Ellington Indigos
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Ellington Indigos
''Ellington Indigos'' is a 1958 jazz album by Duke Ellington. The stereo CD reissue released by Columbia (CK 4444) in 1987 contains a track listing and cover art that is drastically different from the original mono LP. A change in song order and two "new" songs — " Night and Day" and " All The Things You Are" — were added to the CD while " The Sky Fell Down" was omitted. LP (Columbia CL1085) ;Side one #" Solitude" — 4:43  ( Duke Ellington)  Soloist is Duke Ellington on piano.  Recorded on October 14, 1957. #"Where or When" — 4:02  ( Richard Rodgers)  Soloist is Paul Gonsalves on tenor saxophone.  Recorded on October 10, 1957. #" Mood Indigo" — 3:07  ( Duke Ellington/ Barney Bigard)  Soloist is Shorty Baker on trumpet.  Recorded on September 9, 1957. #" Autumn Leaves" — 7:10  (Music: Joseph Kosma, Lyrics: Jacques Prévert/ Johnny Mercer)  Vocalist is Ozzie Bailey.  Soloist is Ray Nance on violin.  R ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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(In My) Solitude
"(In My) Solitude" is a 1934 composition by Duke Ellington, with lyrics by Eddie DeLange and Irving Mills. It has been recorded numerous times and is considered a jazz standard. Ellington reported that he composed it in a recording studio in 20 minutes, as his orchestra had arrived with three pieces to record and required another. It is in D major and has an AABA form (although "the IV chord in measure 3 is replaced by a II7 the second time"). According to Ellington, the title was suggested by trumpeter Arthur Whetsel. An AllMusic writer describes the composition as "at once optimistic in its tone but somber in its pace, conflicted with the emotions of bitter loneliness and fond remembrance". The mood is set "in the very first phrase of the melody, with its ascent to the leading tone of the scale falling just short of the tonic, and in the seemingly unremarkable chord progressions that nevertheless manage to transform harmonic resolution into wistful resignation". The first recor ...
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Prelude To A Kiss (song)
"Prelude to a Kiss" is a 1938 ballad composed by Duke Ellington, with lyrics by Irving Gordon and Irving Mills. Background and composition This composition is in the key of D-flat major but makes extensive use of the secondary dominant chords, secondary ii–V–I progressions, diatonic circle of fifths, and evaded cadences. The song is extremely chromatic and complex, employing sophisticated mathematics that were rare at this time in jazz: Ellington's rising semitones (G-G#-A-A#-B) at the end of the bridge mirror the opening of both A sections (B-A#-A-G#-G). By the late 1930s, swing was at the height of its popularity. Using his fame and artistic freedom, Ellington became more ambitious and experimental, writing "Prelude to a Kiss", which abandoned the Tin Pan Alley style hooks and dance tempo for melodic lines and harmonies found more often in classical music. He recorded this piece as an instrumental in August 1938 before returning to the studio a few weeks later to recor ...
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Ray Nance
Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra. Early years Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson. Ellington tenure Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance's first recorded performance with Ellington was at the Duke Ellington at Fargo, 1940 Live, Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of "Take the "A" Train", which became the Ellington theme. Nance's "A Train" solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance's sol ...
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Ozzie Bailey
Ozzie or Ozzy is a masculine given name, sometimes a short form (hypocorism) of Oswald, Oscar, Osborne, Osman and Ozymandias and other names, surname and nickname which may refer to: Animals * Ozzie (gorilla) (born c. 1961) People * Chris Osgood (born 1972), National Hockey League goaltender for the Detroit Red Wings * Ray Ozzie (born 1955), former Chief Software Architect at Microsoft * Oscar Ozzie Cadena (1924–2008), American record producer * Osvaldo Ozzie Canseco (born 1964), Cuban-born former baseball player, brother of José Canseco * Osborne Colson (1916–2006), Canadian figure skater and coach * Osborne Cowles (1899-1997), American college basketball and football player and coach * Oswaldo Ozzie Guillén (born 1964), Venezuelan former Major League Baseball player and manager * Oscar Ozzy Lusth (born 1981), ''Survivor'' reality TV show contestant * Michael Myers (Pennsylvania politician) (born 1943), American politician convicted for his part in the Abscam scandal * Oswal ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including " Moon River", " Days of Wine and Roses", " Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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Jacques Prévert
Jacques Prévert (; 4 February 1900 – 11 April 1977) was a French poet and screenwriter. His poems became and remain popular in the French-speaking world, particularly in schools. His best-regarded films formed part of the poetic realist movement, and include '' Les Enfants du Paradis'' (1945). He published his first book in 1946. Life and education Prévert was born in Neuilly-sur-Seine and grew up in Paris. After receiving his ''Certificat d'études'' upon completing his primary education, he quit school and went to work in Le Bon Marché, a major department store in Paris. In 1918, he was called up for military service in the First World War. After this, he was sent to the Near East to defend French interests there. He died of lung cancer in Omonville-la-Petite, on 11 April 1977. He had been working on the last scene of the animated movie ''Le Roi et l'Oiseau'' (''The King and the Mockingbird'') with his friend and collaborator Paul Grimault. When the film was released in ...
