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Etaples Art Colony
The Étaples art colony consisted of artists working in the Étaples area of northern France at the turn of the 20th century. The colony had its heyday between 1880–1914, after which it was disrupted by World War I. Although broadly international, it was made up mainly of English-speakers from North America, Australasia and the British Isles. While some artists settled in the area, other visitors stayed only a season, or an even shorter time, as they journeyed from art colony to art colony along the coasts of Normandy and Brittany. There was no uniformity of style, although there were several shared interests. While most painters left the town in 1914, artistic activity of varied quality was continued during the war by volunteers, artists in uniform and war artists. With peace, some former residents returned to their homes and the persistence of a small colony attracted a few visitors, although little innovative work now resulted. Early decades The first French artists to paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étaples
Étaples or Étaples-sur-Mer (; vls, Stapel, lang; pcd, Étape) is a commune in the Pas-de-Calais department in northern France. It is a fishing and leisure port on the Canche river. History Étaples takes its name from having been a medieval staple port (''stapal'' in Old Dutch), from which word the Old French word ''Estaples'' derives. As a port it was part of the administrative and economic complex centred on Montreuil after access from the sea to that town was restricted by silting. The site of modern Étaples lies on the ridge of dunes which once lay to seaward of a marsh formed off-shore from the chalk plateau of Artois. From the Canche northwards, the dunes tend to extend inland, all the way to the old chalk cliff. It lay just outside the southern edge of the mediaeval Boulonnais and some eighteen kilometres () south of the geological region of that name. The dunes were established as the sea level rose during the Quaternary and show signs of habitation during the Pala ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Salon
The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the 1761 Salon, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it has been managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the Académie royale de peinture et de sculpture (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Paul Dessar
Louis Paul Dessar (January 22, 1867 – February 14, 1952) was an American painter. He painted the portraits of New York City's high society as well as Connecticut's farmers. Life Dessar was born on January 22, 1867, in Indianapolis, Indiana. He grew up in New York City, and he graduated from City College of New York in 1881, followed by the National Academy of Design in 1886. He also studied in Paris, France, where he attended the Académie Julian and the École des Beaux-Arts. Dessar began his career by painting the portraits of New York City's high society. He later moved to Connecticut, where he joined the Old Lyme art colony in 1902. Influenced by the Barbizon school, he began painting Connecticut's farmers at work. His work was exhibited at the Salon, where he won a silver medal in 1891, as well as the Metropolitan Museum of Art in New York City. The National Academy of Design awarded him the 1899 Second Hallgarten Prize for ''Portrait of Mrs. Ruthrauff'', and the 1900 Firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Millet
Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings. Life and work Youth Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the farming community in the village of Gruchy, in Gréville-Hague, Normandy, close to the coast.Murphy, p.xix. Under the guidance of two village priests—one of them was vicar Jean Lebrisseux—Millet acquired a knowledge of Latin and modern authors. But soon he had to help his father with the farm work; because Millet was the eldest of the sons. So all the farmer's work was familiar to him: to mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Bastien-Lepage
Jules Bastien-Lepage (1 November 1848 – 10 December 1884) was a French painter closely associated with the beginning of naturalism, an artistic style that emerged from the later phase of the Realist movement. His most famous work is his landscape-style portrait of Joan of Arc which currently resides at the Metropolitan Museum in New York City. Life and work Bastien-Lepage was born in the village of Damvillers, Meuse, and spent his childhood there. Bastien's father grew grapes in a vineyard to support the family. His grandfather also lived in the village; his garden had fruit trees of apple, pear, and peach up against the high walls. Bastien took an early liking to drawing, and his parents fostered his creativity by buying prints of paintings for him to copy. Education Jules Bastien-Lepage's first teacher was his father, himself an artist. His first formal training was at Verdun. Prompted by a love of art, he went to Paris in 1867, where he was admitted to the École des B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilson Steer
Philip Wilson Steer (28 December 1860 – 18 March 1942) was a British painter of landscapes, seascapes plus portraits and figure studies. He was also an influential art teacher. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, clearly influenced by both John Constable and J. M. W. Turner, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists. Life and work Steer was born in Birkenhead, Cheshire, the son of a portrait painter and art teacher, Philip Steer (1810–1871) and his wife, Emma Harrison (1816–1898). When Steer was three years old the family moved to Whitchurch near Monmouth from where, after a period of home schooling, he attended the Hereford Cathedral School. After finding the examinations of the British Civil Service too deman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post Impressionism
Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne (known as the father of Post-Impressionism), Paul Gauguin, Vincent van Gogh and Georges Seurat. The term Post-Impressionism was first used by art critic Roger Fry in 1906.Peter Morrin, Judith Zilczer, William C. Agee, ''The Advent of Modernism. Post-Impressionism and North American Art, 1900-1918'', High Museum of Art, 1986 Critic Frank Rutter in a review of the Salon d'Automne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Colony
An art colony, also known as an artists' colony, can be defined two ways. Its most liberal description refers to the organic congregation of artists in towns, villages and rural areas, often drawn by areas of natural beauty, the prior existence of other artists or art schools there, and a lower cost of living. More commonly, the term refers to the guest-host model of a mission-driven planned community, which administers a formal process for awarding artist residencies. In the latter case, a typical mission might include providing artists with the time, space and support to create; fostering community among artists; and providing arts education (lectures, workshops) to the public. Early 20th century American guest-host models include New Hampshire's MacDowell Colony and New York's Yaddo. World-wide, the two primary organizations serving artist colonies and residential centres are Res Artis, in Amsterdam, and the Alliance of Artists Communities, in Providence, Rhode Island. Taiwan' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blanche McManus
Blanche McManus (1869–1935) was an American writer and artist. She and her husband, Milburg Francisco Mansfield wrote a series of illustrated travel books, many of which included information about automobiles which were new at the time. Biography McManus was born on Talledega Plantation, East Feliciana Parish, Louisiana, in 1870 and died in Louisiana on June 13, 1935. McManus inherited Hampton Hall (Woodville, Mississippi), Hampton Hall, a historic mansion in Woodville, Mississippi, with her two sisters in 1909. She did the murals in the parlor. Collections Her work is included in the collection of the Smithsonian American Art Museum. Books written/illustrated Many of these books may have only been cover design illustrations by Blanche McManus. References External links * * * * McManus biography * {{DEFAULTSORT:McManus, Blanche 1869 births 1935 deaths 19th-century American novelists 19th-century American women writers 20th-century American novelists 20th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canche
The river Canche (; nl, Kwinte) is one of the rivers that flow from the plateau of southern Boulonnais and Picardy, into the English Channel, of which the Somme is the largest example. It is long. The basin of the Canche extends to and lies in the south of the département of Pas-de-Calais. Forming an alluvial valley from wide, the Canche valley also contains marshes, meadows and small woods. The gentle gradient, averaging 1.5 percent, gives the river a meandering course. The river rises at Gouy-en-Ternois and passes Frévent, Hesdin, and Montreuil-sur-Mer before leaving the chalk to flow to the coast between Étaples and Le Touquet-Paris-Plage. Its principal tributaries are the Ternoise, the Planquette, the Créquoise, the Bras de Bronne, the Course, the Dordogne (not to be confused with the Dordogne) and the Huitrepin which all join on its right bank, i.e. to the north of the Canche. The lie of the land means there is no notable tributary from the south until th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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