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Ella At The Opera House
''At the Opera House'' is a 1958 live album by Ella Fitzgerald. The album presents a recording of the 1957 Jazz at the Philharmonic Concerts. This series of live jazz concerts was devised by Fitzgerald's manager Norman Granz; they ran from 1944 to 1983. Featured on this occasion, in 1957, are Fitzgerald and the leading jazz players of the day in an onstage jam session. The first half of the 1990 CD edition includes a performance that was recorded on September 29, 1957, at the Chicago Opera House, whilst the second half highlights the concert recorded on October 7, 1957, at the Shrine Auditorium, in Los Angeles. The original LP obviously included only the mono tracks (#10-18). This album is typical of Ella's concert repertoire in the mid 1950s, singing swing standards, and songs referencing her recent 'Songbook' series, in this case, the Cole Porter and Rodgers and Hart songbooks. Reception Writing for Allmusic, music critic Scott Yanow wrote of the album "... this album is mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ella Fitzgerald
Ella Jane Fitzgerald (April 25, 1917June 15, 1996) was an American jazz singer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Penguin Guide To Jazz Recordings
''The Penguin Guide to Jazz'' is a reference work containing an encyclopedic directory of jazz recordings on CD which were (at the time of publication) currently available in Europe or the United States. The first nine editions were compiled by Richard Cook and Brian Morton, two chroniclers of jazz resident in the United Kingdom. History The first edition was published in Britain by Penguin Books in 1992. Every subsequent two years, through 2010, a new edition was published with updated entries. The eighth and ninth editions, published in 2006 and 2008, respectively, each included 2,000 new CD listings. The title took on different forms over the lifetime of the work, as audio technology changed. The seventh edition was known as ''The Penguin Guide to Jazz on CD'' while subsequent editions were titled ''The Penguin Guide to Jazz Recordings''. The earliest edition had the title ''The Penguin Guide to Jazz on CD, LP and Cassette''. Richard Cook died in 2007, prior to the comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Link
Harry Link (born John Harry Linkey, January 25, 1896, Philadelphia – July 5, 1956, New York City) was an American vaudeville actor and songwriter. He wrote and co-wrote several well-known jazz standards. Career Link studied at the Wharton School of Business but was already publishing songs by his late teens; in 1914, he co-wrote "Along Came Ruth" with Irving Berlin. He attempted a career in acting, appearing in the 1916 film ''The Masked Rider'', but had little luck and soon gave it up for a sustained career in music publishing. In 1929, he co-wrote "I've Got a Feeling I'm Falling" with Billy Rose and Fats Waller. Waller turned the song into a hit; Louis Armstrong recorded the tune, as did many others. Link and Waller also co-wrote "Gone" with Andy Razaf and "I Hate to Leave You Now" with Dorothy Dick ''(née'' Dorothy Dickenshied; 1895–1986), whom Link married in 1916 in Philadelphia. Armstrong also recorded a version of "I Hate to Leave You Now". Link and Dick went on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Strachey
Jack Strachey (25 September 1894 – 27 May 1972) was an English composer and songwriter Born John Francis Strachey in London on 25 September 1894, he began writing songs in the 1920s for the theatre and the music hall, scoring his first success with songs he had written for Frith Shephard's long running musical revue ''Lady Luck'' which opened at The Carlton Theatre in April 1927 where it ran for 324 performances. In the 1930s, he began to collaborate with Eric Maschwitz and in 1936 Strachey, Maschwitz (using the pen name Holt Marvell), and Harry Link co-wrote "These Foolish Things (Remind Me of You)", which was to provide a top ten hit for five separate artists in 1936. Benny Goodman was among the five artists to record the song in 1936, and it has been widely covered since - by Billie Holiday, Thelonious Monk and Bryan Ferry among others. Under the title "Ces Petites Choses", it was also a hit in France for Dorothy Dickson. Strachey scored another success in 1940 (this time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
These Foolish Things (Remind Me Of You)
"These Foolish Things (Remind Me of You)" is a standard with lyrics by Eric Maschwitz, writing under the pseudonym Holt Marvell, and music by Jack Strachey, both Englishmen. Harry Link, an American, sometimes appears as a co-writer; his input was probably limited to an alternative "middle eight" (bridge) which many performers prefer. It is one of a group of "Mayfair songs", like "A Nightingale Sang in Berkeley Square". Maschwitz wrote the song under his pen name, Holt Marvell, at the behest of Joan Carr for a late-evening revue broadcast by the BBC. The copyright was lodged in 1936. According to the ''Oxford Dictionary of National Biography'', British cabaret singer Jean Ross, with whom Maschwitz had a youthful liaison, was the muse for the song. Creation Although Maschwitz's wife Hermione Gingold speculated in her autobiography that the haunting jazz standard was written for either herself or actress Anna May Wong, Maschwitz himself contradicted such claims. Maschwitz inste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bewitched, Bothered And Bewildered
