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Emphatic Band 2013
Emphasis or emphatic may refer to: Communication * Emphasis (telecommunications), intentional alteration of the amplitude-vs.-frequency characteristics of the signal meant to reduce adverse effects of noise * Cultural emphasis, alleged tendency of a language's vocabulary to detail elements of the speakers' culture Writing * Emphasis (typography), visual enhancement a part of a text to make it noticeable * Emphasis point, a typographic marking used in some east Asian languages to indicate emphasis Linguistics * Emphatic consonant, member of a phonological category of consonants in Semitic languages * Prosodic stress, speaking an important word more loudly or slowly so that it stands out * ''Do''-support, a way to using additional words to call attention to important words * Intensifier, a way to using additional words to call attention to important words Music * ''Emphasis! (On Parenthesis)'', 2008 album by the Stanton Moore Trio * "Emphasis/Who Wants to Live Forever", 2002 sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphasis (telecommunications)
Typically, prior to some process, such as transmission over cable, or recording to phonograph record or tape, the input frequency range most susceptible to noise is boosted. This is referred to as "pre-emphasis"before the process the signal will undergo. Later, when the signal is received, or retrieved from recording, the reverse transformation is applied ("de-emphasis") so that the output accurately reproduces the original input. Any noise added by transmission or record/playback, to the frequency range previously boosted, is now attenuated in the de-emphasis stage. The high-frequency signal components are emphasized to produce a more equal modulation index for the transmitted frequency spectrum, and therefore a better signal-to-noise ratio for the entire frequency range. Emphasis is commonly used in FM broadcasting (preemphasis improvement) and vinyl (e.g. LP) records. In waveform signals In processing electronic audio signals, pre-emphasis refers to a system process design ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cultural Emphasis
__NOTOC__ Cultural emphasis is an important aspect of a culture which is often reflected though language and, more specifically, vocabulary. This means that the vocabulary people use in a culture indicates what is important to that group of people. If there are many words to describe a certain topic in a specific culture, then there is a good chance that that topic is considered important to that culture. Background The idea of cultural emphasis is rooted form the work of Franz Boas, who is considered to be one of the founders of American Anthropology. Franz Boas developed and taught concepts such as cultural relativism and the "cultural unconscious", which allowed anthropologists who studied under him, like Edward Sapir and Ruth Benedict, to further study and develop ideas on language and culture. Application One way in which cultural emphasis is exemplified is a populace talks about the weather. For example, in a place where it is cold and it snows a lot, a large collection o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphasis (typography)
In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. It is the equivalent of prosody stress in speech. Methods and use The most common methods in Western typography fall under the general technique of emphasis through a change or modification of font: ''italics'', boldface and . Other methods include the alteration of LETTER CASE and as well as and *additional graphic marks*. Font styles and variants The human eye is very receptive to differences in "brightness within a text body." Therefore, one can differentiate between types of emphasis according to whether the emphasis changes the " blackness" of text, sometimes referred to as typographic color. A means of emphasis that does not have much effect on blackness is the use of ''italics'', where the text is written in a script style, or ''oblique'', where the vertical orientation of each letter of the text is slanted to the left o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphasis Point
The emphasis mark or emphasis dot is a typographic marking used in some East Asian languages to indicate emphasis. The markings takes in many forms like, a dot or a bullet, a circle, or a triangle. It was used more traditionally, but nowadays, with technology, quotations or changing of font style prevails. In Chinese In China and Hong Kong, the emphasis mark () is used in textbooks and teaching materials. It is centred under each character highlighted in the horizontal texts, and centred to the right of each character in the vertical texts. In Japanese In Japan, the emphasis mark ( ' or ') is usually a dot or a sesame dot and is centred above each character in the horizontal texts and to the right of each character in the vertical texts. In Korean In South Korea, the emphasis mark ( ') usually rules as a dot or circle centred above the characters in the horizontal texts and to the right of the characters in the vertical texts. Examples: * using the CSS property: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphatic Consonant
In Semitic linguistics, an emphatic consonant is an obstruent consonant which originally contrasted with series of both voiced and voiceless obstruents. In specific Semitic languages, the members of this series may be realized as uvularized or pharyngealized, velarized, ejective, or plain voiced or voiceless consonants. It is also used, to a lesser extent, to describe cognate series in other Afro-Asiatic languages, where they are typically realized as ejective, implosive, or pharyngealized consonants. In Semitic studies, they are commonly transcribed using the convention of placing a dot under the closest plain obstruent consonant in the Latin alphabet. With respect to particular Semitic and Afro-Asiatic languages, this term describes the particular phonetic feature which distinguishes these consonants from other consonants. Thus, in Arabic emphasis is synonymous with a secondary articulation involving retraction of the dorsum or root of the tongue, which has variously been des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosodic Stress
