|
Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilgamesh
sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyrian palace relief (713–706 BC), from Dur-Sharrukin, now held in the Louvre , reign=c. 2900–2700 BC ( EDI), predecessor = Dumuzid, the Fisherman (as Ensi of Uruk) , consort = , siblings = , successor = Ur-Nungal Gilgamesh ( akk, , translit=Gilgameš; originally sux, , translit= Bilgames)). His name translates roughly as "The Ancestor is a Young-man", from ''Bil.ga'' "Ancestor", Elder and ''Mes/Mesh3'' "Young-Man". See also . was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bull Of Heaven
In ancient Mesopotamian mythology, the Bull of Heaven is a mythical beast fought by the hero Gilgamesh. The story of the Bull of Heaven has two different versions: one recorded in an earlier Sumerian poem and a later version in the standard Akkadian ''Epic of Gilgamesh''. In the Sumerian poem, the Bull is sent to attack Gilgamesh by the goddess Inanna for reasons that are unclear. The more complete Akkadian account comes from Tablet VI of the ''Epic of Gilgamesh'', in which Gilgamesh refuses the sexual advances of the goddess Ishtar, the East Semitic equivalent of Inanna, leading the enraged Ishtar to demand the Bull of Heaven from her father Anu, so that she may send it to attack Gilgamesh in Uruk. Anu gives her the Bull and she sends it to attack Gilgamesh and his companion, the hero Enkidu, who slay the Bull together. After defeating the Bull, Enkidu hurls the Bull's right thigh at Ishtar, taunting her. The slaying of the Bull results in the gods condemning Enkidu to dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedar Forest
The Cedar Forest ( Sumerian: 𒄑𒂞𒄑 𒌁giš eren giš tir) is the glorious realm of the gods of Mesopotamian mythology. It is guarded by the demigod Humbaba and was once entered by the hero Gilgamesh who dared cut down trees from its virgin stands during his quest for fame. The Cedar Forest is described in Tablets 4{{ndash6 of the ''Epic of Gilgamesh''. Earlier Sumerian versions of the ''Epic of Gilgamesh'' say that Gilgamesh traveled east, presumably, to the Zagros mountains of Iran (ancient Elam) to the cedar forest, yet the later more extensive Babylonian examples place the cedar forests west in Lebanon.''Archaeology and the Homeric Epic'', Susan Sherratt, John Bennett. Oxbow Books, 2017. P127 In the ''Epic of Gilgamesh'' Tablet 4 Tablet four tells the story of the journey to the Cedar Forest. On each day of the six-day journey, Gilgamesh prays to Shamash; in response to these prayers, Shamash sends Gilgamesh oracular dreams during the night. The first is not pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inanna
Inanna, also sux, 𒀭𒊩𒌆𒀭𒈾, nin-an-na, label=none is an List of Mesopotamian deities, ancient Mesopotamian goddess of love, war, and fertility. She is also associated with beauty, sex, Divine law, divine justice, and political power. She was originally worshiped in Sumer under the name "Inanna", and later by the Akkadian Empire, Akkadians, Babylonian religion, Babylonians, and Assyrians under the name Ishtar, (occasionally represented by the logogram ). She was known as the "Queen of heaven (antiquity), Queen of Heaven" and was the patron goddess of the Eanna temple at the city of Uruk, which was her main Cult (religious practice), cult center. She was associated with the planet Venus and her most prominent symbols included the Lion of Babylon, lion and the Star of Ishtar, eight-pointed star. Her husband was the god Dumuzid (later known as Tammuz) and her , or personal attendant, was the goddess Ninshubur (who later became conflated with the male deities Ilabrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Humbaba
In Ancient Mesopotamian religion, Humbaba ( Assyrian spelling), also spelled Huwawa ( Sumerian spelling) and surnamed ''the Terrible'', was a monstrous giant of immemorial age raised by Utu, the Sun / justice / truth god. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who: "assigned umbabaas a terror to human beings." Gilgamesh and Enkidu defeated this great enemy. Description : "When he looks at someone, it is the look of death." : "Humbaba's roar is a flood, : his mouth is death and his breath is fire! : A hundred leagues away he can hear any ustling?in his forest! : Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, from which omens might be read. Another description from Georg Burckhardt's translation of the ''Epic of Gilgamesh'' says, : "he had the paws of a lion and : a body covered in thorny scales; : his feet had t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Mythology
