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Entfliehet, Verschwindet, Entweichet, Ihr Sorgen, BWV 249a
''Entfliehet, verschwindet, entweichet, ihr Sorgen'' (Fly, vanish, flee, o worries), BWV 249a, is a secular cantata by Johann Sebastian Bach. First performed in 1725, the work is also known as "Shepherd Cantata" or "Shepherds' Cantata" (german: Schäferkantate). Bach reworked the music in his ''Easter Oratorio''. History The cantata was written in 1725 for the 43rd birthday of Christian, Duke of Saxe-Weissenfels. Bach had composed ''Was mir behagt, ist nur die muntre Jagd'', BWV 208 for the 31st birthday of the same patron. It was first performed at on 23 February 1725. In 1725 Bach was working in Leipzig and the text was written by Picander, a librettist he met there. The text was published, and thus survived. The music is lost but can be reconstructed from a related work, the Easter Oratorio, which Bach also premiered in 1725. The German researcher Friedrich Smend determined that the order of movements was not changed in the Easter Oratorio, and that therefore the mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schloss Neu-Augustusburg Ostseite
''Schloss'' (; pl. ''Schlösser''), formerly written ''Schloß'', is the German term for a building similar to a château, palace, or manor house. Related terms appear in several Germanic languages. In the Scandinavian languages, the cognate word ''slot''/''slott'' is normally used for what in English could be either a palace or a castle (instead of words in rarer use such as ''palats''/''palæ'', ''kastell'', or ''borg''). In Dutch, the word ''slot'' is considered to be more archaic. Nowadays, one commonly uses ''paleis'' or ''kasteel''. But in English, the term does not appear, for instance, in the United Kingdom, this type of structure would be known as a stately home or country house. Most ''Schlösser'' were built after the Middle Ages as residences for the nobility, not as true fortresses, although originally, they often were fortified. The usual German term for a true castle is ''burg'', that for a fortress is ''festung'', and — the slightly more archaic term — ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secular Cantatas By Johann Sebastian Bach
Secularity, also the secular or secularness (from Latin ''saeculum'', "worldly" or "of a generation"), is the state of being unrelated or neutral in regards to religion. Anything that does not have an explicit reference to religion, either negatively or positively, may be considered secular. Linguistically, a process by which anything becomes secular is named ''secularization'', though the term is mainly reserved for the secularization of society; and any concept or ideology promoting the secular may be termed ''secularism'', a term generally applied to the ideology dictating no religious influence on the public sphere. Definitions Historically, the word ''secular'' was not related or linked to religion, but was a freestanding term in Latin which would relate to any mundane endeavour. However, the term, saecula saeculorumsaeculōrumbeing the genitive plural of saeculum) as found in the New Testament in the Vulgate translation (circa 410) of the original Koine Greek phrase ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Wolff
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014. Life and career He was born in Solingen, the son of theologian Hans Walter Wolff. He studied organ and historical keyboard instruments, musicology, and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a performance diploma in 1963 and a PhD in 1966. Wolff taught music history at Erlangen, Toronto, Princeton, and Columbia Universities before joining the Harvard faculty in 1976 as Professor of Music and retiring in 2014. He was also on the graduate faculty of the Juilliard School from 2010–2018. A member of the American Academy of Arts and Sciences, the American Philosophical Society, the Saxon Academy of Scienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Dürr
Alfred Dürr (3 March 1918 – 7 April 2011) was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach. Professional career Dürr studied musicology and Classical philology at the Georg-August-Universität Göttingen from 1945 to 1950. He wrote his thesis about Bach's early Bach cantata, cantatas. From 1951 until his retirement in 1983 he was an employee of the Johann Sebastian Bach Institute in Göttingen, West Germany, from 1962 to 1981 its deputy director. His work involved collaboration with colleagues in East Germany. He was a principal editor of the Neue Bach-Ausgabe, a project which was divided between the Johann Sebastian Bach Institute and the Bach-Archiv Leipzig in East Germany. From 1953 to 1974 Dürr was editor of the ''Bach-Jahrbuch'' (Bach almanach), together with Werner Neumann, the founder and director of the Bach-Archiv Leipzig. Dürr received honorary doctorates of music fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Collegium Stuttgart
Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and Switzerland who get together for projects associated with the choir and also instrumental programs of their own. The ensemble has performed at festivals such as the "Musikfest Stuttgart" of the Internationale Bachakademie Stuttgart, Salzburg Festival, Lucerne Festival, Prague Spring or Rheingau Musik Festival. Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday. The recording was awarded a Grand Prix du Disque. The Bach-Collegium Stuttgart has been instrumental in premieres of works such as Wolfgang Rihm's ''Deus Passus (Passions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figuralchor Der Gedächtniskirche Stuttgart
Figuralchor der Gedächtniskirche Stuttgart is a mixed church- and concert choir based in Stuttgart, Germany. It was established in 1957 by Helmuth Rilling. Rilling conducted the choir in several recordings of his project to record the complete choral works by Johann Sebastian Bach. Rilling led the group until the 1970s, when several students took over, first the Americans Henry Gibbons and Gordon Plaine. In 1990 the choir went on a concert tour of the United States, conducted by Johannes Moesus. Peter Bachofer was musical director from 1990, Alexander Burda from 2009. Recordings * 1962 Heinrich Schütz: Psalm 116 ' * 1962 Bach: , Missa in A, BWV 234 * 1963 Handel: '' Belsazar'' * 1963 Bach: ', with the chorales for the liturgical year * 1965 ''. '' (Motets. concertos and choral music by old masters) * 1965 Bach: ''Was mir behagt, ist nur die muntre Jagd'', BWV 208 * 1966 Mozart: Coronation Mass, K. 317 , K. 339 * 1966 Bach: Missa in g, BWV 235 * 1966 Bach: Magnificat in E-fla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gächinger Kantorei
Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Rademann. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore officially named Gächinger Kantorei Stuttgart. The choir has up to 200 voices, called together for projects from Germany and Switzerland, most of them singers with a degree in music. Since 1965 they have performed music with orchestra as Gächinger Kantorei and Bach-Collegium Stuttgart, including several first performances. History Initially the choir was dedicated to a cappella music of the 16th, 17th and 20th century, later adding works from the period of Romanticism. In 1965 Rilling founded the orchestra Bach-Collegium Stuttgart, and both groups started performing choral music w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakob Stämpfli (bass)
Jakob Stämpfli (26 October 1934 – 28 September 2014) was a Swiss bass concert singer and an influential academic teacher and director of the conservatory in Bern, also a teacher in Saarbrücken. Career Born in Bern, Jakob Stämpfli studied voice at the Bern Conservatory with Jakob Keller and at the Musikhochschule Frankfurt with Paul Lohmann.Jakob Stämpfli on bach-cantatas, 2009 His first recording was in 1955 the bass part of Bach's '''' with the conducted by |
Theo Altmeyer
Theo Altmeyer (16 March 1931 – 28 July 2007) was a German classical tenor. Although he was a successful opera singer, he is chiefly remembered for his work as an oratorio soloist. He possessed a rich and lyrical voice that he employed with great expression and nuance. Biography Born in Eschweiler, Altmeyer began his performance career while still a voice student at the Hochschule für Musik Köln, where he studied under Clemens Glettenberg from 1953 to 1956. His first successes were primarily as an oratorio soloist. He was hired by the Westdeutscher Rundfunk (WDR) to perform in several recordings of cantatas and other religious music. He went on to win second prize at the WDR's singing competition in 1955. In 1956, Altmeyer joined the roster of singers at the Berlin State Opera, where he sang for the next four years. While there he notably portrayed the title role in the world premiere of Humphrey Searle's ''The Diary of a Madman (opera), The Diary of a Madman''. Then starting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