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called ''pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define stress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Do-support
''Do''-support (or ''do''-insertion), in English grammar, is the use of the auxiliary verb ''do'', including its inflected forms ''does'' and ''did'', to form negated clauses and questions as well as other constructions in which subject–auxiliary inversion is required. The verb "do" can be used as an auxiliary even in simple declarative sentences, and it usually serves to add emphasis, as in "I ''did'' shut the fridge." However, in the negated and inverted clauses referred to above, it is used because the conventions of Modern English syntax permit these constructions only when an auxiliary is present. It is not idiomatic in Modern English to add the negating word ''not'' to a lexical verb with finite form; ''not'' can be added only to an auxiliary or copular verb. For example, the sentence ''I am not'' with the copula ''be'' is fully idiomatic, but ''I know not'' with a finite lexical verb, while grammatical, is archaic. If there is no other auxiliary present when negation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intensifier
In linguistics, an intensifier (abbreviated ) is a lexical category (but ''not'' a traditional part of speech) for a modifier that makes no contribution to the propositional meaning of a clause but serves to enhance and give additional emotional context to the word it modifies. Intensifiers are grammatical expletives, specifically ''expletive attributives'' (or, equivalently, ''attributive expletives'' or ''attributive-only expletives''; they also qualify as ''expressive attributives''), because they function as semantically vacuous filler. Characteristically, English draws intensifiers from a class of words called ''degree modifiers'', words that quantify the idea they modify. More specifically, they derive from a group of words called ''adverbs of degree'', also known as ''degree adverbs''. When used grammatically as intensifiers, these words cease to be degree adverbs, because they no longer quantify the idea they modify; instead, they emphasize it emotionally. By contrast, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphasis! (On Parenthesis)
''Emphasis! (On Parenthesis)'' is an album by the Stanton Moore Trio, released on April 22, 2008. Organist Robert Walter and guitarist Will Bernard, both of whom played with Moore on his previous solo album, '' III'', are featured on the album. Notably, each track on the album features a title containing a parenthetical statement, as does the title of the album. This is Moore's response to the gentle ribbing of his Galactic bandmates that he includes brackets in almost every song he writes. Personnel * Stanton Moore: drums * Robert Walter: Hammond B3 organ, piano, toy piano, clavinet * Will Bernard: guitar The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected stri ... Track listing # "(Late Night at the) Maple Leaf" - 6:27 # "(Proper) Gender" - 2:56 # "Wissions (of Vu)" - 3:22 # "(Sifting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphasis/Who Wants To Live Forever
''Decipher'' is the second album by Dutch symphonic metal band After Forever, released on 27 December 2001. In this album, the band make use of live classical instruments and a complete choir to back up the soprano voice of lead singer Floor Jansen. Thrown in the mix are also a duet of soprano and tenor voices in "Imperfect Tenses" and the recording of the late Israeli PM Yizhak Rabin's voice during the 1994 Israel–Jordan peace treaty signing ceremony in "Forlorn Hope". This is the last After Forever album with guitarist and founder Mark Jansen, who left the band soon after its release. In 2003, the album was reissued in a limited edition of 5,000 copies worldwide. The limited edition in digipack had an extended booklet, a sticker with new artwork and two live bonus tracks. It was again reissued in 2012 by the re-financed Transmission Records, this time as a two-disc set containing previously unreleased studio sessions, single edits and a handful of demo recordings. Track li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphatic (band)
Emphatic was an American hard rock band from Omaha, founded by guitarist-songwriter Justin McCain in 2004. Their major label debut record ''Damage'' for Atlantic reached No. 9 on Billboard Top Heatseekers chart in 2011. The band's second album '' Another Life'' climbed to No. 8 on Top Heatseekers chart in 2013. Justin McCain announced changing the band's name and continuing as Through Fire in December 2015. History Early years and ''Damage'' (2004–2012) Emphatic was founded in 2004 by songwriter and lead guitarist Justin McCain. Emphatic released their debut self-titled EP in 2004. In 2005 Emphatic released a self-titled full length album with the four track from the debut EP plus four new songs. In 2005 Emphatic signed to Universal but never released anything with the label. In 2008, their EP ''Goodbye Girl'' spent 17 weeks on the Billboard's North West Central Top Heatseekers Chart. After Justin met A&R exec, Jeff Blue, on a phone consultation, the two met in Nebraska to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emphatic Diaglott
The ''Emphatic Diaglott'' is a diaglot, or two-language polyglot translation, of the New Testament by Benjamin Wilson, first published in 1864. It is an interlinear translation with the original Greek text and a word-for-word English translation in the left column, and a full English translation in the right column. It is based on the interlinear translation, the renderings of eminent critics, and various readings of the Codex Vaticanus. It includes illustrative and explanatory footnotes, references, and an alphabetical appendix. The Greek text is that of Johann Jakob Griesbach. The English text uses "Jehovah" for the divine name a number of times where the New Testament writers used " grc, κύριος, translit=kýrios" (Kyrios, the Lord) when quoting Hebrew scriptures. For example, at Luke 20:42-43 it reads: "For David himself says in the book of Psalms, Jehovah said to my Lord, sit thou at my Right hand, 'till I put thine enemies underneath thy feet", where Jesus quoted Psal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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