Eric Cutler (guitarist)
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Eric Cutler (guitarist)
Eric Cutler is an American tenor notable for his performances of bel canto repertoire and Mozart operas in particular. He is a native of Adel, Iowa, and a graduate of Luther College. Cutler is an alumnus of the Metropolitan Opera Lindemann Young Artist Development Program and was a winner of the Metropolitan Opera National Council Auditions in 1998. He won the Richard Tucker Award in 2005. Career Cutler made his role debut as Gounod's Roméo at Opera Australia and has since performed Nadir in Bizet's ''Les pêcheurs de perles'' there. In 2008 he returned to Opera Australia for another role debut, Edgardo in Donizetti's '' Lucia di Lammermoor'', conducted by Richard Bonynge. Cutler made his Metropolitan Opera debut as the First Prisoner in Beethoven's ''Fidelio'' in a Jürgen Flimm production conducted by James Levine. He has since performed there many times in such roles as Tamino in Mozart's ''The Magic Flute'' and Andres in ''Wozzeck'' (both under Levine). Cutler sa ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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The Magic Flute
''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that included both singing and spoken dialogue. The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Still a staple of the opera repertory, its popularity was reflected by two immediate sequels, Peter Winter's ''Das Labyrinth oder Der Kampf mit den Elementen. Der Zauberflöte zweyter Theil'' (1798) and a fragmentary libretto by Johann Wolfgang von Goethe titled ''The Magic Flute Part Two''. The allegorical plot was influenced by Schikaneder and Mozart's interest in Freemasonry and concerns the initiation of Prince Tamino. Enlisted by the Queen of the Night to rescue her daughter Pamina from the high priest Sarastro, Tamino comes to a ...
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Boston Lyric Opera
Boston Lyric Opera (BLO) is an American opera company based in Boston, Massachusetts, founded in 1976. BLO is the largest and longest-lived opera company in New England. BLO employs nearly 350 artists and creative professionals annually—vocalists, artisans, stagehands, costumers, and scenic designers—many of whom are members of the Boston community. Productions Each season, BLO produces four mainstage productions in the Greater-Boston area, one of which is a featured new work. BLO receives partial funding from a grant from the Massachusetts Cultural Council. BLO regularly invests in co-productions with other U.S. companies including New York City Opera, the Opera Theatre of St. Louis, Houston Grand Opera, and Glimmerglass Opera. BLO's community work has included participation in the "Egypt in Boston" thematic season that celebrated Egypt at several of Boston's leading cultural institutions in 1999–2000. In the summer of 2002, BLO produced "Carmen on the Common", a commu ...
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The Abduction From The Seraglio
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ...
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Edinburgh International Festival
The Edinburgh International Festival is an annual arts festival in Edinburgh, Scotland, spread over the final three weeks in August. Notable figures from the international world of music (especially classical music) and the performing arts are invited to join the festival. Visual art exhibitions, talks and workshops are also hosted. The first 'International Festival of Music and Drama' took place between 22 August and 11 September 1947. Under the first festival director, the distinguished Austrian-born impresario Rudolf Bing, it had a broadly-based programme, covering orchestral, choral and chamber music, Lieder and song, opera, ballet, drama, film, and Scottish 'piping and dancing' on the Esplanade of Edinburgh Castle, a structure that was followed in subsequent years. The Festival has taken place every year since 1947, except for 2020 when it was cancelled due to the COVID-19 Pandemic. A scaled-back version of the festival was held in 2021. Festival directors *1947–1949: ...
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Glyndebourne Festival Opera
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the compa ...
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Opera Theatre Of St
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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La Fenice
Teatro La Fenice (, "The Phoenix") is an opera house in Venice, Italy. It is one of "the most famous and renowned landmarks in the history of Italian theatre" and in the history of opera as a whole. Especially in the 19th century, La Fenice became the site of many famous operatic premieres at which the works of several of the four major bel canto era composers – Rossini, Bellini, Donizetti, Verdi – were performed. Its name reflects its role in permitting an opera company to "rise from the ashes" despite losing the use of three theatres to fire, the first in 1774 after the city's leading house was destroyed and rebuilt but not opened until 1792; the second fire came in 1836, but rebuilding was completed within a year. However, the third fire was the result of arson. It destroyed the house in 1996 leaving only the exterior walls, but it was rebuilt and re-opened in November 2004. In order to celebrate this event the tradition of the Venice New Year's Concert started. Hist ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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Opéra National De Paris
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ...
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King Roger
King Roger (Polish: , Op. 46) is an opera in three acts by Karol Szymanowski to a Polish libretto by the composer himself and Jarosław Iwaszkiewicz, the composer's cousin. The score was finished in 1924. The opera received its world premiere on 19 June 1926 at the Grand Theatre, Warsaw, with the cast including the composer's sister, the soprano Stanisława Korwin-Szymanowska, as Roxana. The "Sicilian drama", as he called it,''King Roger'', Op. 46 (1918–1924)
karolszymanowski.pl
originated from Szymanowski's enthusiasm for culture as a melting pot of different peoples and religions. He spent much time travelling in that area in 1911 and ...
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Patrick Summers
Patrick Summers (born August 14, 1963) is an American conductor best known for his work with Houston Grand Opera (HGO), where he has been the artistic and music director since 2011, and with San Francisco Opera, where he served as principal guest conductor, 1999–2016. __TOC__ Early years and San Francisco Summers was born in Washington, Indiana, and raised in Loogootee, Indiana. He graduated from the Jacobs School of Music of Indiana University with a bachelor's degree in music in 1986. Upon graduation, he participated in the San Francisco Opera's Merola Opera Program as an apprentice coach in 1986 and 1987, and won the Otto Guth Memorial Award for excellence in vocal coaching both years. Summers's first professional engagement, with San Francisco Opera's Western Opera Theater, was conducting ''La bohème'' in its 1986–87 season. Following that performance, he served as musical director of the Western Opera Theater until 1989. He led the Western Opera Theater on its 1987 ...
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