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Ensemble Clément Janequin
The Ensemble Clément Janequin is a French early music ensemble founded in 1978 and specializing in the chansons of the Renaissance and early Baroque. The founder, and leader, is the countertenor Dominique Visse. The group has recorded almost exclusively for the Harmonia Mundi label of the late Bernard Coutaz since its inception. An early line up of the Ensemble in 1985, for the ''Meslanges'' recording, included Josep Cabré (Baritone), Philippe Cantor (Baritone), Michel Laplénie (Tenor), Gérard Lesne (Haute Contre), Agnès Mellon (Soprano), Antoine Sicot (Bass) and direction Dominique Visse. Cabré, Laplénie, and Lesne all subsequently founded their own ensembles, as well as Bruno Boterf (tenor) who was a member of the Ensemble from 1987 to 2007 before founding his own vocal ensemble, Ludus Modalis. The ensemble has recorded very little modern music but in 2009 recorded a selection of 19th-century and modern compositions extending the tradition of the renaissance genre of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Bouchot
Vincent Bouchot (born 1966 in Toulouse) is a French composer and musicologist. For many years, he sang as baritone with the Ensemble Clément Janequin. He has provided incidental music to several cabarets and theatre productions including ''Ubu Roi'' by Alfred Jarry at the Opéra-Comique/ Péniche Opéra in 2002.''Les Inrockuptibles'', 333–338, 2002 He produced a full opera, ''Brèves de comptoir'', in 2005. Recorded works include: * a modern take on ''Les Cris de Paris'' on the Ensemble Clément Janequin's album ''L'écrit du Cri'', 2009 * five Galgenlieder "Mondendinge" ; "Der Hecht" ; "Die Mitternachtsmaus" ; "Das Wasser" ; "Galgenkindes Wiegenlied", sung by Sandrine Piau on the album ''Après un rêve,'' 2011 * mélodie ''Le Souvenir de Jean Quéval, (1913–1990),'' composed for Françoise Pollet, 2003 Published works include: * Vincent Bouchot, "De la musique dans l'oeuvre de Georges Perec Georges Perec (; 7 March 1936 – 3 March 1982) was a French novelist, fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Desprez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Saqueboutiers De Toulouse
Les Sacqueboutiers, formerly Les Saqueboutiers de Toulouse, are French early music wind and brass ensemble founded in 1976 by Jean-Pierre Canihac and Jean-Pierre Mathieu at Toulouse. They play the cornet à bouquin and the sackbut, with other instruments supporting. Artistic direction is conducted by Jean-Pierre Canihac and Daniel Lassalle. In 2008 les Sacqueboutiers were « Ensemble de l'année » at the Victoires de la musique classique The Victoires de la musique classique (; en, "Victories of Classical Music") are an annual French classical music award event founded in 1986. The awards are the classical equivalent of the popular music awards Victoires de la Musique and the Victo .... Notes and references External links Site des Sacqueboutiers {{DEFAULTSORT:Sacqueboutiers Early music groups ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Schütz
Heinrich Schütz (; 6 November 1672) was a German early Baroque composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Most of his surviving music was written for the Lutheran church, primarily for the Electoral Chapel in Dresden. He wrote what is traditionally considered the first German opera, ''Dafne'', performed at Torgau in 1627, the music of which has since been lost, along with nearly all of his ceremonial and theatrical scores. Schütz was a prolific composer, with more than 500 surviving works. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. Early life Schütz was born in Köstritz, the eldest son of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Les Eléments
Ensemble may refer to: Art * Architectural ensemble * ''Ensemble'' (album), Kendji Girac 2015 album * Ensemble (band), a project of Olivier Alary * Ensemble cast (drama, comedy) * Ensemble (musical theatre), also known as the chorus * ''Ensemble'' (Stockhausen), 1967 group-composition project by Karlheinz Stockhausen * Musical ensemble Mathematics and science * Distribution ensemble or probability ensemble (cryptography) * Ensemble Kalman filter * Ensemble learning (statistics and machine learning) * Ensembl genome database project * Neural ensemble, a population of nervous system cells (or cultured neurons) involved in a particular neural computation * Statistical ensemble (mathematical physics) ** Climate ensemble ** Ensemble average (statistical mechanics) ** Ensemble averaging (machine learning) ** Ensemble (fluid mechanics) ** Ensemble forecasting (meteorology) ** Quantum statistical mechanics, the study of statistical ensembles of quantum mechanical systems Technolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Organum
Ensemble Organum is a group performing early music, co-founded in 1982 by Marcel Pérès and based in France. Its members have changed, but have included at one time or another, Josep Cabré, Josep Benet, Gérard Lesne, Antoine Sicot, Malcolm Bothwell. They have often collaborated with Lycourgos Angelopoulos and are influenced by Orthodox music.Ensemble Organum www.medieval.orgIvan Hewett (2011) ''Daily Telegraph''. The group mainly focuses on the performance of music from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Le Jeune
Claude Le Jeune (1528 to 1530 – buried 26 September 1600) was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as '' musique mesurée'', and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time. Life He was born in Valenciennes, where he probably received his early musical training. Sometime fairly early in life he became a Protestant. The first record of his musical activity is from 1552, when four chansons attributed to him were published at Leuven, in anthologies of works by several composers. In 1564, he moved to Paris, where he became acquainted with the Huguenots. By this time, he had already acquired some international fame, as evidenced by the appearance of his name in a list of "contemporary composers of excellence" in a manus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthoine De Bertrand
Antoine de Bertrand (also Anthoine) (1530/1540 – probably 1581) was a French composer of the Renaissance. Early in his life he was a prolific composer of secular chansons, and late in his life he wrote hymns and canticles, under the influence of the Jesuits. He was murdered by Protestants during the French Wars of Religion. Life Details of his life are relatively scanty for an otherwise prominent composer of the period, probably because he never held a salaried position as a musician at an establishment whose records have survived. He was born at Fontanges, in Auvergne, and from about 1560 he lived in Toulouse. Details of his death are not known, but that he was martyred for his Jesuit-inspired songs by Protestants is attested by several writers of the time. According to Michel Coyssard, writing in 1608, he was traveling between Toulouse and one of the farms he managed when he was attacked and killed. Music and influence Bertrand published three large books of chansons be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
