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Ensoniq TS 10
The Ensoniq TS-10 was a synthesizer and music workstation introduced by Ensoniq in 1993. It provided synthesis, user sample playback, sequencer, effect units and performance facilities in a 61-key package. Another version, the TS-12, had the same features plus 76 weighted keys and channel aftertouch courtesy of a Fatar keybed, whereas the TS-10 had polyphonic aftertouch and 61 unweighted keys. Main features The TS series had 32-note polyphony, integrated 24-bit effects engine, (with 48 bit accumulation) a 30,000 note sequencer (expandable to over 100,000 via memory chips) which featured up to 24 tracks, full MIDI capabilities. The design was a direct evolution of Ensoniq's previous VFX and SD synthesizers. While the synthesis structure lacked a resonant filter, which limited the sample+synthesis possibilities, the TS could read ASR wavesamples directly. This feature allowed musicians to play sounds from a vast library of sample disks and CD-ROMs (via SCSI expansion option). Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dry Signal Path
Dry or dryness most often refers to: * Lack of rainfall, which may refer to **Arid regions **Drought * Dry or dry area, relating to legal prohibition of selling, serving, or imbibing alcoholic beverages * Dry humor, deadpan * Dryness (medical) * Dryness (taste), the lack of sugar in a drink, especially an alcoholic one * Dry direct sound without reverberation Dry or DRY may also refer to: Places * Dry Brook (other), various rivers * Dry Creek (other), various rivers and towns * Dry, Loiret, a commune of the Loiret ''département'' in France * Dry River (other), various rivers and towns Art, entertainment, and media Film * ''Dry'' (2014 film), a Nigerian film directed by Stephanie Linus * ''Dry'' (2022 film), an Italian film directed by Paolo Virzì * ''The Dry'' (film), a 2020 film based on the novel by Jane Harper Literature * ''Dry'' (memoir), a 2003 memoir by Augusten Burroughs * ''The Dry'' (novel), a 2016 novel by Jane Harper Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MS-DOS
MS-DOS ( ; acronym for Microsoft Disk Operating System, also known as Microsoft DOS) is an operating system for x86-based personal computers mostly developed by Microsoft. Collectively, MS-DOS, its rebranding as IBM PC DOS, and a few operating systems attempting to be compatible with MS-DOS, are sometimes referred to as "DOS" (which is also the generic acronym for disk operating system). MS-DOS was the main operating system for IBM PC compatibles during the 1980s, from which point it was gradually superseded by operating systems offering a graphical user interface (GUI), in various generations of the graphical Microsoft Windows operating system. IBM licensed and re-released it in 1981 as PC DOS 1.0 for use in its PCs. Although MS-DOS and PC DOS were initially developed in parallel by Microsoft and IBM, the two products diverged after twelve years, in 1993, with recognizable differences in compatibility, syntax, and capabilities. Beginning in 1988 with DR-DO ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq EPS
The EPS (Ensoniq Performance Sampler) was one of the first few affordable samplers on the market. It was manufactured from 1988 to 1991 by Ensoniq in Malvern, Pennsylvania, USA. The EPS is a 13-bit sampler and replaced the Mirage - widely regarded as the first truly affordable sampling keyboard. The EPS has a straightforward interface that is easy to use, with configurable controls geared for live performance. Because it has two processors, it can load and play up to eight instruments simultaneously (with another eight on reserve). The display is a 22-character, single-line vacuum fluorescent display. It boots from an integrated floppy disk drive (sourced from Sony or Matsushita), or from a SCSI drive connected to the expansion bay. The EPS has 256 Kwords of RAM on board. Ensoniq offered both a 2x (512 Kword) Memory Expander and a 4x (1 Mword) Memory Expander with SCSI interface. A company called Maartists offered both 4x and 8x memory expanders, allowing a total of 2 Mword ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensoniq ASR-10
The Ensoniq ASR-10 was a sampling keyboard produced by Ensoniq between 1992 and 1998. The ASR-10 was a follow up product to the very popular Ensoniq EPS and Ensoniq EPS-16+ performance samplers, and was also available with a piano style weighted keyboard (ASR-88) and a rackmount version (ASR-10R). At the time, the machine was one of the most powerful samplers available. Features The ASR-10 (Advanced Sampling Recorder) was essentially the third generation of the EPS series of samplers, sharing the same basic architecture and user interface as the earlier EPS and EPS-16 Plus. The ASR-10, like its predecessors, was a true performance orientated sampling workstation, and did not require a computer or additional equipment in order to create a complete song. It included a powerful and flexible effects unit, polyphonic aftertouch, an advanced MIDI sequencer, load-while-playing abilities, and a powerful multi-layered synthesis engine. The supplied "Musician's Manual" lived up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SIMM