"Bewitched (Bothered and Bewildered)" is a show tune and popular song from the 1940 Rodgers and Hart musical '' Pal Joey''. It is part of the Great American Songbook. The song was introduced by Vivienne Segal on December 25, 1940, in the Broadway production during Act I, Scene 6, and again in Act II, Scene 4, as a reprise. Image ID 1801557. Archived froPlaybill scan for Pal Joey Image ID 1801552. Segal also sang the song on both the 1950 hit record and in the 1952 Broadway revival. It was performed by Carol Bruce in the 1954 London production. Chart versions * Doris Day with The Mellomen and orchestra conducted by John Rarig ** Columbia 38698 (matrix: HCO 3765-1N) **Recorded: May 13, 1949 **Peak Billboard chart position: No. 9 *Bill Snyder ** Billboard year-end top 30 singles of 1950 No. 24 *Gordon Jenkins and orchestra with vocal chorus by Bonnie Lou Williams **Decca 24983 **Peak Billboard chart position: No. 6 ** Billboard year-end top 30 singles of 1950 No. 26 *Jan Augus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Stillman
Al Stillman ''(né'' Albert Irving Silverman; 26 June 1901 Manhattan, New York – 17 February 1979 Manhattan, New York) was an American lyricist. Biography Stillman was born to Jewish parents Herman Silverman and Gertrude Rubin ''(maiden).'' He adopted the name "Albert Stillman" as a professional pseudonym. He chose the name, reportedly, because it was the recognizable surname of a well-known New York banking family. He was Jewish. He attended New York University. After graduation, he contributed to Franklin P. Adams' newspaper column, and in 1933 became a staff writer at Radio City Music Hall, a position he held for almost 40 years. Stillman collaborated with a number of composers: Fred Ahlert, Robert Allen, Percy Faith, George Gershwin, Ernesto Lecuona, Paul McGrane, Kay Swift, and Arthur Schwartz. Many of his collaborations with Allen were major hits in the 1950s for The Four Lads; the Stillman/Allen team also wrote hit songs for Perry Como and Johnny Mathis. Stillman was in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Illinois Jacquet
Jean-Baptiste "Illinois" Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument. Early life Jacquet's parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet,The Sons and Daughters of Jean Baptiste Jacquet (1995) When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Mundy
James Mundy (June 28, 1907 – April 24, 1983) was an American jazz tenor saxophonist, arranger, and composer, best known for his arrangements for Benny Goodman, Count Basie, and Earl Hines. Mundy died of cancer in New York City at the age of 75. Discography *1937–1947: ''Jimmy Mundy 1947–1947'' (Classics) *May 1946: "Bumble Boogie" / "One O'Clock Boogie" (Aladdin 131) *June 1946: "I Gotta Put You Down Pt 1" / "I Gotta Put You Down Pt 2" (Aladdin 132) *1958: ''On a Mundy Flight'' (Epic) *2002: ''Fiesta in Brass'' (Golden Era) As arranger ;With Chet Baker *'' Baker's Holiday'' (Limelight, 1965) With Al Hibbler *'' After the Lights Go Down Low'' (Atlantic 1957) With Illinois Jacquet *'' The Soul Explosion'' (Prestige, 1969) With Harry James *''Harry James and His Orchestra 1948–49'' (Big Band Landmarks Vol. X & XI, 1969) With Sonny Stitt *''Sonny Stitt & the Top Brass'' (Atlantic, 1962) *''Little Green Apples'' (Solid State, 1969) *''Come Hither'' (Solid State, 1969) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don'cha Go 'Way Mad
"Don'cha Go 'Way Mad" is a popular song composed by Illinois Jacquet and Jimmy Mundy, with lyrics written by Al Stillman. It was originally recorded by Illinois Jacquet and His Orchestra as an instrumental on April 6, 1949 as "Black Velvet". Al Stillman later added lyrics and Harry James recorded it as "Don'cha Go 'Way Mad" on December 12, 1949 (released in 1950) on Columbia 38682. Other notable recordings of "Don'cha Go 'Way Mad" * Rosemary Clooney and The Hi-Lo's - ''Ring Around Rosie'' (1957). *Sammy Davis Jr. - '' Sammy Swings'' (1957) *Ella Fitzgerald & Sy Oliver - recorded for Decca Records on February 2, 1950 (catalog No. 24917). *Ella Fitzgerald - '' Ella at the Opera House'' (1958). *Jazz Passengers featuring Deborah Harry and Elvis Costello - ''Individually Twisted'' (1996). *Big Kahuna and the Copa Cats - ''Big Kahuna'' (1999) * Julie London - '' Julie'' (1957). * Lucy Ann Polk - ''Lucky Lucy Ann'' (1957). * Frank Sinatra - ''Sinatra and Swingin' Brass'' (1962). * Mel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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