European Son
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European Son
"European Son" is a song written and performed by the American experimental rock band The Velvet Underground. It appears as the final track on their 1967 debut album ''The Velvet Underground & Nico''. It is also the album's longest track at more than seven and a half minutes. The song could be seen as a precursor to the band's next album ''White Light/White Heat'' and to the song "Sister Ray", a seventeen-minute-long rock improvisation. Composition "European Son" is dedicated by the band to Delmore Schwartz, the poet who had been literary mentor of singer Lou Reed at Syracuse University. Wanting to dedicate a song to Schwartz, "European Son" was chosen because it had the fewest lyrics (rock-and-roll lyrics being something Schwartz abhorred). The first pressing of ''The Velvet Underground & Nico'' referred to the song as "European Son (to Delmore Schwartz)". The song was recorded in April 1966, and Schwartz died alone in Manhattan three months later on July 14. According to mu ...
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The Velvet Underground
The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/guitarist Lou Reed, multi-instrumentalist John Cale, guitarist Sterling Morrison, and drummer Angus MacLise. MacLise was replaced by Moe Tucker in 1965, who played on most of the band's recordings. Their integration of rock and the avant-garde achieved little commercial success during the group's existence, but they are now recognized as one of the most influential bands in rock, underground, experimental, and alternative music. The group's provocative subject matter, musical experiments, and often nihilistic attitudes also proved influential in the development of punk rock and new wave music. The group performed under several names before settling on the Velvet Underground in 1965, inspired by the book of the same name. In 1966, pop artist Andy Warhol became their manager, and they served as the house band at Warhol's studio, the Factory, and his tra ...
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33⅓
(Thirty-Three and a Third) is a series of books, each about a single music album. The series title refers to the rotation speed of a vinyl LP, RPM. History Originally published by Continuum, the series was founded by editor David Barker in 2003. At the time, Continuum published a series of short books on literature called Continuum Contemporaries. One-time series editor Ally-Jane Grossan mentioned that Barker was "an obsessive music fan who thought, 'This is a really cool idea, why don't we apply this to albums'. ''PopMatters'' wrote that the range consists of "obscure classics to more usual suspects by the Beach Boys, the Beatles, and the Rolling Stones". In 2010, Continuum was bought out by Bloomsbury Publishing, which continues to publish the series. Following a leave, Barker was replaced by Grossan in January 2013. Leah Babb-Rosenfeld has been the editor of the series since 2016. Several independent books have been spun off of the series. The first, Carl Wilson's 2007 ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Sound Effects
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with Foley (filmmaking), foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowl ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Feedback
Feedback occurs when outputs of a system are routed back as inputs as part of a chain of cause-and-effect that forms a circuit or loop. The system can then be said to ''feed back'' into itself. The notion of cause-and-effect has to be handled carefully when applied to feedback systems: History Self-regulating mechanisms have existed since antiquity, and the idea of feedback had started to enter economic theory in Britain by the 18th century, but it was not at that time recognized as a universal abstraction and so did not have a name. The first ever known artificial feedback device was a float valve, for maintaining water at a constant level, invented in 270 BC in Alexandria, Egypt. This device illustrated the principle of feedback: a low water level opens the valve, the rising water then provides feedback into the system, closing the valve when the required level is reached. This then reoccurs in a circular fashion as the water level fluctuates. Centrifugal governors were ...
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Distortion (guitar)
Distortion and overdrive are forms of audio signal processing used to alter the sound of amplified electric musical instruments, usually by increasing their gain, producing a "fuzzy", "growling", or "gritty" tone. Distortion is most commonly used with the electric guitar, but may also be used with other electric instruments such as electric bass, electric piano, synthesizer and Hammond organ. Guitarists playing electric blues originally obtained an overdriven sound by turning up their vacuum tube-powered guitar amplifiers to high volumes, which caused the signal to distort. While overdriven tube amps are still used to obtain overdrive, especially in genres like blues and rockabilly, a number of other ways to produce distortion have been developed since the 1960s, such as distortion effect pedals. The growling tone of a distorted electric guitar is a key part of many genres, including blues and many rock music genres, notably hard rock, punk rock, hardcore punk, acid rock, ...
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Indiana University Press
Indiana University Press, also known as IU Press, is an academic publisher founded in 1950 at Indiana University that specializes in the humanities and social sciences. Its headquarters are located in Bloomington, Indiana. IU Press publishes 140 new books annually, in addition to 39 academic journals, and maintains a current catalog comprising some 2,000 titles. Indiana University Press primarily publishes in the following areas: African, African American, Asian, cultural, Jewish, Holocaust, Middle Eastern studies, Russian and Eastern European, and women's and gender studies; anthropology, film studies, folklore, history, bioethics, music, paleontology, philanthropy, philosophy, and religion. IU Press undertakes extensive regional publishing under its Quarry Books imprint. History IU Press began in 1950 as part of Indiana University's post-war growth under President Herman B Wells. Bernard Perry, son of Harvard philosophy professor Ralph Barton Perry, served as the first d ...
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Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ...
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Richard Witts
Richard "Dick" Witts (born in Cleethorpes, Lincolnshire) is an English musicologist, music historian, and ex leader of 1980s band the Passage. He attended Clee Grammar School for Boys. He studied at the Royal Manchester College of Music and briefly at Manchester University. During this time he was a member of the Hallé Orchestra as a percussionist. During the mid-1970s he wrote for the contemporary classical music magazine ''Contact''. At that time, he was also involved in starting a Manchester Musicians Collective (on the model of the recently established London Musicians Collective). This led into contact with the growing punk scene and he formed the Passage, producing their recordings and singing on many of their releases. He presented television programme ''Oxford Road Show'' in the early 1980s for the BBC from Oxford Road Studios, Manchester and was also a reporter for BBC Radio 3. Thirty of his radio interviews and contributions are housed in the British Library S ...
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