Erich-Alexander Winds
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Erich-Alexander Winds
Erich-Alexander Winds (15 September 1900 – 9 September 1972) was a German theatre director and actor. Life Born in Dredsden as son of a director and an actress, Winds started his career in Leipzig at the age of 18 with the knowledge he had acquired at home. Via several stations he came to Wuppertal, where in 1945 he again took up the post of artistic director of the Wuppertaler Bühnen, which he had only resigned from in 1944. From there, he was engaged at the as drama director from 1 June 1953. In 1955, he went to the Staatsoper Unter den Linden, where he was chief director until 1969. In 1966, he was appointed as a lecturer at the Ernst Busch Academy of Dramatic Arts. He took part in several television films and DEFA films as a director as well as an actor. He also directed radio plays. Winds was married in second marriage to the actress . Winds died in BerlinPrivate Traueranzeige in the ''Berliner Zeitung'', 16 September 1972, at the age of 71.
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Theatre Director
A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors and aspects of production. The director's function is to ensure the quality and completeness of theatre production and to lead the members of the creative team into realizing their artistic vision for it. The director thereby collaborates with a team of creative individuals and other staff to coordinate research and work on all the aspects of the production which includes the Technical and the Performance aspects. The technical aspects include: stagecraft, costume design, theatrical properties (props), lighting design, set design, and sound design for the production. The performance aspects include: acting, dance, orchestra, chants, and stage combat. If the production is a new piece of writing or a (new) translation of a play, the director ...
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Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Volksbühne Berlin
The Volksbühne ("People's Theatre") is a theater in Berlin. Located in Berlin's city center Mitte on Rosa-Luxemburg-Platz (Rosa Luxemburg Square) in what was the GDR's capital. It has been called Berlin's most iconic theatre. About The Volksbühne was built during the years 1913 to 1914 and was designed by Oskar Kaufmann, with integrated sculpture by Franz Metzner. It opened on December 30, 1914 and has its origin in an organization known as the "Freie Volksbühne" ("Free People's Theater") founded in 1890 by Bruno Wille and Wilhelm Bölsche, which sketched out the vision for a theater "of the people" in 1892. The goal of the organization was to promote the naturalist plays of the day at prices accessible to the common worker. The original slogan inscribed on the edifice was "Die Kunst dem Volke" ("Art to the people"). During World War II, the theatre was heavily damaged like much of the rest of Berlin. From 1950 to 1954, it was rebuilt according to the design of architec ...
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Gerhart Hauptmann
Gerhart Johann Robert Hauptmann (; 15 November 1862 – 6 June 1946) was a German dramatist and novelist. He is counted among the most important promoters of literary naturalism, though he integrated other styles into his work as well. He received the Nobel Prize in Literature in 1912. Life Childhood and youth Gerhart Hauptmann was born in 1862 in Obersalzbrunn, now known as Szczawno-Zdrój, in Lower Silesia (then a part of the Kingdom of Prussia, now a part of Poland). His parents were Robert and Marie Hauptmann, who ran a hotel in the area. As a youth, Hauptmann had a reputation of being loose with the truth. His elder brother was Carl Hauptmann. Beginning in 1868, he attended the village school and then, in 1874, the Realschule in Breslau for which he had only barely passed the qualifying exam. Hauptmann had difficulties adjusting himself to his new surroundings in the city. He lived, along with his brother Carl, in a somewhat run-down student boarding house before fin ...
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Jean Kurt Forest
Jean Kurt Forest (2 April 19093 March 1975) was a German violinist and violist, Kapellmeister and composer. He began his career as concertmaster in film orchestras conducted by Paul Dessau, then played principal viola in Frankfurt and Hamburg. Drafted to the Wehrmacht in 1942, he defected to the Red Army in 1945 and remained a prisoner of war until 1948. Back in East Berlin, he shaped musical life in the GDR in several positions, before he focused on composition from 1954, composing political songs and operas raising social awareness. Life Born Jean Kurt Forst in Darmstadt, the son of a paperhanger, he learned to play the violin at the age of four. From age six, he received a thorough and varied musical education at the Spangenberg Conservatory in Wiesbaden, studying violin, voice, piano, trumpet, timpani and harmony until 1925. He mostly taught himself to play the viola and to compose. He worked as concert master in Wiesbaden for the UFA film orchestra in 1926, and in the s ...
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Le Nozze Di Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ...
