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Ellington Is Forever
''Ellington Is Forever'' is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. accessed August 8, 2012 Originally released as a double album set in 1975 it was rereleased on CD in 1993 as ''Ellington Is Forever Volume 1''. Reception The album has been critically well received. ''The Penguin Guide to Jazz'' numbers it among the "core collection" which jazz fans should possess. Allmusic awarded the album 4½ stars stating "This is clearly an affectionate tribute, one born out of close association as well as great appreciation".Gioffre, D[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenny Burrell
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 ''Billboard'' Top Twenty hit Verve album '' Organ Grinder Swing''. He has cited jazz guitarists Charlie Christian, Oscar Moore, and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters.Cohassey, John. "Kenny Burrell: Guitarist, Educator." ''Contemporary Musicians. Profiles of the People in Music.'' Ed. Julia M. Rubiner. Vol. 11. Detroit, MI: Gale Research, 1994. 29–31. PrintNash, Sunny. "Kenny Burrell Biography." ''PRLog,'' May 13, 2009. Burrell is a professor and Director of Jazz Studies at the UCLA Herb Alpert School of Music. Early life Burrell was born in Detroit. Both his parents played instruments,Sallis, James. "Middle Ground: Herb Ellis, Howard Roberts, Jim Hall, Kenny Burrell, Joe Pass, Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chelsea Bridge (song)
"Chelsea Bridge" (1941) is an impressionistic jazz standard composed by Billy Strayhorn. History The piece was originally recorded by the Duke Ellington orchestra on 2 December 1941, with Strayhorn (rather than Ellington himself) on piano and solos by tenor saxophonist Ben Webster and valve trombonist Juan Tizol. It has since been recorded by Webster several times, including with Gerry Mulligan in 1959, as well as by Vince Guaraldi (1956), Joe Henderson (1967), Kenny Burrell (1975), Bobby Hutcherson (1988), Lew Tabackin (1989), Joe Lovano (1994), Ahmad Jamal (1995), André Previn (1999 and live in 2000), Keith Jarrett (1999), and Wynton Marsalis (1999), among many others. Strayhorn himself returned to the piece, recording it as an unaccompanied piano solo on his 1961 album ''The Peaceful Side''. Another version appears on the posthumously released album ''Lush Life'', issued by the Red Baron label. In 1958, lyrics were written for the song by Bill Comstock, a member of The Four F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bubber Miley
Bubber is a nickname and surname which may refer to: People: * Bubber or Bubba Brooks (1922-2002), American jazz tenor saxophonist * James Bubber Epps (born 1943), American politician * Clarence James Bubber Jonnard (1897-1977), American Major League Baseball catcher * James "Bubber" Miley (1903-1932), American jazz trumpet and cornet player * Charles M. Murphy (coach) (1913-1999), American football, basketball and baseball player and Middle Tennessee State University head coach * Riva Bubber, Indian television actress * Bubber or Niels Christian Meyer, Danish television host Fictional characters: * Charlie "Bubber" Reeves, a main character in the 1966 film '' The Chase'', played by Robert Redford * John Bubber, a main character in the 1992 film ''Hero'', played by Andy Garcia See also * Bubba In American usage, "Bubba" is a term of endearment mainly given to boys. Being formed from the word "brother", it often indicates that someone is a "little brother". Etymology and histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milt Jackson
Milton Jackson (January 1, 1923 – October 9, 1999), nicknamed "Bags", was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with hard bop and post-bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the twelve-bar blues at slow tempos. On occasion, Jackson also sang and played piano. Biography Jackson was born on January 1, 1923, in Detroit, Michigan, United States, the son of Manley Jackson and Lillie Beaty Jackson. Like many of his contemporaries, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style. Well, it came from church. The music I heard was open, relaxed, imprompt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creole Love Call
"Creole Love Call" is a jazz standard, most associated with the Duke Ellington band and Adelaide Hall. It entered the '' Billboard'' USA song charts in 1928 at No. 29. for "Creole Love Call" (1928). In 1988, during a radio interview with the journalist and radio host Max Jones, Hall explained how she came up with the counter-melody in "Creole Love Call". An excerpt from the interview can be heard in the article (published 17 December 2020) on the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rocks In My Bed
