sources differ), Kirkland played guitar in southern jazz bands in the 1920s, and after a spell in the army worked as arranger and songwriter for Erskine Hawkins. He joined Tommy and Jimmy Dorsey in the 1940s, and in 1951 began arranging music at Savoy Records in New York. He continued to arrange R&B artists for OKeh Records, Mercury Records and other companies, and worked on rock and roll shows with Alan Freed. Two of his compositions became popular with jazz musicians: "Charleston Alley" (recorded by Lambert, Hendricks & Ross, Charlie Barnet, and others) and "Cloudburst" (recorded by Count Basie, The Pointer Sisters, and others). Although behind the scenes for most of his career, Kirkland contributed to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sid Wyche
Sidney Jackson Wyche ( February 11, 1922 – November 11, 1983) was an American songwriter and pianist. Wyche is best known for writing the jazz standard "Alright, Okay, You Win", Elvis Presley's Billboard Hot 100 chart-topper "A Big Hunk o' Love", and the Jackie Wilson hits " A Woman, a Lover, a Friend" and "Talk That Talk ''Talk That Talk'' is the sixth studio album by Barbadian singer Rihanna, released on November 18, 2011, by Def Jam Recordings and SRP Records. It was recorded while traveling for the Loud Tour between February and November 2011, and was origin ...". References External links *http://longlivethemusic.blogspot.com/2006/11/who-is-sid-wyche_116238862498176340.html 1922 births 1983 deaths Musicians from Virginia 20th-century American composers Songwriters from Virginia African-American composers 20th-century African-American musicians {{US-songwriter-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Durham
Edward Durham (August 19, 1906 – March 6, 1987) was an American jazz guitarist, trombonist, composer, and arranger. He was one of the pioneers of the electric guitar in jazz. The orchestras of Bennie Moten, Jimmie Lunceford, Count Basie, and Glenn Miller took great benefit from his composing and arranging skill. With Edgar Battle he composed "Topsy", which was recorded by Count Basie and became a hit for Benny Goodman. In 1938, Durham wrote "I Don't Want to Set the World on Fire" with Bennie Benjamin, Sol Marcus, and Eddie Seiler. During the 1940s, Durham created Eddie Durham's All-Star Girl Orchestra, an African-American all female swing band that toured the United States and Canada. Early life Durham was born in San Marcos, Texas, on August 19, 1906, to Joseph Durham Sr. and Luella Rabb (née Mohawk) Durham. From an early age, Durham performed with his family in the Durham Brothers Band. At the age of eighteen, he began traveling and playing in regional bands. Pionee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Johnson (musician)
Pete Johnson (born Kermit H. Johnson, March 25, 1904 – March 23, 1967) was an American boogie-woogie and jazz pianist. Tony Russell stated in his book ''The Blues – From Robert Johnson to Robert Cray'' that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was more comfortable than Meade Lux Lewis in a band setting; and as an accompanist, unlike Lewis or Albert Ammons, he could sparkle but not outshine his singing partner". Scott Yanow for AllMusic, wrote: "Johnson was one of the three great boogie-woogie pianists", the others being Lewis and Ammons "whose sudden prominence in the late 1930s helped make the style very popular". Biography Johnson was born in Kansas City, Missouri. He was raised by his mother after his father deserted the family. Things got so bad financially, Pete was placed in an orphanage when he was three. He became so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Bill Broonzy
Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century. Broonzy copyrighted more than 300 songs, including adaptations of traditional folk songs and original blues songs. As a blues composer, he was unique in writing songs that reflected his rural-to-urban experiences.Barlow, William (1989). ''"Looking Up at Down": The Emergence of Blues Culture''. Temple University Press. pp. 301–303. . Life and ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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