Mesopotamian mythology refers to the myths, religious texts, and other literature that comes from the region of ancient Mesopotamia which is a historical region of Western Asia, situated within the Tigris–Euphrates river system that occupies the area of present-day Iraq. In particular the societies of Sumer, Akkad, and Assyria, all of which existed shortly after 3000 BCE and were mostly gone by 400 CE. These works were primarily preserved on stone or clay tablets and were written in cuneiform by scribes. Several lengthy pieces have survived, some of which are considered the oldest stories in the world, and have given historians insight into Mesopotamian ideology and cosmology. Creation myths There are many different accounts of the creation of the earth from the Mesopotamian region. This is because of the many different cultures in the area and the shifts in narratives that are common in ancient cultures due to their reliance on word of mouth to transmit stories. These myt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Man
The wild man, wild man of the woods, or woodwose/wodewose is a mythical figure that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to '' Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others. Terminology The normal Middle English term, also use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumer
Sumer () is the earliest known civilization in the historical region of southern Mesopotamia (south-central Iraq), emerging during the Chalcolithic and early Bronze Ages between the sixth and fifth millennium BC. It is one of the cradles of civilization in the world, along with ancient Egypt, Elam, the Caral-Supe civilization, Mesoamerica, the Indus Valley civilisation, and ancient China. Living along the valleys of the Tigris and Euphrates rivers, Sumerian farmers grew an abundance of grain and other crops, the surplus from which enabled them to form urban settlements. Proto-writing dates back before 3000 BC. The earliest texts come from the cities of Uruk and Jemdet Nasr, and date to between c. 3500 and c. 3000 BC. Name The term "Sumer" ( Sumerian: or , Akkadian: ) is the name given to the language spoken by the "Sumerians", the ancient non- Semitic-speaking inhabitants of southern Mesopotamia, by their successors the East Semitic-speaking Akkadians. The Sumerians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Man
The wild man, wild man of the woods, or woodwose/wodewose is a mythical figure that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to '' Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, they were consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for heraldic coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–1528) among others. Terminology The normal Middle English term, also use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Mesopotamian Religion
Mesopotamian religion refers to the religious beliefs and practices of the civilizations of ancient Mesopotamia, particularly Sumer, Akkad, Assyria and Babylonia between circa 6000 BC and 400 AD, after which they largely gave way to Syriac Christianity practiced by today's Assyrians. The religious development of Mesopotamia and Mesopotamian culture in general, especially in the south, was not particularly influenced by the movements of the various peoples into and throughout the area. Rather, Mesopotamian religion was a consistent and coherent tradition which adapted to the internal needs of its adherents over millennia of development. The earliest undercurrents of Mesopotamian religious thought are believed to have developed in Mesopotamia in the sixth millennium BC, coinciding with the region beginning to be permanently settled. The earliest evidence of Mesopotamian religion date to the mid-fourth millennium BC, coinciding with the invention of writing, and involved th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aga Of Kish
Aga ( Sumerian:) commonly known as Aga of Kish, was the twenty-third and last king in the first dynasty of Kish during the Early Dynastic I period. He is listed in the ''Sumerian King List'' and many sources as the son of Enmebaragesi. The Kishite king ruled the city at its peak, probably reaching beyond the territory of Kish, including Umma and Zabala. The Sumerian poem ''Gilgamesh and Aga'' records the Kishite siege of Uruk after its lord Gilgamesh refused to submit to Aga, ending in Aga's defeat and consequently the fall of Kish's hegemony. Name The name of Aga is Sumerian and a relatively rarely attested personal name in Early Dynastic times, making his identification in royal texts spottable. His name appears in the Stele of Ushumgal, as the ''gal-ukkin'' ("Great Assembly official"). AK () was likely an Early Dynastic spelling of ''Akka'', (the past particle of the Sumerian verb "to make"). The name in question is to be interpreted as a Sumerian genitival phrase, ''Ak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Cedar Forest")
