Evergreen, Volume 2
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Evergreen, Volume 2
''Evergreen, Vol. 2'' is the second album from the Stone Poneys, released five months after ''The Stone Poneys''. It was the most commercially successful of the Stone Poneys' three studio albums. Release data The album was released in the LP format on Capitol in June 1967 in both monaural and stereophonic editions (catalogue numbers T 2763 and ST 2763, respectively), and subsequently, on 8-track tape (catalogue number 8XT 2763) and cassette (catalogue number C4-80129). In 1995, Capitol reissued the album on CD (catalogue number CDP-80129). Raven issued a 27-track "two-fer" CD In 2008, featuring all tracks from this and the band's first album (under its 1975 reissue name, ''The Stone Poneys Featuring Linda Ronstadt''), plus four tracks from their third album, '' Linda Ronstadt, Stone Poneys and Friends, Vol. III''. Notes on the tracks In a departure from the first album, Linda Ronstadt was the lead vocalist on almost all songs, with only occasional harmony vocals. The exceptio ...
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Stone Poneys
Stone Poneys (also The Stone Poneys, Linda Ronstadt and the Stone Poneys, and The Stone Poneys With Linda Ronstadt) were a folk rock Trio (music), trio formed in Los Angeles, consisting of Linda Ronstadt on singing, vocals, Bobby Kimmel on rhythm guitar and vocals, and Kenny Edwards on lead guitar. Their recordings include Ronstadt's first hit song, a cover song, cover of Michael Nesmith, Mike Nesmith's "Different Drum". Even at this early stage, Ronstadt was showcasing her performances of an eclectic mix of songs, often from under-appreciated songwriters, requiring a wide array of backing musicians. The band released three albums: ''The Stone Poneys (album), The Stone Poneys''; ''Evergreen, Volume 2''; and ''Linda Ronstadt, Stone Poneys and Friends, Vol. III''. All three albums were reissued in CD format in the 1990s in the US. The first two albums were reissued in Australia in 2008. History of the band Early meetings Linda Ronstadt first met Bobby Kimmel as a teenager in 1960 w ...
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Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ...
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Mayne Smith
Mayne may refer to: People * Andrew Mayne, magician and filmmaker * Brent Mayne (born 1968), American Baseball catcher * Chris Mayne (born 1988), professional Australian rules footballer * Clarice Mayne (1886–1966), British music hall and variety theatre singer and performer * Cuthbert Mayne (1544–1577), English Roman Catholic priest and martyr * Edgar Mayne (1882–1961), Australian cricketer * Edith Mayne (born 1905), British freestyle swimmer * Edward Mayne (1756–1829), Irish judge * Ferdy Mayne (1916–1998), German-British actor * Frederick Allen Mayne III (born 1970), birth name of American singer ''Fred Durst'' * James O'Neil Mayne, Australian philanthropist * Jasper Mayne (1604–1672), British clergyman, translator, minor poet and dramatist * John Mayne (1759–1836), Scottish printer, journalist and poet * Kenny Mayne (born 1959), American sports journalist * Laurie Mayne (born 1942), Australian cricketer * Lonnie Mayne (1943–1978), American professional wrestl ...
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Bobby Kimmel
Bobby Kimmel (born September 1, 1940) is an American musician and songwriter who currently performs with the acoustic folk group I Hear Voices. He has been recording and performing in concert for over 50 years and was a founding member of the Stone Poneys, along with Linda Ronstadt and the late Kenny Edwards. Bobby Kimmel moved to Tucson as a child for his asthmatic condition. His father was a studio musician in New York City, and become the principal double bass player in the Tucson Symphony Orchestra. He also owned and operated a retail music shop near the university. Kimmel's early musical influence was jazz, especially "West Coast" jazz. He also listened to the "harder" East Coast jazz. His passion for jazz continued all throughout his high school years, and it was not until he discovered the guitar (at age 17) that his musical direction changed. He became aware of the folk and blues musicians such as Doc Watson, Lightnin Hopkins, Merle Travis, and Mississippi John Hurt, as ...
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Pub Rock (United Kingdom)
Pub rock is a rock music genre that was developed in the early to mid-1970s in the United Kingdom. A back-to-basics movement which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes of the time. Although short-lived, pub rock was live rock played in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub rockers sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label. With pub rock's emphasis on small venues, simple, fairly inexpensive recordings and indie record labels, it was the catalyst for the development of the British punk rock scene. Despite these shared elements, though, there was a difference between the genres: while pub rock harked back to early rock and roll and R&B, punk was iconoclastic, ...
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Eggs Over Easy
Eggs over Easy were an American country rock band, of the early 1970s, who visited London to record an album, and then became a resident band in a London pub, launching what subsequently became known as pub rock. Formation Although both hailed from New York City, Jack O'Hara (guitar, bass & vocals) met Austin de Lone (keyboards, guitar & vocals) in Berkeley, California, where they formed a duo. The pair moved back to New York, where they met Brien Hopkins (keyboards, bass, guitar & vocals) who joined to form a multi-instrumental trio, without a drummer or percussionist.Sleevenotes by Nigel Cross to the 2006 Hux Records Re-release They regularly played clubs and bars in Greenwich Village and Long Island, until they acquired a small fan base, and a manager, Peter Kauff. Kauff was also helping Cannon Films to move into the music business, and arranged for Chas Chandler (bass player for the Animals and producer/manager of the Jimi Hendrix Experience) to produce their first album. ...
