España (Chabrier)
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España (Chabrier)
''España, rhapsody for orchestra'' (french: España, rapsodie pour orchestre or ''Rapsodie España'') is the most famous orchestral composition by French composer Emmanuel Chabrier (1841–1894). Written in 1883 after a trip to Spain, it was dedicated to the conductor Charles Lamoureux, who conducted the first public performance on 4 November 1883, at the Théâtre du Château d’Eau for the Société des Nouveaux Concerts in Paris.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. Background From July to December 1882, Chabrier and his wife toured Spain, taking in San Sebastián, Burgos, Toledo, Sevilla, Granada, Málaga, Cádiz, Cordoba, Valencia, Zaragoza and Barcelona. His letters written during his travels are full of good humour, keen observation and his reactions to the music and dance he came across – and demonstrate his genuine literary gift.Myers R. ''Emmanuel Chabrier and his circle''. John Dent & Sons, London, 1969. In a letter to Édouard Moullé (1845–1923 ...
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United States Air Force Band
The United States Air Force Band is a U.S. military band consisting of 184 active-duty members of the United States Air Force. It is the Air Force's premier musical organization and is based at Bolling Air Force Base, Washington, D.C.. Within the band there are six performing ensembles: #The Concert Band #Singing Sergeants # Airmen of Note #Air Force Strings #Ceremonial Brass #Max Impact Collectively, these musical groups perform a wide spectrum of styles, including classical, jazz, popular, patriotic and ceremonial music. The mission of the Band is to deliver musical products that inspire emotions, create positive impressions and communicate information according to Air Force objectives for the defense of the United States of America. The Band is part of the United States Air Force Bands Program, which consists of 8 active-duty stateside bands 2 overseas active-duty band locations and 5 Air National Guard bands. Formation and early history The United States Air Force Ban ...
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Jota (music)
The jota () is a genre of music and the associated dance known throughout Spain, most likely originating in Aragon. It varies by region, having a characteristic form in Aragon (where it is the most important), Catalonia, Castile-La Mancha, Castile, Navarre, Cantabria, Asturias, Galicia (Spain), Galicia, La Rioja (Spain), La Rioja, Murcia and Eastern Andalusia. Being a visual representation, the jota is danced and sung accompanied by castanets, and the interpreters tend to wear regional costumes. In Valencia (autonomous community), Valencia, the jota was once danced during interment ceremonies. The jota tends to have a rhythm, although some authors maintain that the is better adapted to the poetic and choreographic structure. For their interpretation, guitars, bandurrias, lutes, dulzaina, and drums are used in the Castilian style, while the Galician people, Galicians use bagpipes, drums, and Bombo legüero, bombos. Theatrical versions are sung and danced with regional costumes an ...
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Croquis Et Agaceries D'un Gros Bonhomme En Bois
''Croquis et agaceries d'un gros bonhomme en bois'', translated as ''Sketches and Exasperations of a Big Wooden Dummy'', is a 1913 piano composition by Erik Satie. One of his pre-World War I humoristic suites, it was published by E. Demets that same year. Ricardo Viñes gave the premiere during a concert of the Société Nationale de Musique at the Salle Pleyel in Paris on March 28, 1914. A typical performance lasts about five minutes. Description In the April 5, 1913 issue of the periodical ''Le Guide du concert'', Satie advertised his plans to produce a series of pianistic works in which he would "devote myself to the sweet joys of fantasy", naming ''Descriptions automatiques'', '' Embryons desséchés'', '' Chapitres tournés en tous sens'' and '' Vieux sequins et vieilles cuirasses'' as upcoming projects. He stuck to this scheme, with one detour. The first part of the unannounced ''Croquis et agaceries d'un gros bonhomme en bois'' was completed on June 2 and the rest inter ...
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Erik Satie
Eric Alfred Leslie Satie (, ; ; 17 May 18661 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He studied at the Paris Conservatoire, but was an undistinguished student and obtained no diploma. In the 1880s he worked as a pianist in café-cabaret in Montmartre, Paris, and began composing works, mostly for solo piano, such as his ''Gymnopédies'' and '' Gnossiennes''. He also wrote music for a Rosicrucian sect to which he was briefly attached. After a spell in which he composed little, Satie entered Paris's second music academy, the Schola Cantorum, as a mature student. His studies there were more successful than those at the Conservatoire. From about 1910 he became the focus of successive groups of young composers attracted by his unconventionality and originality. Among them were the group known as Les Six. A meeting with Jean Cocteau in 1915 led to the creation of the ballet '' Par ...
