Ernst Bücken
   HOME
*





Ernst Bücken
Ernst Bücken (2 June 1884 – 28 July 1949) was a German musicologist and university teacher. Life Born in Aachen, Bücken, son of a director of a textile factory,Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933-1945'', Kiel 2004, . first began studying law at the Rheinische Friedrich-Wilhelms-Universität Bonn. After moving to the Ludwig-Maximilians-Universität München he studied musicology with Adolf Sandberger, piano with Walter Braunfels and Anna Hirzel-Langenhan and music composition with Walter Courvoisier. Besides, he attended lectures in German language and literature and philosophy with Franz Muncker, Georg von Hertling, Oswald Külpe and Ernst von Aster. With his dissertation on ''Anton Reicha, his life and his compositions'' he was awarded a doctorate in 1912. In 1920, once habilitated, he went to Cologne and was appointed a. professor at the University of Cologne in 1925 and taught here until the war years. From 1936, Bücken was also a lecturer at the school mus ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

University Of Cologne
The University of Cologne (german: Universität zu Köln) is a university in Cologne, Germany. It was established in the year 1388 and is one of the most prestigious and research intensive universities in Germany. It was the sixth university to be established in Central Europe. It closed in 1798 before being re-established in 1919. It is now one of the largest universities in Germany with more than 48,000 students. The University of Cologne was a university of excellence as part of the German Universities Excellence Initiative from 2012 to 2019. As of 2021, 3 Nobel Prize winners have been affiliated with the university. Professors and former students have won 11 Leibniz Prizes, the most prestigious as well as the best-funded prize in Europe. History 1388–1798 The university of Cologne was established in 1388 as the fourth university in the Holy Roman Empire, after the Charles University of Prague (1348), the University of Vienna (1365) and the Ruprecht Karl University of H ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Futurism
Futurism ( it, Futurismo, link=no) was an artistic and social movement that originated in Italy, and to a lesser extent in other countries, in the early 20th century. It emphasized dynamism, speed, technology, youth, violence, and objects such as the car, the airplane, and the industrial city. Its key figures included the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Fortunato Depero, Gino Severini, Giacomo Balla, and Luigi Russolo. Italian Futurism glorified modernity and according to its doctrine, aimed to liberate Italy from the weight of its past. Important Futurist works included Marinetti's 1909 ''Manifesto of Futurism'', Boccioni's 1913 sculpture ''Unique Forms of Continuity in Space'', Balla's 1913–1914 painting '' Abstract Speed + Sound'', and Russolo's ''The Art of Noises'' (1913). Although Futurism was largely an Italian phenomenon, parallel movements emerged in Russia, where some Russian Futurists would later go on to found groups of their o ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Atonality
Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a single, central triad is not used, and the notes of the chromatic scale function independently of one another. More narrowly, the term ''atonality'' describes music that does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. "The repertory of atonal music is characterized by the occurrence of pitches in novel combinations, as well as by the occurrence of familiar pitch combinations in unfamiliar environments". The term is also occasionally used to describe music that is neither tonal nor serial, especially the pre-twelve-tone music of the Second Viennese School, principally Alban Berg, Arnold Schoenberg, and Anton Webern. However, "as a categoric ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Expressionist Music
The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music. Theodor Adorno interprets the expressionist movement in music as seeking to "eliminate all of traditional music's conventional elements, everything formulaically rigid". This he sees as analogous "to the literary ideal of the 'scream' ". As well Adorno sees expressionist music as seeking "the truthfulness of subjective feeling without illusions, disguises or euphemisms". Adorno also describes it as concerned with the unconscious, and states that "the depiction of fear lies at the centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished". Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Reichsmusiktage
The Reich Music Days (German: ''Reichsmusiktage''} took place from 22 to 29 May 1938 in Düsseldorf. They were a Nazi propaganda event under the patronage of Joseph Goebbels. Goebbels had originally planned an annual return of the Reichsmusiktage. These were held again in May 1939, Fred K. Prieberg but ceased to exist after the beginning of the Second World War. Context In the Ideology of the Nazis a distinction was made between German and national art on the one hand and "cultural Bolshevism" and "degenerate art" on the other. Content-related and stylistic arguments were increasingly replaced by racist statements. The Nazis tried to promote the Gleichschaltung of art through special events and festivals and to make it accessible to the population as "German". These included the Reich Music Days, which were opened in Düsseldorf on 22 May 1938, the 125th birthday of Richard Wagner. They were under the patronage of Joseph Goebbels, who described them as an event for "declarati ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Völkisch Movement
The ''Völkisch'' movement (german: Völkische Bewegung; alternative en, Folkist Movement) was a German ethno-nationalist movement active from the late 19th century through to the Nazi era, with remnants in the Federal Republic of Germany afterwards. Erected on the idea of " blood and soil", inspired by the one-body-metaphor (''Volkskörper'', "ethnic body"; literally "body of the people"), and by the idea of naturally grown communities in unity, it was characterized by organicism, racialism, populism, agrarianism, romantic nationalism and – as a consequence of a growing exclusive and ethnic connotation – by antisemitism from the 1900s onward. ''Völkisch'' nationalists generally considered the Jews to be an "alien people" who belonged to a different ''Volk'' ("race" or "folk") from the Germans. The ''Völkisch'' movement was not a homogeneous set of beliefs, but rather a "variegated sub-culture" that rose in opposition to the socio-cultural changes of modernity. The "onl ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


