Equivalents
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Equivalents
''Equivalents'' is a series of photographs of clouds taken by Alfred Stieglitz from 1925 to 1934. They are generally recognized as the first photographs intended to free the subject matter from literal interpretation, and, as such, are some of the first completely abstract photographic works of art. Description Stieglitz took at least 220 photographs that he called ''Equivalent'' or ''Equivalents''; all feature clouds in the sky. The majority of them show only the sky without any horizon, buildings or other objects in the frame, but a small number do include hills or trees. One series from 1927 prominently features poplar trees in the foreground. Almost all of the photographs are printed very darkly so the sky often appears black or nearly black. The contrast between the sky and the much lighter clouds is striking in all but a few of the prints. Some images include the sun either as a distinct element in the photograph or as an illuminating force behind the clouds. Background ...
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Alfred Stieglitz
Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe. Early life and education Stieglitz was born in Hoboken, New Jersey, the first son of German Jewish immigrants Edward Stieglitz (1833–1909) and Hedwig Ann Werner (1845–1922). His father was a lieutenant in the Union Army and worked as a wool merchant. He had five siblings, Flora (1865–1890), twins Julius (1867–1937) and Leopold (1867–1956), Agnes (1869–1952) and Selma (1871–1957). Alfred Stieglitz, seeing the close relationship of the twins, wished he had a soul mate of his own during his childhood. Stieglitz attended Charlier I ...
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1925 In Art
Events from the year 1925 in art. Events * February 23 – Stanley Spencer marries Hilda Carline. * March 31 – The Bauhaus closes in Weimar and moves to Dessau. * April–October – In Paris, the Ministry of Commerce and Industry sponsors the ''International Exposition of Modern Industrial and Decorative Arts''; the event gives a name to the Art Deco style. Le Corbusier's ''Pavillon d'Esprit Nouveau'' is so disliked by the organizers that they erect a six-meter-high fence around it. * May 9 – Josef Albers marries Anni Fleischmann. * September 17 – Frida Kahlo is seriously and permanently injured when a bus in which she is riding collides with a trolleycar in Mexico City; she takes up painting while immobilized following the accident. * Autumn – Alfred Stieglitz and Georgia O'Keeffe move to an upper-floor apartment in the Shelton Towers Hotel, New York City from where they begin to photograph and paint the views. This year also, Stieglitz begins taking his '' ...
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Stieglitz Equivalent 1131
Stieglitz may refer to: People *Stieglitz (surname) *Alexander von Stieglitz (1814–1884) was a Russian philanthropist and financier *Alfred Stieglitz (1864–1946), American photographer **Katherine Stieglitz (1898–1971), daughter of Emmeline and Alfred Stieglitz *Joseph E. Stiglitz (born 1943), American economist, recipient of a Nobel Prize in economics *Daniel Stieglitz (born 1980), German Artist, Director, Writer Places *Stieglitz Museum of Applied Arts, museum in Saint Petersburg, Russia, founded by baron Alexander von Stieglitz * Stieglitz, Victoria, small hamlet in Brisbane Ranges National Park, Australia *Stieglitz, Tasmania, a locality in Australia See also *Focke-Wulf Fw 44 ''Stieglitz'', a German two-seat biplane *Steglitz Steglitz () is a locality of the Steglitz-Zehlendorf borough in Southwestern Berlin, the capital of Germany. is a Slavic name for the European goldfinch, similar to the German . Steglitz was also a borough from 1920 to 2000. It contained the ...
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1920s Photographs
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919 Events January * January 1 ** The Czechoslovak Legions occupy much of the self-proclaimed "free city" of Pressburg (now Bratislava), enforcing its incorporation into the new republic of Czechoslovakia. ** HMY ''Iolaire'' sinks off the ..., 2019 Films * 19 (film), ''19'' (film), a 2001 Japanese film * Nineteen (film), ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * 19 (Adele album), ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD (rapper), MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * XIX (EP), ''XIX'' (EP), a 2019 EP by 1the9 Songs * 19 (song), "19" (song), a 1985 song by British musician Paul Hardcastle. ...
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1934 In Art
Events from the year 1934 in art. Events *April – David Low (cartoonist), David Low's cartoon character Colonel Blimp first appears in the London ''Evening Standard''. *April 10 – ''The Just Judges'', a panel of the Ghent Altarpiece painted by Jan van Eyck or his brother Hubert van Eyck, Hubert between 1430–32, is stolen from St Bavo's Cathedral, Ghent, Belgium. In November, on his deathbed, Arsène Goedertier admits to the theft but most of the panel is never recovered. *August 31 – John Smiukse destroys the mural ''Nightmare of 1934'' in Tarrytown, New York. *Publication in the United States of Irving Stone's biographical novel of Vincent van Gogh, ''Lust for Life (novel), Lust for Life''. Works *Eileen Agar – The Autobiography of an Embryo' *Hans Arp – ''Human Concretion'' (Musée National d'Art Moderne, Paris) *Balthus – '':File:Guitarlesson.jpg, Guitar Lesson'' *Paul Cadmus **''Coney Island'' **'':Image:PaulCadmusTheFleetsIn.jpg, The Fleet's In!'' **''Greenwi ...