A SIMM (single in-line memory module) is a type of memory module containing random-access memory used in computers from the early 1980s to the early 2000s. It differs from a dual in-line memory module (DIMM), the most predominant form of memory module since the late 1990s, in that the contacts on a SIMM are redundant on both sides of the module. SIMMs were standardised under the JEDEC JESD-21C standard. Most early PC motherboards (8088-based PCs, XTs, and early ATs) used socketed DIP chips for DRAM. As computer memory capacities grew, memory modules were used to save motherboard space and ease memory expansion. Instead of plugging in eight or nine single DIP chips, only one additional memory module was needed to increase the memory of the computer. History SIMMs were invented in 1982 by James J. Parker at Zenith Microcircuits and the first Zenith Microcircuits customer was Wang Laboratories. Wang Laboratories tried to patent it and were granted a patent in April 1987. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Megabyte
The megabyte is a multiple of the unit byte for digital information. Its recommended unit symbol is MB. The unit prefix ''mega'' is a multiplier of (106) in the International System of Units (SI). Therefore, one megabyte is one million bytes of information. This definition has been incorporated into the International System of Quantities. In the computer and information technology fields, other definitions have been used that arose for historical reasons of convenience. A common usage has been to designate one megabyte as (220 B), a quantity that conveniently expresses the binary architecture of digital computer memory. The standards bodies have deprecated this usage of the megabyte in favor of a new set of binary prefixes, in which this quantity is designated by the unit mebibyte (MiB). Definitions The unit megabyte is commonly used for 10002 (one million) bytes or 10242 bytes. The interpretation of using base 1024 originated as technical jargon for the byte multiples t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single Patch Level
Single may refer to: Arts, entertainment, and media * Single (music), a song release Songs * "Single" (Natasha Bedingfield song), 2004 * "Single" (New Kids on the Block and Ne-Yo song), 2008 * "Single" (William Wei song), 2016 * "Single", by Meghan Trainor from the album '' Only 17'' Sports * Single (baseball), the most common type of base hit * Single (cricket), point in cricket * Single (football), Canadian football point * Single-speed bicycle Transportation * Single-cylinder engine, an internal combustion engine design with one cylinder, or a motorcycle using such engine * Single (locomotive), a steam locomotive with a single pair of driving wheels * As a verb: to convert a double-track railway to a single-track railway Other uses * Single (mathematics) (1-tuple), a list or sequence with only one element * Single person, a person who is not in a committed relationship * Single precision, a computer numbering format that occupies one storage location in computer memory at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loop of tape and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gas Compressor
A compressor is a mechanical device that increases the pressure of a gas by reducing its volume. An air compressor is a specific type of gas compressor. Compressors are similar to pumps: both increase the pressure on a fluid and both can transport the fluid through a pipe. The main distinction is that the focus of a compressor is to change the density or volume of the fluid, which is mostly only achievable on gases. Gases are compressible, while liquids are relatively incompressible, so compressors are rarely used for liquids. The main action of a pump is to pressurize and transport liquids. Many compressors can be staged, that is, the fluid is compressed several times in steps or stages, to increase discharge pressure. Often, the second stage is physically smaller than the primary stage, to accommodate the already compressed gas without reducing its pressure. Each stage further compresses the gas and increases its pressure and also temperature (if inter cooling between stages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flanger
Flanging is an audio signal processing, audio effect produced by mixing two identical audio signal, signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series (music), harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a "re-circulating Delay (audio effect), delay line"), producing a resonance effect which further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a "drainpipe" or "swoosh" or "jet plane" sweeping effect as shifting sum-and-difference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