National Socialist German Lecturers League
The National Socialist German Lecturers League (''Nationalsozialistischer Deutscher Dozentenbund'', also called ''NS-Dozentenbund'' , or abbreviated ''NSDDB''), was a party organization under the NSDAP (the Nazi Party). Origin and purpose The NSDDB emerged in 1935 from the National Socialist Teachers League and was established on the basis of an order of the Deputy Führer Rudolf Hess; its purpose being, the exertion of influence on the universities and the political control of higher education. Massive influence was applied especially on appointments to staff positions.Hentschel, 1996, Appendix C; see the entry for the NSDDB District leaders had a decisive role in the acceptance of an ''Habilitationsschrift'', which was a prerequisite to attaining the rank of ''Privatdozent'' necessary to becoming a university lecturer.Hentschel, 1996, Introduction p. xxxvi ff. The expulsion of the Jewish scientists from the universities was substantially carried out by the activists of the L ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Deutsche Akademie
The Academy for the Scholarly Research and Fostering of Germandom (''die Akademie zur Wissenschaftlichen Erforschung und Pflege des Deutschtums''), or German Academy (''die Deutsche Akademie'', ), was a German cultural institute founded in 1925 at Munich, under the Weimar Republic. Its founders included the geopolitician Karl Haushofer, who coined the political use of the term ''Lebensraum'' and strongly influenced Nazi ideology. Between 1939 and 1942, it was headed by Ludwig Siebert, a Nazi politician and the prime minister of Bavaria, and it became "the most important organisation representing Nazi cultural policy" abroad. The Academy was banned under American occupation in 1945, and in 1951, the West German government replaced it with the present-day Goethe-Institut The Goethe-Institut (, GI, en, Goethe Institute) is a non-profit German cultural association operational worldwide with 159 institutes, promoting the study of the German language abroad and encouraging in ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


National Labour Day
National may refer to: Common uses * Nation or country ** Nationality – a ''national'' is a person who is subject to a nation, regardless of whether the person has full rights as a citizen Places in the United States * National, Maryland, census-designated place * National, Nevada, ghost town * National, Utah, ghost town * National, West Virginia, unincorporated community Commerce * National (brand), a brand name of electronic goods from Panasonic * National Benzole (or simply known as National), former petrol station chain in the UK, merged with BP * National Car Rental, an American rental car company * National Energy Systems, a former name of Eco Marine Power * National Entertainment Commission, a former name of the Media Rating Council * National Motor Vehicle Company, Indianapolis, Indiana, USA 1900-1924 * National Supermarkets, a defunct American grocery store chain * National String Instrument Corporation, a guitar company formed to manufacture the first resonator gui ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Nazi Party
The Nazi Party, officially the National Socialist German Workers' Party (german: Nationalsozialistische Deutsche Arbeiterpartei or NSDAP), was a far-right politics, far-right political party in Germany active between 1920 and 1945 that created and supported the ideology of Nazism. Its precursor, the German Workers' Party (; DAP), existed from 1919 to 1920. The Nazi Party emerged from the Extremism, extremist German nationalism, German nationalist, racism, racist and populism, populist paramilitary culture, which fought against the communism, communist uprisings in post–World War I Germany. The party was created to draw workers away from communism and into nationalism. Initially, Nazi political strategy focused on anti–big business, anti-bourgeoisie, bourgeois, and anti-capitalism, anti-capitalist rhetoric. This was later downplayed to gain the support of business leaders, and in the 1930s, the party's main focus shifted to Antisemitism, antisemitic and Criticism of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]