Emma Oliver
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Emma Oliver
Emma Sophia Oliver née Eburne later Emma Sedgewick, (15 August 1819 – 15 March 1885) was a British landscape painter. Biography Oliver was born in London, being the daughter of Mary and William Eburne, a coach-builder from Rathbone Place. In September 1840 she married the painter William Oliver and the couple regularly took painting tours of Britain and Germany. Emma Oliver exhibited watercolours and oil paintings from these tours at the Royal Academy in London, at the British Institution and with the Society of British Artists. In 1849 she was elected a member of the Society of Painters in Water Colours. William Oliver died in 1853 and his widow remarried in, or around, 1856 a John Sedgewick but continued to exhibit works as Oliver until her death at Great Berkhamsted in 1885. Her later works included Rhine landscapes and scenes of Venice. The Victoria and Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museu ...
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Rathbone Place
Rathbone Place is a street in central London that runs roughly north-west from Oxford Street to Percy Street. it is joined on its eastern side by Percy Mews, Gresse Street, and Evelyn Yard. The street is mainly occupied by retail and office premises. History The street was originally known as Glanville Street.Rathbone Street
, ''Survey of London, Volume 21, The parish of St Pancras part 3: Tottenham Court Road & Neighbourhood''. 1949. British History Online. Retrieved 13 November 2014.
It was renamed after Captain Thomas Rathbone, who had owned a house on the street since 1684.


Inhabitants

The essayist and critic lived at No. 12 from 1802 to 1805, while the ...
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Brian Harrison (historian)
Sir Brian Howard Harrison (born 9 July 1937) is a British historian and academic. From 1996 to 2004, he was Professor of Modern History at the University of Oxford. From 2000 to 2004, he was also the Editor of the ''Oxford Dictionary of National Biography''. Academic career Harrison was Professor of Modern History at the University of Oxford from 1996 to 2004. He was additionally the editor of ''Oxford Dictionary of National Biography'' from January 2000 to September 2004 (succeeded by Lawrence Goldman). Since 2004, he has been an emeritus fellow of Corpus Christi College, Oxford. Harrison has published extensively on British social and political history from the 1790s to the present. His first book was ''Drink and the Victorians. The Temperance Question England 1815–1872'' (1971, 2nd. ed. 1994), based on his doctoral thesis entitled The temperance question in England, 1829–1869'' His most recent publications are two volumes in the ''New Oxford History of England'' serie ...
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Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decad ...
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British Institution
The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it was also known as the Pall Mall Picture Galleries or the British Gallery. Unlike the Royal Academy it admitted only connoisseurs, dominated by the nobility, rather than practising artists to its membership, which along with its conservative taste led to tensions with the British artists it was intended to encourage and support. In its gallery in Pall Mall the Institution held the world's first regular temporary exhibitions of Old Master paintings, which alternated with sale exhibitions of the work of living artists; both quickly established themselves as popular parts of the London social and artistic calendar. From 1807 prizes were given to artists and surplus funds were used to buy paintings for the nation. Although it continued to att ...
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Society Of British Artists
The Royal Society of British Artists (RBA) is a British art body established in 1823 as the Society of British Artists, as an alternative to the Royal Academy. History The RBA commenced with twenty-seven members, and took until 1876 to reach fifty. Artists wishing to resign were required to give three months' notice and pay a fine of £100. The RBA's first two exhibitions were held in 1824, with one or two exhibitions held annually thereafter. The RBA currently has 115 elected members who participate in an annual exhibition currently held at the Mall Galleries in London. The Society's previous gallery was a building designed by John Nash in Suffolk Street. Queen Victoria granted the Society the Royal Charter in 1887. It is one of the nine member societies that form the Federation of British Artists which administers the Mall Galleries, next to Trafalgar Square. Its records from 1823 to 1985 are in the Victoria and Albert Museum The Victoria and Albert Museum (often abbre ...
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Society Of Painters In Water Colours
The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of watercolour. Its members, or associates, use the postnominal initials RWS. They are elected by the membership, with typically half a dozen new associates joining the Society each year. History The society was founded as the ''Society of Painters in Water Colours'' in 1804 by William Frederick Wells. Its original membership was William Sawrey Gilpin, Robert Hills, John Claude Nattes, John Varley, Cornelius Varley, Francis Nicholson, Samuel Shelley, William Henry Pyne and Nicholas Pocock. The members seceded from the Royal Academy where they felt that their work commanded insufficient respect and attention. In 1812, the Society reformed as the ''Society of Painters in Oil and Watercolours'', reverting to its original name in 1820. In 183 ...
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