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Joseph Kosma
Joseph Kosma (22 October 19057 August 1969) was a Hungarian-French composer. Biography Kosma was born József Kozma in Budapest, where his parents taught stenography and typing. He had a brother, Ákos. A maternal relative was the photographer László Moholy-Nagy, and another was the conductor Georg Solti. He started to play the piano at age five, and later took piano lessons. At the age of 11, he wrote his first opera, ''Christmas in the Trenches''. After completing his education at the Secondary Grammar School Franz-Josef, he attended the Academy of Music in Budapest, where he studied with Leo Weiner. He also studied with Béla Bartók at the Liszt Academy, receiving diplomas in composition and conducting. He won a grant to study in Berlin in 1928, where he met Lilli Apel, another musician, whom he later married. Kosma also met and studied with Hanns Eisler in Berlin. He became acquainted with Bertolt Brecht and Helene Weigel. Kosma and his wife emigrated to Paris in 1933. ...
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Autumn Leaves (1945 Song)
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma in 1945 with original lyrics by Jacques Prévert in French (original French title: "Les Feuilles mortes"), and later by Johnny Mercer in English. An instrumental version by pianist Roger Williams was a number one best-seller in the US ''Billboard'' charts of 1955. Background Kosma was a native of Hungary who was introduced to Prévert in Paris. They collaborated on the song ' ("The Dead Leaves") for the 1946 film '' Les Portes de la nuit (Gates of the Night)'' where it was sung by Irène Joachim and Yves Montand. The poem was published, after the death of Jacques Prévert, in the book " Soleil de Nuit" in 1980. Kosma was influenced by a piece of ballet music, "Rendez-vous" written for Roland Petit, performed in Paris at the end of the Second World War, large parts of the melodies are exactly the same, which was itself borrowed partially from "Poème d'octobre" by Jules Massenet. The first commercial ...
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Shorty Baker
Harold "Shorty" Baker (May 26, 1914 in St. Louis, Missouri, US – November 8, 1966) was an American jazz trumpeter. Baker began on drums, but switched to trumpet during his teens. He started his career on riverboats and played with Don Redman in the mid-1930s. He also worked with Teddy Wilson and Andy Kirk before joining Duke Ellington. He married Kirk's pianist Mary Lou Williams and though the two separated shortly thereafter, they never officially divorced. Baker worked on and off in Duke Ellington's Orchestra from 1942 to 1962. He also worked with Johnny Hodges's group in the early 1950s, during the period when Hodges was not a member of Ellington's orchestra. He died of throat cancer in New York at the age of 52.Owsley, D. (2006). ''City of Gabriels: The History of Jazz in St. Louis, 1895-1973''. United States: Reedy Press, p. 57 Discography As leader/co-leader *''The Broadway Beat'' (King, 1959) *'' The Bud Freeman All-Stars featuring Shorty Baker'' (Swingville, 1960) wit ...
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Barney Bigard
Albany Leon "Barney" Bigard (March 3, 1906 – June 27, 1980) was an American jazz clarinetist known for his 15-year tenure with Duke Ellington. He also played tenor saxophone. Biography Bigard was born in New Orleans to Creole parents, Alexander and Emanuella Bigard. He had two brothers, Alexander Jr. and Sidney. His uncle, Emile Bigard, was a jazz violinist. He attended local schools and studied music and clarinet with Lorenzo Tio. In the early 1920s, he moved to Chicago, where he worked with King Oliver and others. During this period, much of his recording, including with clarinetist Johnny Dodds, was on tenor saxophone, which he played often with great lyricism, as on Oliver's "Someday Sweetheart". In December 1927, Bigard joined Duke Ellington's orchestra in New York. He played with Ellington until 1942. They played primarily at the Cotton Club until 1931, then toured almost nonstop for over a decade. With Ellington, he was the featured clarinet soloist, while also d ...
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Mood Indigo
"Mood Indigo" is a jazz song with music by Duke Ellington and Barney Bigard and lyrics by Irving Mills. Composition Although Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, Mitchell Parish claimed in a 1987 interview that he had written the lyrics. The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues". It was "the first tune I ever wrote specially for microphone transmission", Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo", it became a jazz standard." The main theme was provided by Bigard, who learned it in New Orleans, Louisiana from his clarinet teacher Lorenzo Tio, who called it a "Mexican Blues". Ellington's arrangement was first recorded by his band for Brunswick on October 17, 1930. It was recorded twice more in 1930. These recordings included Arthur Whetsel (trumpet), Tricky Sam Nanton (tr ...
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