Everybody Needs Somebody To Love
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Everybody Needs Somebody To Love
"Everybody Needs Somebody to Love" is a song written by Bert Berns, Solomon Burke, and Jerry Wexler, and originally recorded by Solomon Burke under the production of Bert Berns at Atlantic Records in 1964. Burke's version charted in 1964, but missed the US top 40, peaking at number 58. Wilson Pickett covered the song in 1966, and his version (which explicitly mentions Solomon Burke in the opening section) made it to #29 pop, and #19 R&B in early 1967. Other notable versions of "Everybody Needs Somebody to Love" were recorded by The Rolling Stones, Jerry Garcia Band, and The Blues Brothers. The song is ranked number 429 on the ''Rolling Stone'' magazine's list of The 500 Greatest Songs of All Time. Composition and recording On May 28, 1964, Burke recorded "Everybody Needs Somebody to Love" (Atlantic 2241), written by Burke (but also credited to Bert Berns and Jerry Wexler), which was Burke's most prominent bid for an enduring soul standard. Burke claims he was the sole writer on ...
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Solomon Burke
Solomon Vincent McDonald Burke (born James Solomon McDonald, March 21, 1936 or 1940 – October 10, 2010) was an American singer who shaped the sound of rhythm and blues as one of the founding fathers of soul music in the 1960s. He has been called "a key transitional figure bridging R&B and soul", and was known for his "prodigious output". He had a string of hits including "Cry to Me", "If You Need Me", "Got to Get You Off My Mind", " Down in the Valley", and "Everybody Needs Somebody to Love". Burke was referred to honorifically as "King Solomon", the "King of Rock 'n' Soul", "Bishop of Soul", and the "Muhammad Ali of soul". Due to his minimal chart success in comparison to other soul music greats such as James Brown, Wilson Pickett, and Otis Redding, Burke has been described as the genre's "most unfairly overlooked singer" of its golden age. Atlantic Records executive Jerry Wexler referred to Burke as "the greatest male soul singer of all time". Burke's most famous recor ...
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Royalties
A royalty payment is a payment made by one party to another that owns a particular asset, for the right to ongoing use of that asset. Royalties are typically agreed upon as a percentage of gross or net revenues derived from the use of an asset or a fixed price per unit sold of an item of such, but there are also other modes and metrics of compensation.Guidelines for Evaluation of Transfer of Technology Agreements, United Nations, New York, 1979 A royalty interest is the right to collect a stream of future royalty payments. A license agreement defines the terms under which a resource or property are licensed by one party to another, either without restriction or subject to a limitation on term, business or geographic territory, type of product, etc. License agreements can be regulated, particularly where a government is the resource owner, or they can be private contracts that follow a general structure. However, certain types of franchise agreements have comparable provisions. N ...
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The Psychedelic World Of The 13th Floor Elevators
The Psychedelic World of the 13th Floor Elevators is a 3 disc box set. The set collects the band's studio output, with live cuts, alternate versions, and the two original singles as The Spades. Track listing CD 1 # You're Gonna Miss Me # Roller Coaster # Splash 1 # Reverbation (Doubt) # Don't Fall Down # Fire Engine # Thru the Rhythm # You Don't Know # Kingdom of Heaven # Monkey Island # Tried to Hide # Everybody Needs Somebody to Love # Before You Accuse Me # You Don't Know # I'm Gonna Love You Too # You Really Got Me # Splash 1 # Fire Engine # Roll Over Beethoven # The Word # Monkey Island # Roller Coaster Tracks 1–11 are ''The Psychedelic Sounds of the 13th Floor Elevators''. Tracks 12–22 were recorded live in San Francisco, 1966. CD 2 # Slip Inside This House # Slide Machine # She Lives (In a Time of Her Own) # Nobody to Love # Baby Blue # Earthquake # Dust # Levitation # I Had to Tell You # Pictures (Leave Your Body Behind) # Splash 1 # Kingdom of Heaven # You're Go ...
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Box Set
A box set or (its original name) boxed set is a set of items (for example, a compilation of books, musical recordings, films or television programs) traditionally packaged in a box and offered for sale as a single unit. Music Artists and bands with an extremely long and successful career often have anthology or "essential" collections of their boxes of music released as box sets. These often include rare and never-before-released tracks. Some box sets collect previously released boxes of singles or albums by a music artist, and often collect the complete discography of an artist such as Pink Floyd's ''Oh, by the Way'' and ''Discovery'' sets. Sometimes bands release expanded versions of their most successful albums such as Pink Floyd's ''Immersion'' box set versions of their ''The Dark Side of the Moon'' (1973), ''Wish You Were Here'' (1975) and ''The Wall'' (1979) albums. Pink Floyd have also released ''The Early Years 1965–1972'' box set which features mostly unreleased mate ...
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The Psychedelic Sounds Of The 13th Floor Elevators
''The Psychedelic Sounds of the 13th Floor Elevators'' is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, hard rock, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Charts with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under Chart. Background The October 1966 back cover of the album uses the words "The Psychedelic Sounds of: The 13th Floor Elevators", which is purported to be the first use of the word "psychedelic" in reference to the music within. Two other bands also used the word in titles of LPs released in November 1966: The Blues Magoos' ''Psychedelic Lollipop'', and the Deep's ''Psychedelic Moods''. In 2009, the original mono version was released as part of the "Sign of the 3-Eyed Men" box set. The set ...