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Bluebeard's Castle
''Duke Bluebeard's Castle'' ( hu, A kékszakállú herceg vára, link=no, or ''The Blue-Bearded Duke's Castle'') is a one-act expressionism, expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale ''Bluebeard, La Barbe bleue'' by Charles Perrault. The opera lasts only a little over an hour and there are just two singing characters onstage: Bluebeard (), and his new wife Judith (); the two have just eloped and Judith is coming home to Bluebeard's castle for the first time. ''Bluebeard's Castle'', András Szőllősy, Sz. 48, was composed in 1911 (with modifications made in 1912 and a new ending added in 1917) and first performed on 24 May 1918 at the Royal Hungarian Opera House in Budapest. Universal Edition published the vocal (1921) and full score (1925). The Boosey & Hawkes full score includes only the German and English singing translations ...
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Betrothal In A Monastery
''Betrothal in a Monastery'' (Russian title ''Обручение в монастыре'') is an opera in nine scenes (four acts) by Sergei Prokofiev to a Russian libretto by the composer and Mira Mendelson after Sheridan's ''The Duenna''. Prokofiev began the work in 1940, and it was in rehearsal that year, but World War II halted production of the opera. The composer revised the score in Almaty in 1943. The first performance did not occur until 3 November 1946 at the Kirov Theatre with Boris Khaikin conducting. The producer was I. Shlepianov. Commentators have noted that, given the context of its creation in the 1940s in the Soviet Union, this opera lacks any particular political or social comment, except perhaps for a scene involving drunken monks. Performance history The opera was first performed in the United States (in English) in New York on June 1, 1948. The opera was first performed in the United Kingdom (in Russian) in London on May 5, 1963. In recent years, the oper ...
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Eugen Suchoň
Eugen Suchoň (September 25, 1908 – August 5, 1993) was one of the most important Slovak composers of the 20th century. Early life Eugen Suchoň was born on September 25, 1908 in Pezinok, (Slovakia). His father, Ladislav Suchoň, was an organist and teacher. His mother, Serafína Suchoňová, was a piano teacher, and it was from her that he received his first piano tuition. The house was always filled with music and, as a small child, he would listen from under the piano when his father rehearsed at home with other musicians. In 1920, at the age of twelve, he started taking piano lessons at the Bratislava School of Music with the distinguished musician Frico Kafenda. Later, from 1927 to 1931, he continued his studies with the same teacher at the newly established Academy of Music in Bratislava. His early works include several piano compositions and a choral work ''Veľky Pôst (The Great Fast)''. He graduated from his composition classes with the ''Sonata in A-flat for Vi ...
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Prince Igor
''Prince Igor'' ( rus, Князь Игорь, Knyáz Ígor ) is an opera in four acts with a prologue, written and composed by Alexander Borodin. The composer adapted the libretto from the Ancient Russian epic '' The Lay of Igor's Host'', which recounts the campaign of Rus' prince Igor Svyatoslavich against the invading Cuman ("Polovtsian") tribes in 1185. He also incorporated material drawn from two medieval Kievan chronicles. The opera was left unfinished upon the composer's death in 1887 and was edited and completed by Nikolai Rimsky-Korsakov and Alexander Glazunov. It was first performed in St. Petersburg, Russia, in 1890. Composition history Original Composition: 1869–1887 After briefly considering Lev Mei's ''The Tsar's Bride'' as a subject (later taken up in 1898 by Nikolai Rimsky-Korsakov, his 9th opera), Borodin began looking for a new project for his first opera. Vladimir Stasov, critic and advisor to The Mighty Handful, suggested '' The Lay of Igor's Host'', a 12t ...
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Maxim-Gorki-Theater
The Maxim Gorki Theatre (german: Maxim Gorki Theater) is a theatre in Berlin-Mitte named after the Soviet writer, Maxim Gorky. In 2012, the Mayor of Berlin Klaus Wowereit named Şermin Langhoff as the artist director of the theatre. History It is the oldest concert hall building in Berlin.Malgorzata Omilanowska The building was built on behalf of the Sing-Akademie zu Berlin, which was founded by Carl Friedrich Christian Fasch in 1791. In the years between 1825 and 1827, under its former director Carl Friedrich Zelter, he set up his own concert hall and his own home. Design and execution were done by junior architect Carl Theodor Ottmer, using plans of the architect Karl Friedrich Schinkel in the classical style. Between 1827 and 1828, Alexander von Humboldt gave his Cosmos lectures here. On March 11, 1829, the first performance of a revival of ''St Matthew Passion'' by JS Bach performed by the Sing Academy under the direction of Felix Mendelssohn. In the summer of 1848, the bu ...
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