Emmanuel Plasson
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Emmanuel Plasson
Emmanuel Plasson (born 1965) is a French conductor. Life Son of the conductor Michel Plasson, Emmanuel Plasson began piano music studies at the , before studying violin with his mother, Mercedes Plasson. He was awarded a gold medal in 1981. In 1984, he studied violin in David Takeno's class at the Guildhall School of Music and Drama of London, from which he graduated in 1986. In 1988, he premiered the concerto n°2 for violin and string orchestra by Aubert Lemeland on Radio France, a concerto which he recorded with the Ensemble instrumental de Grenoble.Presentation leaflet of the CD: *''Concerto pour violon et orchestre à cordes n°2'', Op.128; *''Élégie à la mémoire de Samuel Barber'', Op.125; *''Concerto pour alto et orchestre à cordes'', Op.139; *''Symphonie n°5 pour orchestre à cordes'', Op.124; Emmanuel Plasson, violin, François Jeandet, viola, Ensemble instrumental de Grenoble, dir. Marc Tardue, label Quantum, 1989-1990. Then, from the 1990s, Plasson continued ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Opera North
Opera North is an English opera company based in Leeds. The company's home theatre is the Leeds Grand Theatre, but it also presents regular seasons in several other cities, at the Theatre Royal, Nottingham, the Lowry Centre, Salford Quays and the Theatre Royal, Newcastle. The company's orchestra, the Orchestra of Opera North, regularly performs and records in its own right. Operas are performed either in English translation or in the original language of the libretto, in the latter case usually with surtitles. The major funders of Opera North include Arts Council England and, in Yorkshire, Leeds City Council, West Yorkshire Grants, North Yorkshire County Council, and East Riding of Yorkshire Council. History Opera North was established in 1977 as English National Opera North, as an offshoot of English National Opera, with the specific intention of delivering high-quality opera to the northern areas of England which, up to that point, had had no permanently established oper ...
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Orchestre National Du Capitole De Toulouse
The Orchestre National du Capitole de Toulouse is a French orchestra based in Toulouse. It acts as both a symphony orchestra whose main residence is Toulouse's Halle aux Grains, and the permanent orchestra of the Théâtre du Capitole in Toulouse. History Initially named ''Orchestre du Capitole de Toulouse'', the orchestra began as the opera orchestra of Théâtre du Capitole. Notable past music directors of the orchestra have included André Cluytens (beginning in 1932) and Georges Prêtre (1951–1955), but the Orchestre du Capitole rose to international prominence during Michel Plasson's tenure as music director, from 1968 to 2003. Until Plasson's era, the orchestra was a purely operatic orchestra, rarely playing symphonies and almost never touring. Within twelve years, Plasson's insistence of higher artistic standards and goals had improved the orchestra's reputation dramatically. He began a period of critically acclaimed recordings and tours, and in 1980 the orchestra was bes ...
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Orchestre De Chambre De Paris
The Orchestre de chambre de Paris (OCP) is a French chamber orchestra based in Paris. The orchestra performs throughout Paris with concerts at the Philharmonie de Paris, where it is a resident ensemble, and also at such venues as the Théâtre des Champs-Élysées, the Théâtre du Châtelet, the Bataclan, and the Opéra Comique. History The orchestra was formed in 1978 as the ''Ensemble orchestral de Paris''. Jean-Pierre Wallez was the first music director of the orchestra, from 1978 to 1986. The most recent music director was Lars Vogt, who took up the post in 2020, with an initial contract of 3 years. In December 2021, the orchestra announced an extension of Vogt's contract as music director through June 2025. Vogt held the post until his death on 5 September 2022. Music directors * Jean-Pierre Wallez (1978–1986) * Armin Jordan (1986–1992) * Jean-Jacques Kantorow (1994–1998) * John Nelson (1998–2009) * Joseph Swensen (2009–2012) * Thomas Zehetmair (2012–2014) * ...