"Rocks in My Bed" is a 1941 song written by Duke Ellington. Harvey G. Cohen in his 2010 book ''Duke Ellington's America'' writes that "Rocks in My Bed" "presents a more honest and adult impression of sexual loneliness than most Swing Era lyrics". The lyrics arose from a conversation between two women that Ellington overheard. The academic Walter van de Leur theorized in his analysis of several Ellington pieces of the early 1940s that "Rocks in My Bed" may have been partially written by Billy Strayhorn yet solely copyrighted to Ellington without additional attribution. Van de Leur analysed Strayhorn's reharmonisation of the piece for Ivie Anderson's 1941 vocal recording and felt that it marks the moment that Strayhorn "changed from arranger to co-composer". It was introduced by Big Joe Turner in the 1941 musical revue '' Jump for Joy''. Turner said in an interview that he assisted Ellington with the arrangement and composition of "Rocks in My Bed" whilst in preparation for ''Jump fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Didn't Know About You
"I Didn't Know About You" is a song composed by Duke Ellington, with lyrics written by Bob Russell. Recorded in 1944 with vocal by Joya Sherrill, it was based on an instrumental first recorded by Ellington in 1942 under the title " Sentimental Lady". The recording by Count Basie & His Orchestra (vocal by Thelma Carpenter) briefly reached the No. 21 position on the ''Billboard'' charts in 1945 and other recordings available that year were by Duke Ellington, Mildred Bailey, Jo Stafford and Lena Horne. Reception Alec Wilder wrote that it "works well as a song in heseries of Ellington instrumentals with Russell lyrics. The main strain is the most melodic, vocally, of the three Russell wrote lyrics for."Wilder, Alec. ''American Popular Song: The Great Innovators 1900-1950'' (New York: Oxford University Press, 1972), 240. (The other two songs were “Do Nothing till You Hear from Me” and “Don't Get Around Much Anymore”, based respectively on "Concerto for Cootie" and "Never No ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Don't Mean A Thing (If It Ain't Got That Swing)
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard, and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". In 2008, Ellington's 1932 recording of the song was inducted into the Grammy Hall of Fame. Background The music was composed and arranged by Ellington in August 1931 during intermissions at the Lincoln Tavern in Chicago; the lyrics were contributed by Irving Mills. According to Ellington, the song's title was the credo of trumpeter Bubber Miley, who was dying of tuberculosis at the time; Miley died the year the song was released. The song was first recorded by Ellington and his orchestra for Brunswick Records on February 2, 1932. Ivie Anderson sang the vocal and trombonist Joe Nanton and alto saxophonist Johnny Hodges played the solos. The song became famous, Ellington wrote, "as the expression of a senti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Jam Blues
"C Jam Blues" is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus. Background As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C. A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear. It was also known as "Duke's Place", with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts. Recordings *Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is ''Jam Session''. *Western Swing band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Russell (songwriter)
Bob Russell (April 25, 1914 – February 18, 1970) was an American songwriter (mainly lyricist) born Sidney Keith Rosenthal in Passaic, New Jersey. Career Russell attended Washington University in St. Louis, Missouri. He worked as an advertising copywriter in New York; for a time, his roommate there was Sidney Sheldon, later a novelist. He turned to writing material for vaudeville acts, and then for film studios, ultimately writing complete scores for two movies: ''Jack and the Beanstalk (1952 film), Jack and the Beanstalk'' and ''Reach for Glory''. The latter film received the Locarno International Film Festival prize in 1962. A number of other movies featured compositions by Russell, including ''Affair in Trinidad'' (1952), ''The Blue Gardenia, Blue Gardenia'' (1953), ''The Girl Can't Help It'' (1956), ''The Girl Most Likely'' (1957), ''A Matter of WHO'' (1961), ''Abbott and Costello Meet Captain Kidd'' (1952), ''Sound Off (film), Sound Off'' (1952), ''That Midnight Kiss'' (1949 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Get Around Much Anymore
"Don't Get Around Much Anymore" is a jazz standard written by composer Duke Ellington. The song was originally entitled "Never No Lament" and was first recorded by Duke Ellington and his orchestra on May 4, 1940. "Don't Get Around Much Anymore" quickly became a hit after Bob Russell wrote its lyrics in 1942. Two different recordings of "Don't Get Around Much Anymore", one by The Ink Spots and the 1940 instrumental by Ellington's own band, reached No. 1 on the R&B chart in the US in 1943. Both were top-ten pop records, along with a version by Glen Gray. The Duke Ellington version reached No. 8 on the pop chart. Other versions * Mose Allison – '' Young Man Mose'', Prestige, 1958) * Mose Allison – ''Creek Bank'' (Prestige, 1975) * Louis Armstrong with his All-Stars and Duke Ellington – ''The Great Reunion'' (1961) and included on ''The Great Summit'' * Louis Armstrong – ''I've Got the World on a String'' (1960) * Tony Bennett and Miguel Bosé – '' Viva Duets'' (2010) * To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
