Eric Maxon
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Eric Maxon
Eric Maxon (22 May 1882 – 1963) was an English stage and early film actor and member of the Royal Shakespeare Company for whom, for a period, he also designed the costumes. He was born as Eric MacKay in Balham in London in 1882, the son of stockbroker Charles Stewart MacKay. As Eric Maxon he joined the company of H.B. Irving in 1907 and with whom he toured Britain in ''The Lyons Mail'', '' The Bells'' and ''Charles I'', plays made memorable by Irving's father Henry Irving. From 1909 to 1910 Maxon appeared with the company of actor-manager Frank Benson in ''The School for Scandal''. In 1912 he appeared in the stage play '' Ben-Hur'' in Australia. Maxon joined the Royal Shakespeare Company for their 1910-11 season, appearing in ''The Taming of the Shrew'', ''Hamlet'', ''The School for Scandal'', ''The Winter's Tale'', '' Macbeth'', ''Julius Caesar'', '' As You Like It'', ''Hamlet'', '' The Merry Wives of Windsor'', ''The Merchant of Venice'', among other plays. He appea ...
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Eric Maxon 1912
The given name Eric, Erich, Erikk, Erik, Erick, or Eirik is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly elected, to ...
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As You Like It
''As You Like It'' is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain, though a performance at Wilton House in 1603 has been suggested as a possibility. ''As You Like It'' follows its heroine Rosalind as she flees persecution in her uncle's court, accompanied by her cousin Celia to find safety and, eventually, love, in the Forest of Arden. In the forest, they encounter a variety of memorable characters, notably the melancholy traveller Jaques, who speaks many of Shakespeare's most famous speeches (such as "All the world's a stage", "too much of a good thing" and "A fool! A fool! I met a fool in the forest"). Jaques provides a sharp contrast to the other characters in the play, always observing and disputing the hardships of life in the country. Historically, critical response has varied, with some critics finding the play a work of great merit and some f ...
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Booth Theatre
The Booth Theatre is a Broadway theater at 222 West 45th Street ( George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. The venue was originally operated by Winthrop Ames, who named it for 19th-century American actor Edwin Booth. It has 800 seats across two levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks. The Booth's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face north onto 45th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, one balcony, box seats, and a coved ceiling. The walls are decorated with wooden paneling with windows above, an unusual des ...
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Henry VIII (play)
''Henry VIII'' is a collaborative history play, written by William Shakespeare and John Fletcher, based on the life of Henry VIII. An alternative title, , is recorded in contemporary documents, with the title not appearing until the play's publication in the First Folio of 1623. Stylistic evidence indicates that individual scenes were written by either Shakespeare or his collaborator and successor, John Fletcher. It is also somewhat characteristic of the late romances in its structure. It is noted for having more stage directions than any of Shakespeare's other plays. During a performance of ''Henry VIII'' at the Globe Theatre in 1613, a cannon shot employed for special effects ignited the theatre's thatched roof (and the beams), burning the original Globe building to the ground. Characters * Prologue/Epilogue * Henry VIII – King of England * Cardinal Wolsey – Archbishop of York and Lord Chancellor; initially, Henry's chief adviser * Queen Katherine – later d ...
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New Amsterdam Theatre
The New Amsterdam Theatre is a Broadway theater on 214 West 42nd Street, at the southern end of Times Square, in the Theater District of Manhattan in New York City. One of the oldest surviving Broadway venues, the New Amsterdam was built from 1902 to 1903 to designs by Herts & Tallant. The theater is operated by Disney Theatrical Productions and has 1,702 seats across three levels. Both the Beaux-Arts exterior and the Art Nouveau interior of the building are New York City landmarks, and the building is on the National Register of Historic Places. The New Amsterdam consists of an auditorium facing 41st Street and a narrow 10-story office wing facing 42nd Street. The facade on 42nd Street is made of gray limestone and was originally ornamented with sculptural detail; the rest of the facade is made of brick. The lobby from 42nd Street leads to a set of ornamental foyers, a reception room, and men's and women's lounges. The elliptical auditorium contains two balconies cantilevere ...
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44th Street Theatre
The 44th Street Theatre was a Broadway theatre located at 216 West 44th Street in New York City from 1912 to 1945. It opened and operated for three years as the Weber and Fields' Music Hall. Its rooftop theatre, the Nora Bayes Theatre, presented many productions of the Federal Theatre Project in the mid 1930s. Its basement club became the famed Stage Door Canteen during World War II. History The 44th Street Theatre was located at 216 West 44th Street in New York City. The architect was William Albert Swasey, who designed the theatre in an 18th Century Georgian style. Built by The Shubert Organization in 1912, it was first named Weber and Fields' Music Hall. The theatre was renamed on December 29th, 1913 when the comedy duo of Joe Weber and Lew Fields split with the Shuberts. A theatre on the roof of the building, Lew Fields' 44th Street Roof Garden, became the Nora Bayes Theatre in 1918. In the mid-1930s it presented Federal Theatre Project shows. In the basement of the ...
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Romeo And Juliet
''Romeo and Juliet'' is a Shakespearean tragedy, tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with ''Hamlet'', is one of his most frequently performed plays. Today, the Title character, title characters are regarded as archetype, archetypal young lovers. ''Romeo and Juliet'' belongs to a tradition of tragic Romance (love), romances stretching back to Ancient history, antiquity. The plot is based on an Italian tale translated into verse as ''The Tragical History of Romeus and Juliet'' by Arthur Brooke (poet), Arthur Brooke in 1562 and retold in prose in ''Palace of Pleasure'' by William Painter (author), William Painter in 1567. Shakespeare borrowed heavily from both but expanded the plot by developing a number of supporting characters, particularly Mercutio and Count Paris, Paris. Believed to have been written between ...
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Comedy Theatre
The Harold Pinter Theatre, known as the Comedy Theatre until 2011,"Harold Pinter has London theatre named after him"
''BBC News'', 7 September 2011, accessed 8 September 2011.
is a , and opened on Panton Street in the , on 15 October 1881, as the Royal Comedy Theatre. It was designed by and built in just six months in painted (

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Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ...
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After Dark (1915 Film)
''After Dark'' is a 1915 British silent crime film directed by Warwick Buckland and starring Flora Morris, Harry Royston and Harry Gilbey.Goble p. 49 It is an adaptation of the 1868 play of the same name by Dion Boucicault. Plot A baronet's son marries a barmaid in order to qualify under the inheritance terms of a will. Cast * Flora Morris as Eliza Medhurst * Harry Royston as Charles Dalton * Harry Gilbey Harry Gilbey was a British actor who appeared in more than fifty films during the silent era including '' After Dark'' (1915).Goble p.49 Selected filmography * ''The Vicar of Wakefield'' (1913) * '' Kissing Cup'' (1913) * '' After Dark'' (1915) ... as Gordon Chumley * Beatrice Read as Rose Egerton * B.C. Robinson as Chandos Bellingham References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyter, 1999. External links * 1915 films 1915 crime films British crime films British silent short films 1910s English-la ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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Richard III (play)
''Richard III'' is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. ''Richard III'' concludes Shakespeare's first tetralogy (also containing ''Henry VI, Part 1'', ''Henry VI, Part 2'', and ''Henry VI, Part 3'') and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It is the second longest play in the Shakespearean canon and is the longest of the First Folio, whose version of ''Hamlet'', otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his ''Henry VI'' plays, frequentl ...
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