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Elizabeth Bainbridge
Elizabeth Bainbridge (born 28 March 1930) is a retired English opera singer. Her career in singing spanned several decades. She achieved most of her successes while a member of the company of the Royal Opera House, Covent Garden, London. Bainbridge is a mezzo-soprano and contralto. Early life Bainbridge was born on 28 March 1930 in Rawtenstall, Lancashire in the North of England. She left school at the age of 14, and worked in the weaving mills of Lancashire during the last year of Second World War before studying at the Guildhall School of Music in London. Career Bainbridge made her professional debut as the Third Lady in ''Die Zauberflöte'' at Glyndebourne in East Sussex in 1963. The following year saw her debut at the Royal Opera House in Wagner's ''Die Walküre''. She joined the company in 1965, and appeared at Covent Garden more than a thousand times: among her roles were Amneris, Arvidson, Auntie (in ''Peter Grimes''), Berta, Emilia, Erda, Grandma Burya, Mamma Lucia, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Festival Hall
The Royal Festival Hall is a 2,700-seat concert, dance and talks venue within Southbank Centre in London. It is situated on the South Bank of the River Thames, not far from Hungerford Bridge, in the London Borough of Lambeth. It is a Grade I listed building, the first post-war building to become so protected (in 1981). The London Philharmonic Orchestra, the Philharmonia Orchestra, the Orchestra of the Age of Enlightenment, the London Sinfonietta, Chineke! and Aurora are resident orchestras at Southbank Centre. The hall was built as part of the Festival of Britain for London County Council, and was officially opened on 3 May 1951. When the LCC's successor, the Greater London Council, was abolished in 1986, the Festival Hall was taken over by the Arts Council, and managed together with the Queen Elizabeth Hall and Purcell Room (opened 1967) and the Hayward Gallery (1968), eventually becoming an independent arts organisation, now known as the Southbank Centre, in April 1998. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emsworth
Emsworth is a town in the Borough of Havant in the county of Hampshire, England, near the border of West Sussex and located at by the south coast of England. It lies at the north end of an arm of Chichester Harbour, a large and shallow inlet from the English Channel and is equidistant between Portsmouth and Chichester. Emsworth had a population of 9,492 at the 2011 Census. The town has a basin for yachts and fishing boats, which fills at high tide and can be emptied through a sluice at low tide. In geodemographic segmentation the town is the heart of the Emsworth (cross-county) built-up area, the remainder of which is Westbourne, Southbourne and Nutbourne. The area had a combined population of 18,777 in 2011, with a density of 30.5 people per hectare and shares two railway stations. Etymology According to Richard Coates the meaning of Emsworth is derived from the Old English , which translates as 'Æmmele's curtilage'. It is popularly thought that Emsworth derived its name f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wuthering Heights (Herrmann)
''Wuthering Heights'' is the sole opera written by Bernard Herrmann. He worked on it from 1943 to 1951. It is cast in a prologue, 4 acts, and an epilogue that repeats the music of the prologue. The opera was recorded in full by the composer in 1966, but it had to wait until April 2011, the centenary of the composer's birth, for a complete theatrical performance (there was an abridged stage production in 1982 and a concert version in 2010). The libretto was by Herrmann's first wife, Lucille Fletcher, based on the first part of Emily Brontë's 1847 novel of the same name. Fletcher also interpolated some text from the second part of the novel, and from some unrelated poems by Emily Brontë (such as "I have been wandering through the Green Woods"). By the time the work was finished, Fletcher and Herrmann had divorced and he had married her cousin Lucy. Although the work is largely unknown, Lucille Fletcher said it was "perhaps the closest to his talent and heart". Genesis Herrmann ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Herrmann
