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European Art Cinema
European art cinema is a branch of cinema that was popular in the latter half of the 20th century. It is based on a rejection of the tenets and techniques of classical Hollywood cinema. History European art cinema gained popularity in the 1950s down to the 1970s, with notable filmmakers such as Federico Fellini, Michelangelo Antonioni, and Ingmar Bergman. At this time it was new to the even broader field of art cinema. Differences from classical cinema The continuity editing system is not necessarily abandoned but instead is not ''needed''. The cause and effect driven narrative, as well as the goal-oriented protagonist are also not needed. Instead, we may have the protagonist wander around aimlessly for the whole movie, with nothing of real importance happening to drive him from one activity to the other. Classical Hollywood cinema has a narrative transitivity, in which there is "a sequence of events in which each unit follows the one preceding it according to a chain of causa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photography, photographing actual scenes with a movie camera, motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of computer-generated imagery, CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Truffaut
François Roland Truffaut ( , ; ; 6 February 1932 – 21 October 1984) was a French film director, screenwriter, producer, actor, and film critic. He is widely regarded as one of the founders of the French New Wave. After a career of more than 25 years, he remains an icon of the Cinema of France, French film industry, having worked on over 25 films. Truffaut's film ''The 400 Blows'' (1959) is a defining film of the French New Wave movement, and has four sequels, ''Antoine et Colette'' (1962), ''Stolen Kisses'' (1968), ''Bed and Board (1970 film), Bed and Board'' (1970), and ''Love on the Run (1979 film), Love on the Run'' (1979). Truffaut's 1973 film ''Day for Night (film), Day for Night'' earned him critical acclaim and several awards, including the BAFTA Award for Best Film and the Academy Award for Best Foreign Language Film. His other notable films include ''Shoot the Piano Player'' (1960), ''Jules and Jim'' (1962), ''The Soft Skin'' (1964), ''The Wild Child'' (1970), ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Jetée
''La Jetée'' () is a 1962 French science fiction featurette directed by Chris Marker and associated with the French New Wave#Left Bank, Left Bank artistic movement. still image film, Constructed almost entirely from still photos, it tells the story of a post-apocalyptic science fiction, post-nuclear war experiment in time travel. It is 28 minutes long and shot in black and white. It won the Prix Jean Vigo for short film. The 1995 science fiction film ''12 Monkeys'' was inspired by and borrows several concepts directly from ''La Jetée''. Plot A man (Davos Hanich) is a prisoner in the aftermath of World War III in post-apocalyptic Paris, where survivors live underground in the ''Palais de Chaillot'' galleries. Scientists research time travel, hoping to send test subjects to different time periods "to call past and future to the rescue of the present." They have difficulty finding subjects who can mentally withstand the shock of time travel. The scientists eventually settle upon t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgi Shengelaia
Giorgi Shengelaia ( ka, გიორგი შენგელაია; russian: Гео́ргий Никола́евич Шенгела́я; 11 May 1937 – 17 February 2020) was a Georgian and Soviet film director. He directed 14 films since 1961. His film ''Pirosmani'' (a poetic film about the great Georgian primitive artist Niko Pirosmanishvili who worked circa 1915) won the Grand Prize at the Chicago International Film Festival in 1974 and went on to international critical acclaim. His 1985 film '' The Journey of a Young Composer'' was entered into the 36th Berlin International Film Festival where he won the Silver Bear for Best Director The Silver Bear for Best Director (german: Silberner Bär/Bester Regie) is an award presented annually at the Berlin International Film Festival since 1956. It is given for the best achievement in directing and is chosen by the International Jury .... Filmography References External links * 1937 births 2020 deaths Writers from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alaverdoba (film)
''Alaverdoba'' ( ka, ალავერდობა, translit. ''alaverdoba'', russian: link=no, Алавердоба) is a 1962 Georgian Art drama film directed by Giorgi Shengelaia. The film story set in around Alaverdi Monastery, Kakheti. Protagonist Guram goes there in order to see firsthand the ancient Georgian religious feast Alaverdoba Alaverdoba ( ka, ალავერდობა) is a religious and folk celebration in the eastern Georgian province of Kakheti, with its roots in a harvest festival. It focuses on Alaverdi Cathedral from which it derives its name, with the suf .... Cast *Geidar Palavandishvili as Gurami *Kote Daushvili as Lezghin *Irakli Kokrashvili as Salesman *Leo Balisevich as Driver *Nodar Piranishvili as Hairdresser *Kote Toloraia as Qisti References External links * 1962 films 1962 drama films Drama films from Georgia (country) Georgian-language films Films directed by Giorgi Shengelaia 1960s avant-garde and experimental films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'eclisse
''L'Eclisse'' ( en, "The Eclipse") is a 1962 Italian romance film written and directed by Michelangelo Antonioni and starring Alain Delon and Monica Vitti. Filmed on location in Rome and Verona, the story follows a young woman (Vitti) who pursues an affair with a confident young stockbroker (Delon). Antonioni attributed some of his inspiration for ''L'Eclisse'' to when he filmed a solar eclipse in Florence. The film is considered the last part of a trilogy and is preceded by ''L'Avventura'' (1960) and ''La Notte'' (1961). ''L'Eclisse'' won the Special Jury Prize at the 1962 Cannes Film Festival and was nominated for the Palme d'Or. Described by Martin Scorsese as the boldest film in the trilogy, it is one of the director's more acclaimed works. Plot On a Monday of July 1961, at dawn, Vittoria, a young literary translator, ends her relationship with Riccardo in his apartment in the EUR residential district of Rome, following a long night of conversation. Riccardo tries to persua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Notte