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Abstract Art
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departure ...
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Black-and-white Photographs
Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey. Media The history of various visual media began with black and white, and as technology improved, altered to color. However, there are exceptions to this rule, including black-and-white fine art photography, as well as many film motion pictures and art film(s). Photography Contemporary use Since the late 1960s, few mainstream films have been shot in black-and-white. The reasons are frequently commercial, as it is difficult to sell a film for television broadcasting if the film is not in color. 1961 was the last year in which the majority of Hollywood films were released in black and white. Computing In computing terminology, ''black-and-white'' is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of ...
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Ansel Adams
Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American landscape photographer and environmentalist known for his black-and-white images of the American West. He helped found Group f/64, an association of photographers advocating "pure" photography which favored sharp focus and the use of the full tonal range of a photograph. He and Fred Archer developed an exacting system of image-making called the Zone System, a method of achieving a desired final print through a deeply technical understanding of how tonal range is recorded and developed during exposure, negative development, and printing. The resulting clarity and depth of such images characterized his photography. Adams was a life-long advocate for environmental conservation, and his photographic practice was deeply entwined with this advocacy. At age 12, he was given his first camera during his first visit to Yosemite National Park. He developed his early photographic work as a member of the Sierra C ...
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Clyfford Still
Clyfford Still (November 30, 1904 – June 23, 1980) was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II. Still has been credited with laying the groundwork for the movement, as his shift from representational to abstract painting occurred between 1938 and 1942, earlier than his colleagues like Jackson Pollock and Mark Rothko, who continued to paint in figurative-surrealist styles well into the 1940s. Biography Still was born in 1904 in Grandin, North Dakota and spent his childhood in Spokane, Washington and Bow Island in southern Alberta, Canada. In 1925 he visited New York, briefly studying at the Art Students League. He attended Spokane University from 1926 to 1927 and returned in 1931 with a fellowship, graduating in 1933. That fall, he became a teaching fellow, then faculty member at Washington State College (now Washi ...
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Albert Pinkham Ryder
Albert Pinkham Ryder (March 19, 1847 – March 28, 1917) was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality. While his art shared an emphasis on subtle variations of color with tonalist works of the time, it was unique for accentuating form in a way that some art historians regard as modernist. Early life Ryder was born in New Bedford, Massachusetts. New Bedford, a bustling whaling port during the 19th century, had an intimate connection with the sea that probably supplied artistic inspiration for Ryder later in life. He was the youngest of four sons; little else is known of his childhood. He began to paint landscapes while in New Bedford. The Ryder family moved to New York City in 1867 or 1868 to join Ryder's elder brother, who had opened a successful restaurant. His brother also managed the Hotel Albert, which became a Greenwich Village landmark. Ryder took his meals at this hostelry for many yea ...
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Alvin Langdon Coburn
Alvin Langdon Coburn (June 11, 1882 – November 23, 1966) was an early 20th-century photographer who became a key figure in the development of American pictorialism. He became the first major photographer to emphasize the visual potential of elevated viewpoints and later made some of the first completely abstract photographs. Life Childhood (1882–1899) Coburn was born on June 11, 1882, at 134 East Springfield Street in Boston, Massachusetts, to a middle-class family. His father, who had established the successful firm of Coburn & Whitman Shirts, died when Alvin was seven. After that he was raised solely by his mother, Fannie, who remained the primary influence in his early life, even though she remarried when he was a teenager. In his autobiography, Coburn wrote: "My mother was a remarkable woman of very strong character who tried to dominate my life…It was a battle royal all the days of our life together." In 1890 the family visited his maternal uncles in Los Angeles, and ...
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Dorothy Norman
Dorothy Norman (née Stecker; 28 March 1905 – 12 April 1997) was an American photographer, writer, editor, arts patron and advocate for social change. Biography Born Dorothy Stecker in Philadelphia to a prominent Jewish family, she was educated in arts and languages from her youth. In 1925, she married Edward A. Norman, the son of an early Sears & Roebuck entrepreneur. They lived in New York City, where Mrs. Norman immersed herself in social-activism groups: as a researcher for the American Civil Liberties Union; with Planned Parenthood, the National Urban League, and the Group Theatre. In the meantime, they had two children together, Andrew and Nancy. Education She attended Smith College, then transferred to the University of Pennsylvania, remaining there from 1922 until her 1925 marriage. Arts patron and Stieglitz devotee Her life was motivated by "a desire to advance both art and action". She actively cultivated an interest in people who were involved with either the a ...
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