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New Zealand Opera
New Zealand Opera is New Zealand's only full-time professional opera company, formed in 2000 from the merger of companies in Auckland and Wellington (and later Christchurch). New Zealand Opera is headquartered in Parnell, Auckland, stages several productions a year, runs educational programmes, and supports early-career opera singers with the Dame Malvina Major Foundation. History The company was formed in 2000 when Opera New Zealand (the name adopted by Auckland Opera in 1995) and The National Opera of Wellington (formerly Wellington City Opera) decided to merge into one organisation for financial reasons. It launched on 15 October 1999 as ''The National Business Review'' New Zealand Opera (the ''National Business Review'' had paid $1,000,000 for naming rights for the next three years); the NBR sponsorship ceased in 2014 and its name became NZ Opera. A further merger with Southern Opera in Christchurch in 2012 allowed the company to maintain a nation-wide presence and stage ...
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Carmen
''Carmen'' () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the Carmen (novella), novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. ''Carmen'' has since become one of the most popular and frequently performed operas in the classical Western canon, canon; the "Habanera (aria), Habanera" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of ''opéra comique'' with musical numbers separated by dialogue. It is set in southern Spain and tells the story of the downfall of Don José, a naïve soldier who is seduced by the wiles of th ...
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Melbourne Opera
Melbourne Opera was founded in 2002 as a charitable not-for-profit company dedicated to producing opera and associated art forms in Melbourne, Victoria. With philanthropic assistance it has also toured to outer-suburban and regional Victorian theatres, as well as to Canberra and Hobart interstate. Despite receiving no government funding since its foundation, the company mounts between three and five main stage productions each year. Its principal rehearsal and performance home is the Athenaeum Theatre. Melbourne Opera is the business and trading name of South East Regional Touring Opera Ltd. The corporate name was changed on 1 June 2007 to reflect the company's much expanded geographical scope. History Melbourne Opera's inaugural season consisted of ''La traviata'' directed by Blair Edgar, a new production of Bizet's ''The Pearl Fishers'' using Bizet's restored 1863 score, and Mozart's ''The Magic Flute'', directed by Caroline Stacey. A proposed merger with Melbourne City Opera, ...
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Manon
''Manon'' () is an ''opéra comique'' in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel '' L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4). Prior to Massenet's work, Halévy (''Manon Lescaut'', ballet, 1830) and Auber (''Manon Lescaut'', opéra comique, 1856) had used the subject for musical stage works. Massenet also wrote a one-act sequel to ''Manon'', ''Le portrait de Manon'' (1894), involving the Chevalier des Grieux as an older man. The composer worked at the score of ''Manon'' at his country home outside Paris and also at a house at The Hague once occupied by Prévost himself. ''Manon'' is Massenet's most popular and enduring opera and, having "quickly conquered th ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Orphée Aux Enfers
''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act "opéra bouffon" at the Théâtre des Bouffes-Parisiens, Paris, on 21 October 1858, and was extensively revised and expanded in a four-act "opéra féerie" version, presented at the Théâtre de la Gaîté, Paris, on 7 February 1874. The opera is a lampoon of the ancient legend of Orpheus and Eurydice. In this version Orpheus is not the son of Apollo but a rustic violin teacher. He is glad to be rid of his wife, Eurydice, when she is abducted by the god of the underworld, Pluto. Orpheus has to be bullied by Public Opinion into trying to rescue Eurydice. The reprehensible conduct of the gods of Olympus in the opera was widely seen as a veiled satire of the court and government of Napoleon III, Emperor of the French. Some critics expressed outrage at the librettists' di ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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Royal Danish Theatre
The Royal Danish Theatre (RDT, Danish: ') is both the national Danish performing arts institution and a name used to refer to its old purpose-built venue from 1874 located on Kongens Nytorv in Copenhagen. The theatre was founded in 1748, first serving as the theatre of the king, and then as the theatre of the country. The theatre presents opera, the Royal Danish Ballet, multi-genre concerts, and drama in several locations. The Royal Danish Theatre organization is under the control of the Danish Ministry of Culture. Performing arts venues * The Old Stage is the original Royal Danish Theatre built in 1874. * The Copenhagen Opera House ''(Operaen)'', built in 2004. * Stærekassen (New Stage) is an Art Deco theatre adjacent to the main theatre. It was used for drama productions. It is no longer used by the Royal Theatre. * The Royal Danish Playhouse is a venue for "spoken theatre" with three stages, inaugurated in 2008. Cultural references * The Royal Theatre on Kongens Nytorv is a ...
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