Ensemble Clément Janequin
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Ensemble Clément Janequin
The Ensemble Clément Janequin is a French early music ensemble founded in 1978 and specializing in the chansons of the Renaissance and early Baroque. The founder, and leader, is the countertenor Dominique Visse. The group has recorded almost exclusively for the Harmonia Mundi label of the late Bernard Coutaz since its inception. An early line up of the Ensemble in 1985, for the ''Meslanges'' recording, included Josep Cabré (Baritone), Philippe Cantor (Baritone), Michel Laplénie (Tenor), Gérard Lesne (Haute Contre), Agnès Mellon (Soprano), Antoine Sicot (Bass) and direction Dominique Visse. Cabré, Laplénie, and Lesne all subsequently founded their own ensembles, as well as Bruno Boterf (tenor) who was a member of the Ensemble from 1987 to 2007 before founding his own vocal ensemble, Ludus Modalis. The ensemble has recorded very little modern music but in 2009 recorded a selection of 19th-century and modern compositions extending the tradition of the renaissance genre of ...
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Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' '' contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Pal ...
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Vincent Bouchot
Vincent Bouchot (born 1966 in Toulouse) is a French composer and musicologist. For many years, he sang as baritone with the Ensemble Clément Janequin. He has provided incidental music to several cabarets and theatre productions including ''Ubu Roi'' by Alfred Jarry at the Opéra-Comique/ Péniche Opéra in 2002.''Les Inrockuptibles'', 333–338, 2002 He produced a full opera, ''Brèves de comptoir'', in 2005. Recorded works include: * a modern take on ''Les Cris de Paris'' on the Ensemble Clément Janequin's album ''L'écrit du Cri'', 2009 * five Galgenlieder "Mondendinge" ; "Der Hecht" ; "Die Mitternachtsmaus" ; "Das Wasser" ; "Galgenkindes Wiegenlied", sung by Sandrine Piau on the album ''Après un rêve,'' 2011 * mélodie ''Le Souvenir de Jean Quéval, (1913–1990),'' composed for Françoise Pollet, 2003 Published works include: * Vincent Bouchot, "De la musique dans l'oeuvre de Georges Perec Georges Perec (; 7 March 1936 – 3 March 1982) was a French novelist, fil ...
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Josquin Desprez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly ...
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