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Estaciones Porteñas
The ''Cuatro Estaciones Porteñas'', also known as the ''Estaciones Porteñas'' or ''The Four Seasons of Buenos Aires'', are a set of four tango compositions written by Ástor Piazzolla, which were originally conceived and treated as different compositions rather than one suite, although Piazzolla performed them together from time to time. The pieces were scored for his quintet of violin (viola), piano, electric guitar, double bass and bandoneón. By giving the adjective ''porteño'', referring to those born in Buenos Aires, the Argentine capital city, Piazzolla gives an impression of the four seasons in Buenos Aires. The order of performance Piazzolla gave to his "Estaciones Porteñas" is: Otoño (Autumn), Invierno (Winter), Primavera (Spring), Verano (Summer). It was different from Vivaldi's order. The Seasons #''Verano Porteño'' (''Buenos Aires Summer'') written in 1965, originally as incidental music for the play ' Melenita de oro' by Alberto Rodríguez Muñoz.Azzi, María Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tango
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries as the result of a combination of Rioplatense Candombe celebrations, Spanish-Cuban Habanera, and Argentine Milonga. The tango was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. The tango then spread to the rest of the world. Many variations of this dance currently exist around the world. On August 31, 2009, UNESCO approved a joint proposal by Argentina and Uruguay to include the tango in the UNESCO Intangible Cultural Heritage Lists. History Tango is a dance that has influences from African and European culture. Dances from the candombe ceremonies of former African enslaved people helped shape the modern day tango. The dance originated in lower-class districts of Buenos Aires and Montev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ástor Piazzolla
Astor Pantaleón Piazzolla (, ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His works revolutionized the traditional tango into a new style termed ''nuevo tango'', incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles. In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of Tango music". Biography Childhood Piazzolla was born in Mar del Plata, Argentina, in 1921, the only child of Italian immigrant parents, Vicente "Nonino" Piazzolla and Assunta Manetti. His paternal grandfather, a sailor and fisherman named Pantaleo (later Pantaleón) Piazzolla, had immigrated to Mar del Plata from Trani, a seaport in the southeastern Italian region of Apulia, at the end of the 19th century. His mother was the daughter of two Italian immigrants from Lucca in the central region of Tuscany. In 1925 As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bandoneón
The bandoneon (or bandonion, es, bandoneón) is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, the bandoneon is held between the hands, and by pulling and pushing actions force air through bellows and then routing air through particular reeds as by pressing the instrument's buttons. Bandoneons have a different sound from accordions, because bandoneons do not usually have the register switches that are common on accordions. Nevertheless, the tone of the bandoneon can be changed a great deal using varied bellows pressure and overblowing, thus creating potential for expressive playing and diverse timbres. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument for religious and popular music of the day, in contrast to its predecessor, German concertina (), which had predominantly be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porteño
In Spanish, the term (feminine: ''Porteña'') means "port city person". It is used to refer to residents of port cities such as Buenos Aires, Argentina; El Puerto de Santa María, Spain; Valparaíso, Chile; Mazatlán, Veracruz, Acapulco and Tampico, Mexico; Puerto Cabello, Venezuela; Puerto Colombia, Colombia; Puerto Suárez in Bolivia; Puerto Cortés, Honduras; Puntarenas, Costa Rica, and Montevideo, Uruguay. History During the wave of European migration to Argentina peaking in the 1880s, the Río de la Plata area became heavily populated with people of European descent, mainly Italian, Spanish and French. They called themselves ''Porteños'' to distinguish themselves from existing criollo (colonial Spanish) ancestry, mestizos, indigenous people and mulattoes. Today Culture Porteños have a unique culture, different from that of their initial European homelands. Notably, equestrian sports are a huge part of Porteño life. Porteño are known to be some of the best polo player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buenos Aires
Buenos Aires ( or ; ), officially the Autonomous City of Buenos Aires ( es, link=no, Ciudad Autónoma de Buenos Aires), is the capital and primate city of Argentina. The city is located on the western shore of the Río de la Plata, on South America's southeastern coast. "Buenos Aires" can be translated as "fair winds" or "good airs", but the former was the meaning intended by the founders in the 16th century, by the use of the original name "Real de Nuestra Señora Santa María del Buen Ayre", named after the Madonna of Bonaria in Sardinia, Italy. Buenos Aires is classified as an alpha global city, according to the Globalization and World Cities Research Network (GaWC) 2020 ranking. The city of Buenos Aires is neither part of Buenos Aires Province nor the Province's capital; rather, it is an autonomous district. In 1880, after decades of political infighting, Buenos Aires was federalized and removed from Buenos Aires Province. The city limits were enlarged to include t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine
Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their being ''Argentine''. Argentina is a multiethnic and multilingual society, home to people of various ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. As a result, Argentines do not equate their nationality with ethnicity, but with citizenship and allegiance to Argentina. Aside from the indigenous population, nearly all Argentines or their ancestors immigrated within the past five centuries. Among countries in the world that have received the most immigrants in modern history, Argentina, with 6.6 million, ranks second to the United States (27 million), and ahead of other immigr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melenita De Oro
''Melenita de oro'' (English language: Hair of Gold) is a 1923 silent Argentine film directed and written by José A. Ferreyra. The film premiered on 4 June 1923 in Buenos Aires. Cast * Álvaro Escobar * Jorge Lafuente * Lidia Liss * José Plá José is a predominantly Spanish and Portuguese form of the given name Joseph. While spelled alike, this name is pronounced differently in each language: Spanish ; Portuguese (or ). In French, the name ''José'', pronounced , is an old vernacul ... External links * 1923 films 1920s Spanish-language films Argentine black-and-white films Argentine silent films Tango films Films directed by José A. Ferreyra {{silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonid Desyatnikov
Leonid Arkadievich Desyatnikov (russian: Леони́д Арка́дьевич Деся́тников, born: 16 October 1955, Kharkiv, Ukrainian SSR) is a Russian composer who first made a reputation with a number of film scores, then achieving greater fame when his controversial opera ''The Children of Rosenthal'' was premiered at the Bolshoi Theatre in Moscow. Life and career Leonid Desyatnikov was born in 1955 in Kharkiv, Ukraine. He is a graduate of the Leningrad Conservatory, where he studied composition and instrumentation. Desyatnikov has penned four opera, several cantatas and numerous vocal and instrumental compositions. His principal compositions include: ''The Children of Rosenthal'' (an opera in two acts; libretto, Vladimir Sorokin), commissioned by the Bolshoi Theatre; ''Poor Liza'' (a chamber opera in one act; libretto, Leonid Desyatnikov, after the novel by Nikolai Karamzin); ''Gift'' (a cantata based on the verses of Gavrila Derzhavin); ''The Leaden Echo'' (a work f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nuevo Tango
Nuevo tango is both a form of music in which new elements are incorporated into traditional tango music, and an evolution of tango dance that began to develop in the 1980s. Dance Origins Prior to the 1990s, Argentine tango was taught with a didactic method; teaching tango by having students copy examples shown by the instructor. Emphasis was not given to how or why movement was done a certain way. Tango dance in Argentina fell into general disrepute during the junta of 1976-83, to the point that the few professionals left as teachers were looked down upon, and the young people of the time rarely participated in the few opportunities to dance. Ironically, the quote “el ser Argentino…vive la expresion tango” (meaning tango is part of the Argentine essence, or identity) comes from 1975 book ''El Tango y Gardel'', commissioned by the Argentine government in homage to Carlos Gardel. Gustavo Naveira’s instruction began to be offered after Argentina became democratic again in 198 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Ástor Piazzolla
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
