Ester Krumbachová
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Ester Krumbachová
Ester Krumbachová (12 November 1923 – 13 January 1996) was a Czech screenwriter, costume designer, stage designer, author and director. She is known for her contributions to Czech New Wave cinema in the 1960s, including collaborations with directors Věra Chytilová and Jan Němec. In 2017, a private archive of Krumbachová's artwork, photography, documents, and clothes was made public by curators Edith Jeřábková and Zuzana Blochová. Krumbachová has since been the subject of retrospective exhibitions at TRANZITDISPLAY in Prague (2017), and the Centre for Contemporary Arts in Glasgow (2018). Early life Ester Krumbachová was born in Brno, Czechoslovakia in 1923. She went to college and worked on local theater productions in České Budějovice before moving to Prague in the early 1960s. She began to work in the film industry in 1961. Career She worked as a costume designer on the film ''Diamonds of the Night'' (1964), directed by her husband Jan Němec; this was her first ...
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Brno
Brno ( , ; german: Brünn ) is a city in the South Moravian Region of the Czech Republic. Located at the confluence of the Svitava and Svratka rivers, Brno has about 380,000 inhabitants, making it the second-largest city in the Czech Republic after the capital, Prague, and one of the 100 largest cities of the EU. The Brno metropolitan area has almost 700,000 inhabitants. Brno is the former capital city of Moravia and the political and cultural hub of the South Moravian Region. It is the centre of the Czech judiciary, with the seats of the Constitutional Court, the Supreme Court, the Supreme Administrative Court, and the Supreme Public Prosecutor's Office, and a number of state authorities, including the Ombudsman, and the Office for the Protection of Competition. Brno is also an important centre of higher education, with 33 faculties belonging to 13  institutes of higher education and about 89,000 students. Brno Exhibition Centre is among the largest exhibition ...
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Zbyněk Brynych
Zbyněk Brynych (13 June 1927 – 24 August 1995) was a Czech film director and screenwriter. He directed 30 films between 1951 and 1985. Selected filmography Czechoslovakia * ''Suburban Romance'' (1958) * ''Five in a Million'' (1959) * ''Skid'' (1960) * ''Every Penny Counts'' (1961) * ''Don't Take Shelter When It Rains!'' (1962) * ''Transport from Paradise'' (1962) * ''Constellation of the Virgo'' (1965) * ''The Fifth Horseman Is Fear'' (1965) * ''Transit Carlsbad'' (1966) * ''I, Justice (film), I, Justice'' (1968) Germany * ''Der Kommissar (TV series), Der Kommissar'' (1969–1970, TV series, 4 episodes) * ' (1970) * ' (1970) * ' (1970) * ''Derrick (TV series), Derrick'' (1975–1994, TV series, 37 episodes) * ''The Old Fox'' (1978–1994, TV series, 45 episodes) External links

* 1927 births 1995 deaths Czech film directors Czech screenwriters Male screenwriters People from Karlovy Vary 20th-century screenwriters {{CzechRepublic-film-director-stub ...
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Otakar Vávra
Otakar Vávra (28 February 1911 – 15 September 2011) was a Czech film director, screenwriter and pedagogue. He was born in Hradec Králové, Austria-Hungary, now part of the Czech Republic. Biography and career Vávra attended universities in Brno and Prague, where he studied architecture. During 1929–30, while still a student, he participated in the making of a handful of documentaries and wrote movie scripts. In 1931, he produced the experimental film ''Světlo proniká tmou''. The first movie he directed was 1937's '' Panenství''. His 1938 film ''The Merry Wives'' was praised in Variety for "first-rate direction, a salty yarn and elaborate production effort", even though it had undergone certain cuts because it was considered too "ribald" by American censors. Vávra was a member of the Communist Party from 1945 to 1989. After the Communists seized power in 1948, Vávra adapted quickly to the new political climate and produced films praising the current regime and su ...
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The Murder Of Mr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ...
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Adam And Eve
Adam and Eve, according to the creation myth of the Abrahamic religions, were the first man and woman. They are central to the belief that humanity is in essence a single family, with everyone descended from a single pair of original ancestors. They also provide the basis for the doctrines of the fall of man and original sin that are important beliefs in Christianity, although not held in Judaism or Islam. In the Book of Genesis of the Hebrew Bible, chapters one through five, there are two creation narratives with two distinct perspectives. In the first, Adam and Eve are not named. Instead, God created humankind in God's image and instructed them to multiply and to be stewards over everything else that God had made. In the second narrative, God fashions Adam from dust and places him in the Garden of Eden. Adam is told that he can eat freely of all the trees in the garden, except for a tree of the knowledge of good and evil. Subsequently, Eve is created from one of Adam's ri ...