Bernard Herrmann (born Maximillian Herman; June 29, 1911December 24, 1975) was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. An Academy Award-winner (for ''The Devil and Daniel Webster'', 1941; later renamed ''All That Money Can Buy''), Herrmann mainly is known for his collaborations with director Alfred Hitchcock, most famously '' Psycho'', ''North by Northwest'', '' The Man Who Knew Too Much'', and ''Vertigo''. He also composed scores for many other films, including ''Citizen Kane'', '' Anna and the King of Siam'', ''The Day the Earth Stood Still'', ''The Ghost and Mrs. Muir'', '' Cape Fear'', ''Fahrenheit 451'', and ''Taxi Driver''. He worked extensively in radio drama (composing for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs, including Rod Serling's ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir John In Love
''Sir John in Love'' is an opera in four acts by the English composer Ralph Vaughan Williams. The libretto, by the composer himself, is based on Shakespeare's ''The Merry Wives of Windsor'' and supplemented with texts by Philip Sidney, Thomas Middleton, Ben Jonson, and Beaumont and Fletcher. The music deploys English folk tunes, including "Greensleeves". Originally titled ''The Fat Knight'', Kennedy, Michael, ''The Works of Ralph Vaughan Williams''. Oxford University Press (1964), p. 218. the opera premiered at the Parry Opera Theatre, Royal College of Music, London, on 21 March 1929. Its first professional performance was on 9 April 1946 at Sadler's Wells Theatre. Performance history Performances of the opera have remained rare, including 1978 and 1988 productions by the Bronx Opera (New York City) and a 1997 Barbican concert performance. After 1958, the opera remained unstaged in the UK until the 2006 production at English National Opera (ENO), which was ENO's first production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rape Of Lucretia
''The Rape of Lucretia'' (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play '. Performance history The opera was first performed at Glyndebourne in England on 12 July 1946. It is the first work to which Britten applied his term "chamber opera." The opera debuted in the United States on Broadway at the Ziegfeld Theatre in a production staged by Agnes de Mille which opened on 29 December 1948 and closed on 15 January 1949 after 23 performances. The cast notably included Giorgio Tozzi as Tarquinius, Kitty Carlisle as Lucretia, Lidija Franklin as Bianca, Brenda Lewis as the Female Chorus, and Adelaide Bishop as Lucia. In 1996 the opera was presented at the Opera Theatre of St. Louis directed by Britten expert and friend, Colin Graham. It also appeared in the Opera Company of Philadelphia's 2009 season. In 2013, the opera was performed for the first time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugene Onegin (opera)
''Eugene Onegin'' ( rus, Евгений Онегин, italic=yes, Yevgény Onégin, jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn, Ru-Evgeny_Onegin.ogg), Opus number, Op. 24, is an opera ("lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825-1832 Eugene Onegin, novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1. ''Eugene Onegin'' is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend. The opera was first performed in Moscow in 1879. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dido And Aeneas
''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689.White, Bryan, 'Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas', 417 Some scholars argue for a date of composition as early as 1683.Pinnock, Andrew, 'Which Genial Day? More on the court origin of Purcell's Dido and Aeneas, with a shortlist of dates for its possible performance before King Charles II’, Early Music 43 (2015), 199–212Bruce Wood and Andrew Pinnock, Unscared by turning times'? The dating of Purcell's Dido and Aeneas," The story is based on Book IV of Virgil's ''Aeneid''. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susannah
''Susannah'' is an opera in two acts by the American composer Carlisle Floyd, who wrote the libretto and music while a member of the piano faculty at Florida State University. Floyd adapted the story from the Apocryphal tale of Susanna (Book of Daniel), Susannah and the Elders, though the latter story has a more positive ending. The story focuses on 18-year-old Susannah Polk, an innocent girl who is targeted as a sinner in the small mountain town of New Hope Valley, in the Southern American state of Tennessee. The opera was awarded the New York Music Critics Circle Award for Best New Opera in 1956 and was chosen to represent Music of the United States, American music and culture at the World's Fair at Brussels in 1958, with a production (by Frank Corsaro) that featured Phyllis Curtin and Norman Treigle. It received its Metropolitan Opera premiere in 1999, with Renée Fleming singing the title role, Jerry Hadley singing Sam and Samuel Ramey singing Blitch. Ramey also recorded the c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