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Country Rock
Country rock is a genre of music which fuses rock and country. It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'' (Backbeat Books, 3rd ed., 2002), p. 1327. Country rock began with artists like Buffalo Springfield, Michael Nesmith, Bob Dylan, Nitty Gritty Dirt Band, the Byrds, the Flying Burrito Brothers, The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, Linda Ronstadt, Michael Nesmith, Poco, Charlie Daniels Band, and Pure Prairie League. Country rock also influenced artists in other genres, including the Band, the Grateful Dead, Creedence Clearwater Revival, the ...
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Nik Venet
Nick Venet (born Nikolas Kostantinos Venetoulis, 3 December 1936 – 2 January 1998) was an American record producer, who began his career at age 19 with World Pacific Jazz. He is best known for signing The Beach Boys to Capitol Records and producing the band's earlier material including the song "Surfin' Safari". Brian Wilson has credited Venet with helping him learn the craft of production. Career Mentored by Lee Gillette, John Hammond, and Richard Bock, he worked with such musicians as Chet Baker, Lord Buckley, Nat "King" Cole, Stan Getz, Chico Hamilton, Stan Kenton, Lambert, Hendricks, and Ross, Peggy Lee, Gerry Mulligan, Ravi Shankar, and Kay Starr. In his early twenties, he joined Capitol Records.Bull Sessions With the Big Daddy, Stephen J. McParland, CMusic Books, p. 285 As well as being a producer, he was head of A&R at Capitol. Venet produced a number of important Capitol clients, including Ray Anthony, The Buddies, Glen Campbell, Cashman, Pistilli, and West, Jim C ...
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Richie Unterberger
Richie Unterberger (born January 19, 1962) is an American author and journalist whose focus is popular music and travel writing. Life and writing Unterberger attended the University of Pennsylvania, where he wrote for the university newspaper ''The Daily Pennsylvanian'' and in the early 1980s was a deejay on the Penn radio station, WXPN-FM. Just prior to graduating in late 1982, he started reviewing records for '' Op'' magazine, which marked the start of his career as a freelance writer. From 1985 to 1991, Unterberger was an editor for '' Option''. Since 1993, he has been a prolific contributor to AllMusic, the on-line database of music biographies and album reviews, for which he has written thousands of entries, and many of his on-line contributions have been printed in the AllMusic guide series. Unterberger contributes to various local and national publications, including ''Mojo'', ''Record Collector'', ''Rolling Stone'', ''Oxford American'', and '' No Depression''. He has writ ...
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Jug Band
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term ''jug band'' is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player. History Early jug bands were typically made up of African-American vaudeville and medicine show musicians. Beginning in the urban South (namely, Louisville, Kentucky, and Memphis, Tennessee), they played a mixture of blues, ragtime, and jazz. The history of jug bands is related to the development of the blues. The informal and energetic music of the jug bands also contributed to the development of rock and roll. The jug sound is made by taking a ...
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Better Late Than Never!
The Greenbriar Boys were an American northern bluegrass music group. who first got together in jam sessions in New York's Washington Square Park. Biography In 1958, guitarist and vocalist John Herald formed The Greenbriar Boys, along with Bob Yellin (banjo) and Eric Weissberg (fiddle, mandolin, banjo). Weissberg was soon replaced by Paul Prestopino, who, in turn was later replaced by Ralph Rinzler (mandolin) to form their most successful combination. The trio often played the Greenwich Village scene, but were good enough to be the first northern group to win the Union Grove Fiddlers' Convention competition, where Yellin also took top honors for banjo. They were credited as guest artists on two tracks from Joan Baez's 1961 album ''Joan Baez, Vol. 2''. In 1962, they released their first (eponymous) album on Vanguard Records. Three more albums followed: ''Dián and the Greenbriar Boys'' in 1963 for Elektra (with Dián James, died 18 May 2006), ''Ragged but Right!'' in 1964, and ' ...
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The Greenbriar Boys
The Greenbriar Boys were an American northern bluegrass music group. who first got together in jam sessions in New York's Washington Square Park. Biography In 1958, guitarist and vocalist John Herald formed The Greenbriar Boys, along with Bob Yellin (banjo) and Eric Weissberg (fiddle, mandolin, banjo). Weissberg was soon replaced by Paul Prestopino, who, in turn was later replaced by Ralph Rinzler (mandolin) to form their most successful combination. The trio often played the Greenwich Village scene, but were good enough to be the first northern group to win the Union Grove Fiddlers' Convention competition, where Yellin also took top honors for banjo. They were credited as guest artists on two tracks from Joan Baez's 1961 album ''Joan Baez, Vol. 2''. In 1962, they released their first (eponymous) album on Vanguard Records. Three more albums followed: ''Dián and the Greenbriar Boys'' in 1963 for Elektra (with Dián James, died 18 May 2006), ''Ragged but Right!'' in 1964, and ...
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