''La Notte'' (; en, "The Night") is a 1961 drama film directed by Michelangelo Antonioni and starring Marcello Mastroianni, Jeanne Moreau and Monica Vitti (with Umberto Eco appearing in a cameo). Filmed on location in Milan, the film is the relationship between a disillusioned novelist and his frustrated wife as it follows a single day and night where they confront their alienation from each other and the empty Milan circles they travel. The film continues Antonioni's tradition of abandoning traditional storytelling in favor of visual composition. Grossing 470 million lire and receiving acclaim for its exploration of modernist themes of isolation, ''La Notte'' received the Golden Bear at the Berlin International Film Festival (first time for Italian film), as well as the David di Donatello Award for Best Director in 1961. ''La Notte'' is considered the central film of a trilogy beginning with ''L'Avventura'' (1960) and ending with ''L'Eclisse'' (1962). It was one of Stanley Kub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Life To Live
''Vivre sa vie'' (french: Vivre sa vie: film en douze tableaux, lit=To Live Her Life: A Film in Twelve Scenes) is a 1962 French New Wave drama film written and directed by Jean-Luc Godard. The film was released in the United States as ''My Life to Live'' and in the United Kingdom as ''It's My Life''. Plot Nana Kleinfrankenheim, a beautiful 22-year-old Parisian, leaves her husband Paul and her infant son, hoping to become an actress. The couple meet in a café and play pinball one last time before deciding to end their marriage. Now working in a record store, Nana struggles to earn enough money on her own. She tries to borrow 2,000 francs from several co-workers, but they all refuse. To make matters worse, Nana's landlady kicks her out of her apartment until she can pay rent. The next day, Nana meets with Paul, who gives her pictures of her son to keep for herself. Paul invites her to dinner, but Nana declines and explains she is seeing a film with another man. They watch ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Dolce Vita
''La Dolce Vita'' (; Italian for "the sweet life" or "the good life"Kezich, 203) is a 1960 satirical comedy-drama film directed and co-written (with Ennio Flaiano, Tullio Pinelli and Brunello Rondi) by Federico Fellini. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay, written by Fellini and three other screenwriters, can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.Cf. Bondanella 1994, p. 143 and Kezich, p. 203 Released in Italy on 5 February 1960, ''La Dolce Vita'' was both a critical success and worldwide commercial hit, despite censorship in some regions. It won the Palme d'Or at the 1960 Cannes Film Festival and the Academy Award for Best Costumes. It was nominated for three more Oscars, including Best Director for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Resnais
Alain Resnais (; 3 June 19221 March 2014) was a French film director and screenwriter whose career extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included ''Night and Fog'' (1956), an influential documentary about the Nazi concentration camps.Ephraim Katz, ''The International Film Encyclopedia''. (London: Macmillan, 1980.) p. 966–967. Resnais began making feature films in the late 1950s and consolidated his early reputation with ''Hiroshima mon amour'' (1959), ''Last Year at Marienbad'' (1961), and '' Muriel'' (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave (''la nouvelle vague''), though Resnais did not regard himself as being fully part of that movement. He had closer links to the "Left Bank" group of authors and filmmakers wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Last Year At Marienbad
''Last Year at Marienbad'' (french: L'Année dernière à Marienbad; released in the United Kingdom as ''Last Year in Marienbad'') is a 1961 Left Bank film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet. Set in a palace in a park that has been converted into a luxury hotel, it stars Delphine Seyrig and Giorgio Albertazzi as a woman and a man who may have met the year before and may have contemplated or started an affair, with Sacha Pitoëff as a second man who may be the woman's husband. The characters are unnamed. Plot In an ornate baroque hotel populated by wealthy individuals and couples who socialize with each other, a man approaches a woman and claims they met the year before at a similar resort (perhaps at Frederiksbad, Karlstadt, Marienbad, or Baden-Salsa) and had a romantic relationship, but she responded to his request to run away together by asking him to wait a year, which time has now elapsed. The woman insists she has never met the man, so he proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Godard
Jean-Luc Godard ( , ; ; 3 December 193013 September 2022) was a French-Swiss film director, screenwriter, and film critic. He rose to prominence as a pioneer of the French New Wave film movement of the 1960s, alongside such filmmakers as François Truffaut, Agnès Varda, Éric Rohmer, and Jacques Demy. He was arguably the most influential French filmmaker of the post-war era. According to AllMovie, his work "revolutionized the motion picture form" through its experimentation with narrative, continuity editing, continuity, film sound, sound, and cinematography, camerawork. His most acclaimed films include ''Breathless (1960 film), Breathless'' (1960), ''Vivre sa vie'' (1962), ''Contempt (film), Contempt'' (1963), ''Bande à part (film), Band of Outsiders'' (1964), ''Alphaville (film), Alphaville'' (1965), ''Pierrot le Fou'' (1965), ''Masculin Féminin'' (1966), ''Weekend (1967 film), Weekend'' (1967), and ''Goodbye to Language'' (2014). During his early career as a film critic f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
