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Enhanced VOB
Enhanced Video Object, also known as Enhanced VOB, EVOB or EVO, is a container format for HD DVD video media. It contains the actual digital video, digital audio, subtitle and DVD menu contents in stream form. It is an extension to VOB. It can contain video encoded in H.264/MPEG-4 AVC, VC-1, or H.262/MPEG-2 Part 2 and audio encoded in AC-3, E-AC-3, Dolby TrueHD, DTS, DTS-HD, PCM, and MPEG-2 Part 3. There are a few consumer software solutions that can play EVO files, such as PowerDVD, WinDVD for Windows and FFmpeg for Linux (unprotected EVO only), and the cross platform VLC Player VLC media player (previously the VideoLAN Client and commonly known as simply VLC) is a free and open-source, portable, cross-platform media player software and streaming media server developed by the VideoLAN project. VLC is available for des .... References External links * Videohelp.com - What is Blu-ray Disc and HD DVD?- folder and file structure Cutting Master Format for HD DVD-ROM a ...
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DVD Forum
The DVD Forum is an international organization composed of hardware, software, media and production companies that use and develop the DVD and formerly HD DVD formats. It was initially known as the DVD Consortium when it was founded in 1995. History and mission The DVD Forum was created to facilitate the exchange of information and ideas about the DVD format, another evolution of the LaserDisc format, and to enable it to grow through technical improvement and innovation. The organization hopes to promote worldwide acceptance of DVD for entertainment, consumer electronics and information technology applications. Membership in the DVD Forum is open to any company or organization involved in DVD research, development, or manufacturing; software firms and other DVD users interested in developing the format are also encouraged to join. Forum members can support other formats in addition to DVD. The DVD Forum is responsible for the official DVD format specification. The group han ...
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E-AC-3
Dolby Digital Plus, also known as Enhanced AC-3 (and commonly abbreviated as DDP, DD+, E-AC-3 or EC-3) is a digital audio compression scheme developed by Dolby Labs for transport and storage of multi-channel digital audio. It is a successor to Dolby Digital (AC-3), also developed by Dolby, and has a number of improvements including support for a wider range of data rates (32 kbit/s to 6144 kbit/s), increased channel count and multi-program support (via substreams), and additional tools (algorithms) for representing compressed data and counteracting artifacts. While Dolby Digital (AC-3) supports up to five full-bandwidth audio channels at a maximum bitrate of 640 kbit/s, E-AC-3 supports up to 15 full-bandwidth audio channels at a maximum bitrate of 6.144 Mbit/s. The full set of technical specifications for E-AC-3 (and AC-3) are standardized and published in Annex E of ATSC A/52:2012,
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FFmpeg
FFmpeg is a free and open-source software project consisting of a suite of libraries and programs for handling video, audio, and other multimedia files and streams. At its core is the command-line ffmpeg tool itself, designed for processing of video and audio files. It is widely used for format transcoding, basic editing (trimming and concatenation), video scaling, video post-production effects and standards compliance (SMPTE, ITU). FFmpeg also includes other tools: ffplay, a simple media player and ffprobe, a command-line tool to display media information. Among included libraries are libavcodec, an audio/video codec library used by many commercial and free software products, libavformat (Lavf), an audio/video container mux and demux library, and libavfilter, a library for enhancing and editing filters through a Gstreamer-like filtergraph. FFmpeg is part of the workflow of many other software projects, and its libraries are a core part of software media players such as VLC, an ...
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WinDVD
WinDVD (owned by Corel Corporation which bought InterVideo in 2006) is a commercial video player and music player software for Microsoft Windows. It enables the viewing of DVD-Video movies on the user's PC. DVD-Video backups stored on hard disk (created using software such as DVD Decrypter) can also be played. The player can also be used to play videos and audio/music files in other formats encoded with different codecs, for instance DivX, Xvid, Windows Media Video video and MP3 and AAC audio. WinDVD 8 (WinDVD 8 Platinum does not support Blu-ray Disc and HD DVD. WinDVD 8 Platinum HD/BD must be selected to support Blu-ray Disc and HD DVD) also support full Blu-ray Disc and HD DVD (HD DVD support removed after WinDVD 9) playback with menus, with CPRM DRM support. Features and Functions Features and functions supported by InterVideo WinDVD version 8.0 during video/movie and audio/music playback. *Supported video formats/codecs: MPEG-1, MPEG-2 (including HD support), MPEG-TS, DV ...
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PowerDVD
CyberLink PowerDVD is a universal media player for movie discs, video files, photos and music. During 2016, PowerDVD achieved certification from the Blu-ray Disc Association (BDA) for the playback of Ultra HD Blu-ray Discs, and became the world's first and only software player to pass the BD-ROM 4.0 PC Application Software License process. Features * 8K video playback: added in PowerDVD 19 * Ultra HD Blu-Ray disc playback: PowerDVD 17 is the first software that supports 4K UHD Blu-ray drives. * 360-Degree VR: PowerDVD 17 supports 360-degree camera such as Samsung Gear 360 and the Nikon KeyMission. Available to watch VR content on an Oculus Rift or HTC Vive headset. * Blu-Ray 3D disc playback: added in PowerDVD 10 and removed in PowerDVD 20. * Blu-Ray disc playback: added in PowerDVD 6. * TrueTheater®: PowerDVD adds TrueTheater® image/color correction and enhancement, also motion enhancement to make motion smoother. TrueTheater® HDR enhancement provides a larger color space. * M ...