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Rapsodie Espagnole
''Rapsodie espagnole'' is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the ''Rapsodie'' is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the international repertoire. The piece draws on the composer's Spanish heritage and is one of several of his works set in or reflecting Spain. Background The genesis of the ''Rapsodie'' was a Habanera, for two pianos, which Ravel wrote in 1895. It was not published as a separate piece, and in 1907 he composed three companion pieces. A two-piano version was completed by October of that year, and the suite was fully orchestrated the following February.Orenstein, p. 57 At about this time there was a distinctly Spanish tone to Ravel's output, perhaps reflecting his own Spanish ancestry.Goodwin, p. 4 His opera ''L'heure espagnole'' was completed in 1907, as was the song "Vocalise-Etude en forme de habanera". In the interval between the composition of th ...
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Images Pour Orchestre
''Images pour orchestre'', L. 122, is an orchestral composition in three sections by Claude Debussy, written between 1905 and 1912. Debussy had originally intended this set of ''Images'' as a two-piano sequel to the first set of ''Images'' for solo piano, as described in a letter to his publisher Durand as of September 1905. However, by March 1906, in another letter to Durand, he had begun to think of arranging the work for orchestra rather than two pianos. Scoring ''Images pour orchestre'' is scored for a large orchestra consisting of 2 piccolos, 2 flutes, 2 oboes, oboe d'amore, cor anglais, 3 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 4 trumpets (in C), 3 trombones, tuba, timpani, field drum, tambourine, castanets, 2 harps, celesta, triangle, xylophone, cymbals, 3 bells, and strings. Sections I. ''Gigues'' (1909–1912) The original title of ''Gigues'' was ''Gigues tristes''. Debussy used his memories of England as inspiration for the music, in ad ...
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Petrushka (ballet)
''Petrushka'' (french: link=no, Pétrouchka; russian: link=no, Петрушка) is a ballet and orchestral concert work by Russian composer Igor Stravinsky. It was written for the 1911 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine and stage designs and costumes by Alexandre Benois, who assisted Stravinsky with the libretto. The ballet premiered at the Théâtre du Châtelet on 13 June 1911 with Vaslav Nijinsky as Petrushka, Tamara Karsavina as the lead ballerina, Alexander Orlov as the Moor, and Enrico Cecchetti the charlatan. ''Petrushka'' tells the story of the loves and jealousies of three puppets. The three are brought to life by the Charlatan during the 1830 Shrovetide Fair (''Maslenitsa'') in Saint Petersburg, Russia. Petrushka loves the Ballerina, but she rejects him. She prefers the Moor. Petrushka is angry and hurt, and challenges the Moor. The Moor kills him with his scimitar. Petrushka's ghost rises above ...
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New York Philharmonic
The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is one of the leading American orchestras popularly referred to as the "Big Five (orchestras), Big Five". The Philharmonic's home is David Geffen Hall, located in New York's Lincoln Center for the Performing Arts. Founded in 1842, the orchestra is one of the oldest musical institutions in the United States and the oldest of the "Big Five" orchestras. Its record-setting 14,000th concert was given in December 2004. History Founding and first concert, 1842 The New York Philharmonic was founded in 1842 by the American conductor Ureli Corelli Hill, with the aid of the Irish composer William Vincent Wallace. The orchestra was then called the Philharmonic Society of New York. It was the third Philharmonic on American soil since 1799, and had as it ...
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Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ...
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Manuel De Falla
Manuel de Falla y Matheu (, 23 November 187614 November 1946) was an Andalusian Spanish composer and pianist. Along with Isaac Albéniz, Francisco Tárrega, and Enrique Granados, he was one of Spain's most important musicians of the first half of the 20th century. He has a claim to being Spain's greatest composer of the 20th century, although the number of pieces he composed was relatively modest. Biography Falla was born Manuel María de los Dolores Falla y Matheu in Cádiz. He was the son of José María Falla, a Valencian, and María Jesús Matheu, from Catalonia. In 1889 he continued his piano lessons with Alejandro Odero and learned the techniques of harmony and counterpoint from Enrique Broca. At age 15 he became interested in literature and journalism and founded the literary magazines ''El Burlón'' and ''El Cascabel''. Madrid By 1900 he was living with his family in the capital, where he attended the Real Conservatorio de Música y Declamación. He studied piano ...
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