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Live (13th Floor Elevators Album)
''Live'' is a compilation album by the American psychedelic rock band the 13th Floor Elevators, released in 1968. Despite being marketed as a live album, it is actually a compilation of studio outtakes with cheering and applause overdubbed. The album is held in low regard and was put together by the International Artists label to make extra money with little to no input from the band. At the time of its release it was hailed as "one of the finest releases of the year" in ''Mass Media''. AllMusic gave it a two and a half stars rating, describing it as "an often laughable collection" but also noting that it contained "several excellent early performances". Track listing # "Before You Accuse Me" – (Ellas McDaniel) - 3:58 # "She Lives (In a Time of Her Own)" – (Roky Erickson, Tommy Hall) - 3:09 # "Tried to Hide" – (Stacy Sutherland, Tommy Hall) - 3:06 # "You Gotta Take That Girl" – (Powell St. John) - 3:17 # "I'm Gonna Love You Too" – (Norman Petty, Niki Sullivan, Jo ...
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The 13th Floor Elevators
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label. The Elevators were the first band to refer to their music as psychedelic rock, with the first-known use of the term appearing on their business card in January 1966. The 2005 documentary ''You're Gonna Miss Me'' specifically credits Tommy Hall with coining the term "psychedelic rock." Their contemporary influence has been acknowledged by 1960s musicians such as Billy Gibbons of ZZ Top, Peter Albin of Big Brother and the Holding Company, and Chris Gerniottis of Zakary Thaks. The 13th Floor Elevators debut single "You're Gonna Miss Me", a national ''Billboard'' No. 55 hit in 1966, was featured on the 1972 compilation '' Nuggets: Ori ...
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Dusty Springfield
Mary Isobel Catherine Bernadette O'Brien (16 April 1939 – 2 March 1999), known professionally as Dusty Springfield, was an English singer. With her distinctive mezzo-soprano sound, she was a popular singer of blue-eyed soul, Pop music, pop and dramatic Ballad, ballads, with chanson, French chanson, Country music, country, and Jazz music, jazz also in her repertoire. During her 1960s peak, she ranked among the most successful British female performers on both sides of the Atlantic. Her image – marked by a peroxide blonde bouffant/Beehive (hairstyle), beehive hairstyle, heavy makeup (thick black eyeliner and eye shadow) and evening gowns, as well as stylised, gestural performances – made her an icon of the Swinging Sixties. Born in West Hampstead in London into a family that enjoyed music, Springfield learned to sing at home. In 1958, she joined her first professional group, The Lana Sisters. Two years later, with her brother Tom Springfield and Reshad Feild, Tim Feild ...
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Whatcha Gonna Do About It
"Whatcha Gonna Do About It" is the debut single released by the English rock group Small Faces, released in the UK on 6 August 1965. The song peaked at number 14 in the UK Singles Chart, and stayed on chart for a total of 14 weeks. It reached number 28 in Canada. Song profile The songwriting duo of the group Steve Marriott and Ronnie Lane already had the melody for the song, the inspiration coming from Solomon Burke's hit record "Everybody Needs Somebody to Love." However they had no lyrics, so their manager, Don Arden, brought in Ian Samwell and Brian Potter to provide the words for the song. The song entered the UK Singles Chart at number 27 and rose to number 14, just missing the all important Top Ten. Kenney Jones recalled to ''Uncut'' magazine: "We hadn't fully established our own songwriting abilities – our stage show was mainly covers of things like Otis Redding's 'Shake' – and this really suited the power of Steve's voice. The style was very indicative of the ti ...
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Small Faces
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", " Lazy Sunday", " All or Nothing" and "Tin Soldier", as well as their concept album ''Ogdens' Nut Gone Flake''. They evolved into one of the UK's most successful psychedelic bands until 1969. When Marriott left to form Humble Pie, the remaining three members collaborated with Ronnie Wood, Ronnie's older brother Art Wood, Rod Stewart and Kim Gardner, briefly continuing under the name Quiet Melon, and then, with the departure of Art Wood and Gardner, as Faces. In North America, Faces' debut album was credited to Small Faces. Following the breakup of both Faces and Humble Pie in 1975, the classic line-up of Small Faces re-form ...
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The Rolling Stones, Now!
''The Rolling Stones, Now!'' is the third American studio album by English rock band the Rolling Stones, released on 13 February 1965 by their initial American distributor, London Records. Although it contains two previously unissued songs and an alternative version, the album mostly consists of songs released earlier in the United Kingdom, plus the group's recent single in the United States, " Heart of Stone" backed with "What a Shame". Mick Jagger and Keith Richards wrote four of the songs on the album (including the US single), with the balance composed by American rhythm and blues and rock and roll artists. Marketing and sales The album reached number five on the ''Billboard'' 200 album chart and was certified "gold" by the Recording Industry Association of America. The liner notes on initial pressings contained producer Andrew Loog Oldham's advice to the record buying public, which was quickly temporarily removed from some subsequent pressings: This quote also appeared ...
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The Rolling Stones No
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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