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MPEG-2 Part 3
Part 3 of the MPEG-2 standard (formally known as ISO/IEC 13818-3, also known as MPEG-2 Audio or MPEG-2 BC) defines audio coding: * MPEG Multichannel - It enhances MPEG-1's audio by allowing the coding of audio programs with more than two channels, up to 5.1 multichannel. This method is backwards-compatible (also known as MPEG-2 BC), allowing MPEG-1 audio decoders to decode the two main stereo components of the presentation. * MPEG-2 Part 3 also defined additional bit rates and sample rates for MPEG-1 Audio Layer I, MPEG-1 Audio Layer II and MPEG-1 Audio Layer III (the first version of MP3).Predrag SupurovicMPEG Audio Frame Header Retrieved on 2009-07-11 The MPEG-2 Part 3 should not be confused with MPEG-2 Part 7: AAC a.k.a. MPEG-2 NBC (Non-Backward Compatible) - the MPEG-2 Advanced Audio Coding Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves higher sound quality ...
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Pulse-code Modulation
Pulse-code modulation (PCM) is a method used to digitally represent sampled analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled regularly at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines ...
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DTS-HD
DTS-HD Master Audio (DTS-HD MA; known as DTS++ before 2004) is a multi-channel, lossless audio codec developed by DTS as an extension of the lossy DTS Coherent Acoustics codec (DTS CA; usually itself referred to as just DTS). Rather than being an entirely new coding mechanism, DTS-HD MA encodes an audio master in lossy DTS first, then stores a concurrent stream of supplementary data representing whatever the DTS encoder discarded. This gives DTS-HD MA a lossy "core" able to be played back by devices that cannot decode the more complex lossless audio. DTS-HD MA's primary application is audio storage and playback for Blu-ray Disc media; it competes in this respect with Dolby TrueHD, another lossless surround format. DTS-HD MA has enjoyed the greater share of this market since 2010, with the notable exception of the TrueHD-encoded Dolby Atmos spatial surround format, which is more popular than DTS's competing DTS:X (encoded with DTS-HD MA). Specifications DTS-HD MA can store up ...
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DTS Coherent Acoustics
DTS, Inc. (originally Digital Theater Systems) is an American company that makes multichannel audio technologies for film and video. Based in Calabasas, California, the company introduced its DTS technology in 1993 as a competitor to Dolby Laboratories, incorporating DTS in the film ''Jurassic Park'' (1993). The DTS product is used in surround sound formats for both commercial/theatrical and consumer-grade applications. It was known as The Digital Experience until 1995. DTS licenses its technologies to consumer electronics manufacturers. The DTS brand was acquired by Tessera Holding Corporation in December 2016, then Tessera was renamed to Xperi Corporation. History DTS was founded by Terry Beard, an audio engineer and Caltech graduate. Beard, speaking to a friend of a friend, was able to get in touch with Steven Spielberg to audition a remastering of Spielberg's film ''Close Encounters of the Third Kind'' mixed in DTS. Spielberg then selected DTS sound for his next film, ''Jur ...
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Dolby TrueHD
Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format. Dolby TrueHD competes with DTS's DTS-HD Master Audio (DTS-HD MA), another lossless surround sound codec. The Dolby TrueHD specification provides for up to 16 discrete audio channels, each with a sampling rate of up to 192kHz and sample depth of up to 24 bits. Dolby's compression mechanism for TrueHD is Meridian Lossless Packing (MLP); prior to Dolby TrueHD, MLP was used for the DVD-Audio format, although the two formats' respective implementations of MLP are not mutually compatible. A Dolby TrueHD audio stream varies in bitrate, as does any other losslessly compressed audio format. Like its predecessor, Dolby TrueHD's bitstream carries program metadata, or non-aud ...
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Dolby Digital
Dolby Digital, originally synonymous with Dolby AC-3, is the name for what has now become a family of audio compression technologies developed by Dolby Laboratories. Formerly named Dolby Stereo Digital until 1995, the audio compression is lossy (except for Dolby TrueHD), based on the modified discrete cosine transform (MDCT) algorithm. The first use of Dolby Digital was to provide digital sound in cinemas from 35 mm film prints; today, it is also used for applications such as TV broadcast, radio broadcast via satellite, digital video streaming, DVDs, Blu-ray discs and game consoles. The main basis of the Dolby AC-3 multi-channel audio coding standard is the modified discrete cosine transform (MDCT), a lossy audio compression algorithm. It is a modification of the discrete cosine transform (DCT) algorithm, which was first proposed by Nasir Ahmed in 1972 and was originally intended for image compression. The DCT was adapted into the modified discrete cosine transform ...
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Container Format (digital)
A container format (informally, sometimes called a wrapper) or metafile is a file format that allows multiple data streams to be embedded into a single file, usually along with metadata for identifying and further detailing those streams. Notable examples of container formats include archive files (such as the ZIP format) and formats used for multimedia playback (such as Matroska, MP4, and AVI). Among the earliest cross-platform container formats were Distinguished Encoding Rules and the 1985 Interchange File Format. Design Although containers may identify how data or metadata is encoded, they do not actually provide instructions about how to decode that data. A program that can open a container must also use an appropriate codec to decode its contents. If the program doesn't have the required algorithm, it can't use the contained data. In these cases, programs usually emit an error message that complains of a missing codec, which users may be able to acquire. Conta ...
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