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Avant Garde
The avant-garde (; In 'advance guard' or 'vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013
The avant-garde pushes the boundaries of what is accepted as the or the ''

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Prague Spring
The Prague Spring ( cs, Pražské jaro, sk, Pražská jar) was a period of political liberalization and mass protest in the Czechoslovak Socialist Republic. It began on 5 January 1968, when reformist Alexander Dubček was elected First Secretary of the Communist Party of Czechoslovakia (KSČ), and continued until 21 August 1968, when the Soviet Union and most of Warsaw Pact members invaded the country to suppress the reforms. The Prague Spring reforms were a strong attempt by Dubček to grant additional rights to the citizens of Czechoslovakia in an act of partial decentralization of the economy and democratization. The freedoms granted included a loosening of restrictions on the media, speech and travel. After national discussion of dividing the country into a federation of three republics, Bohemia, Moravia-Silesia and Slovakia, Dubček oversaw the decision to split into two, the Czech Socialist Republic and Slovak Socialist Republic. This dual federation was the only for ...
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Martyrs Of Love
A martyr (, ''mártys'', "witness", or , ''marturia'', stem , ''martyr-'') is someone who suffers persecution and death for advocating, renouncing, or refusing to renounce or advocate, a religious belief or other cause as demanded by an external party. In the martyrdom narrative of the remembering community, this refusal to comply with the presented demands results in the punishment or execution of an actor by an alleged oppressor. Accordingly, the status of the 'martyr' can be considered a posthumous title as a reward for those who are considered worthy of the concept of martyrdom by the living, regardless of any attempts by the deceased to control how they will be remembered in advance. Insofar, the martyr is a relational figure of a society's boundary work that is produced by collective memory. Originally applied only to those who suffered for their religious beliefs, the term has come to be used in connection with people killed for a political cause. Most martyrs are consider ...
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Faunovo Velmi Pozdní Odpoledne
''The Very Late Afternoon of a Faun'' ( cs, Faunovo velmi pozdní odpoledne) is a 1983 Czechoslovak comedy film adapted from the Jiří Brdečka 1966 novel of the same name; directed by Věra Chytilová. This was Chytilová's only post Soviet invasion collaboration with screenwriter Ester Krumbachová. Cast * Leoš Suchařípa as Faun * Libuše Pospíšilová as Boss * Vlasta Špicnerová as Vlasta * Jirí Hálek as Josef, Faun's friend * Ivan Vyskočil as Tonda, colleague * František Kovářík as Starik * Alena Ambrová as Alenka * Tereza Kučerová as Tereza * Ivana Chýlková Ivana Chýlková (born 27 September 1963) is a Czech actress. She appeared in more than eighty films since 1983. In 1985, she graduated from Theatre Faculty of the Academy of Performing Arts in Prague, DAMU. At the moment she can be found at Th ... as Katerina * Stanislava Coufalová as Zdenička * Marie Vápeníková as Petra * Jana Špaňurová as Young lady on the bridge * Ella Šárkov ...
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Fruit Of Paradise
''Fruit of Paradise'' ( cs, Ovoce stromů rajských jíme) is a 1970 Czechoslovak avant-garde drama film directed by Věra Chytilová. It was entered into the 1970 Cannes Film Festival. The film is an adaptation of the Adam and Eve story. This was Chytilová's last film before she was placed on an eight-year ban by the Czechoslovak Government. Fellow Czech screenwriter and costume designer Ester Krumbachová collaborated with Chytilová on the screenplay, costumes, and decor. Plot EvaJitka Nováková spends the holidays with her husband, Josef ( Karel Novák), in a luxurious mansion. Picking berries, playing with balloons and running through the woods. When RobertJan Schmid crosses his path and drops a key. She follows him to return the object, finding a bag in his quarters. This one contains a stamp with the number 6, which she uses on her own skin. It turns out that Robert is a serial killer and Eva is in love with him. After chasing him, demanding that he kill her, Eva is c ...
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Daisies (film)
''Daisies'' ( cs, Sedmikrásky) is a 1966 Czechoslovakian surrealist comedy-drama film written and directed by Věra Chytilová. Regarded as a milestone of the Czechoslovak New Wave movement, it follows two young women (Jitka Cerhová and Ivana Karbanová), both named Marie, who engage in strange pranks. Originally planned as a satire of bourgeois decadence, the movie targets those attached to rules and was referred to by Chytilová as "a necrologue about a negative way of life." ''Daisies'' also inverts the stereotypical ideas of women and redraws them to the heroines' advantage. The film is considered critical of authoritarianism, including communism and patriarchy, and it was banned from theaters or export in the Czechoslovak Socialist Republic. Plot The title sequence intersperses shots of a spinning flywheel with shots of airplanes strafing and bombing the ground. The first scene shows Marie I and Marie II sitting in bathing suits. Creaking sounds accompany their movements ...
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Novella
A novella is a narrative prose fiction whose length is shorter than most novels, but longer than most short stories. The English word ''novella'' derives from the Italian ''novella'' meaning a short story related to true (or apparently so) facts. Definition The Italian term is a feminine of ''novello'', which means ''new'', similarly to the English word ''news''. Merriam-Webster defines a novella as "a work of fiction intermediate in length and complexity between a short story and a novel". No official definition exists regarding the number of pages or words necessary for a story to be considered a novella, a short story or a novel. The Science Fiction and Fantasy Writers Association defines a novella's word count to be between 17,500 and 40,000 words. History The novella as a literary genre began developing in the Italian literature of the early Renaissance, principally Giovanni Boccaccio, author of ''The Decameron'' (1353). ''The Decameron'' featured 100 tales (named nov ...
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